4.3/10
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Fantastic Four (2015)

Trailer
2:32 | Trailer
Four young outsiders teleport to an alternate and dangerous universe which alters their physical form in shocking ways. The four must learn to harness their new abilities and work together to save Earth from a former friend turned enemy.

Directors:

Josh Trank, Stephen E. Rivkin (uncredited)

Writers:

Jeremy Slater (screenplay), Simon Kinberg (screenplay) | 3 more credits »
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Popularity
548 ( 124)
8 wins & 5 nominations. See more awards »

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Cast

Cast overview, first billed only:
Miles Teller ... Reed Richards
Michael B. Jordan ... Johnny Storm
Kate Mara ... Sue Storm
Jamie Bell ... Ben Grimm / The Thing
Toby Kebbell ... Victor Von Doom / Dr. Doom
Reg E. Cathey ... Dr. Franklin Storm
Tim Blake Nelson ... Dr. Allen
Joshua Montes ... Quarterback Speech School Kid
Dan Castellaneta ... Mr. Kenny
Owen Judge ... Young Reed
Kylen Davis ... Teasing School Kid
Evan Hannemann ... Young Ben
Chet Hanks ... Jimmy Grimm
Mary-Pat Green ... Mrs. Grimm
Tim Heidecker ... Mr. Richards
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Storyline

FANTASTIC FOUR, a contemporary re-imagining of Marvel's original and longest-running superhero team, centers on four young outsiders who teleport to an alternate and dangerous universe, which alters their physical form in shocking ways. Their lives irrevocably upended, the team must learn to harness their daunting new abilities and work together to save Earth from a former friend turned enemy. Written by 20th Century Fox

Plot Summary | Plot Synopsis

Taglines:

Change is coming. See more »


Motion Picture Rating (MPAA)

Rated PG-13 for sci-fi action violence, and language | See all certifications »

Parents Guide:

View content advisory »
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Did You Know?

Trivia

In relation to the financial and artistic failure of this film, which was attributed to behind-the-scenes troubles between the movie's director Josh Trank and the movie's producers, director Joe Carnahan, who left Mission: Impossible III (2006) due to massive creative differences between him, star Tom Cruise and producer Paula Wagner, released a statement on twitter saying that he is happy that twitter wasn't around at the time he was involved in this movie. He said Trank's position as coming from an independent film, who was a critical and financial success (in Trank's case that was Chronicle (2012), for Carnahan it was Narc (2002)), and being roughly around the same age as Trank when being offered the jump from independent director to million dollar-movie franchise director, he faced similar troubles with studio and producers as Trank, when the vision of the different parties just wouldn't come together. However, other than Trank, who fought hard to put his vision of the superhero-movie through and failed, Carnahan was wise enough to leave the Mission: Impossible project, saving him much trouble. See more »

Goofs

(at around 57 mins) The MQ-9 Reaper drone used as target practice is showing flying at extremely high speeds and being highly nimble and maneuverable. It is actually a slow, propeller-pushed aircraft with a cruising speed of only 194mph (313kph). See more »

Quotes

[first lines]
Boy: Ever since I was three, I wanted to play quarterback for the New York Giants... like my personal hero, Eli Manning. Annual salary is between 10 and 20 million dollars a year.
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Crazy Credits

When the 20th Century Fox logo fades away, the F in the logo stays for a second longer before it also fades away. This parallels the Fox X-Men films, where the X in the logo stays longer also. See more »

Connections

Featured in Honest Trailers: Suicide Squad (2016) See more »

Soundtracks

Standing in the Shadows of Love
Written by Brian Holland, Eddie Holland (as Edward Holland Jr.), & Lamont Dozier
Performed by The Four Tops (as Four Tops)
Courtesy of Motown Records
Under license from Universal Music Enterprises
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User Reviews

 
Has Some Great Moments, But Takes Too Much Time to Become Interesting, Long Enough to Make Us Not Care

There's probably some salvageable remnants left in Fox's previous attempts to bring one of Marvel's most popular superhero team, FANTASTIC FOUR, to the big screen. That's maybe what Fox thinks in pushing this new adaptation, given how franchises keep being rebooted and resurrected these days, assuming either lighter or darker takes, to pull away themselves from the shadows of their previous (most often, forgettable) forms. The latter is more evident with this film, as Director Josh Trank, puts a darker spin to it, employing a grittier feel to its plot. While that is true and recognizable, there's no denying of its desperate efforts to emulate its Marvel predecessors. Unfortunately, though, neither, succeeds. If it's any a consolation, Trank has assembled a group of actors that are all naturally charming, you would find anything messed-up they're in, tolerable.

The spotlight is cast upon young genius, Reed Richards, at the beginning of the film, working on an experiment that attempts to construct a teleportation device. It was hardly a success as the object they've sent to who-knows-where, never returned. Seven years later, now teenage Reed (Miles Teller) is again trying his luck on the same experiment. The attempt yields a better result but is still dismissed as a magic trick by his high school teacher, but not by Dr. Franklin Storm, who at that moment, is drawn with utter interest to Richard's experiments. The meeting brings Richard's feet to Baxter Institute where he is joined by Storm's daughter, Sue (Kate Mara), his son, Johnny Storm (Michael B. Jordan), and Viktor Von Doom (Toby Kebbell), to work in completing a larger and more advanced version of Richard's device. The success of their effort prompts their team to send all of them four to their target alternate universe, but the consequence is far worse than they could imagine.

It's easy to dismiss Trank's Fantastic Four as an unfortunate victim of superhero fatigue that emerges in the wake of the continuous influx of superhero movies inundating the big screen, but you can't shrug off its fatal narrative flaws that include unfocused pace and bland character developments. The latter may have been completely covered by the actors playing the two-dimensional characters, but expositional defects keep sending them to becoming something the audience might find hard to care about. Perhaps its the ill-contrived rationales behind how all the often-sense-deprived proceedings work, that keeps the film constructing a form, worth-of- attention, or the forced CGI-gimmicks that strip the sense off the moment's supposedly strong sentiments, that hampers its spectators' ability to absorb its message, and thus, feel that the dangers these characters are about to face, is real. Either way, it's difficult to care, much less find reasons why we still should.

If it's any consolation, the final battle of this film,sparks hope. But who knows who else is up with eagerness to see it when the rest of the film strikes more than enough to make the audience not wait for any longer. 5/10


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Details

Official Sites:

Official Facebook | Official site | See more »

Country:

USA | Germany | UK

Language:

English | Spanish

Release Date:

7 August 2015 (USA) See more »

Also Known As:

Henry Street See more »

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Box Office

Budget:

$120,000,000 (estimated)

Opening Weekend USA:

$25,685,737, 9 August 2015

Gross USA:

$56,117,548

Cumulative Worldwide Gross:

$167,882,881
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Company Credits

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Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

2.35 : 1
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