A priest with a haunted past and a novice on the threshold of her final vows are sent by the Vatican to investigate the death of a young nun in Romania and confront a malevolent force in the form of a demonic nun.
In October 2018, forty years after the massacre in Haddonfield, true-crime pod-casters Aaron Korey and Dana Haines travel to Warren County Smith's Grove Sanitarium to visit Michael Myers. They briefly interview Michael's psychiatrist Dr. Ranbir Sartain, a former student of Dr. Samuel Loomis, before meeting with Michael in hopes of gaining some insight into his past actions before his transfer to a new facility. Aaron brandishes Michael's mask at him, to no effect. In Haddonfield, Illinois, Laurie Strode is living an isolated life, having been divorced twice, developed a strained relationship with her family and turned to alcohol. Laurie has prepared for Michael's potential return through combat training. The following night, Michael's transport crashes. Michael kills a father and his son who stumble upon the crashed bus on the road, and steals their car. The following day, on Halloween, Michael resumes his killing spree, killing several people at a gas station, including a clerk, a ...
Michael Myers' tenth appearance on film, which, if you discount dream sequences in Friday the 13th and Friday the 13th Part V, equals the number of appearances of fellow horror movie icon Jason Voorhees. See more »
When Dr. Sartain lies on the floor after he is being pulled out of the van by Michael his head is smashed to pulp by Michael his foot. When the cops investigate his body his head is more or less recomposed back together. See more »
A flawed but welcome return to form for the franchise, and for slashers in general.
After Resurrection and the Rob Zombie films, it's an understatement to say that Halloween (2018) was a pleasant surprise. Laurie Strode was given the T2 Sarah Connor treatment and is now a formidable badass, having waited forty years for Michael Myers to escape prison so that she can kill him. This is the showdown we've been clamoring for.
If there's one thing Halloween (2018) gets right, it's the protagonist. Laurie Strode is treated with respect here, unlike in other sequels (I'm looking at you, Resurrection). She's been training for forty years, preparing, praying for Michael to break out of prison so she can kill him. Her daughter had to learn how to fight at a very young age, and eventually Laurie was deemed unfit to be a parent. Because of this, they have a strained relationship, and it's believable. There's even a satisfying payoff at the end. Horror filmmakers take note: a little character development goes a long way.
There's also Laurie's granddaughter, and this is where the flaws start to creep in. The teenagers and their drama was the weakest aspect of the movie. Sadly, most of the second act is devoted to these characters that we really don't know or care about. There's Laurie's granddaughter, her boyfriend, the comic relief guy, her ditzy friend, and her friend's boyfriend. That's the extent of their characters. Naturally, they're only there as fodder for Michael (except the boyfriend who mysteriously disappears from the movie), but the fact is that we're wasting time watching these characters interact when there's a much more compelling story on the sidelines.
Comedy is used fairly appropriately in the film, the little boy being the clear standout. But there are a handful of farcical bits that are either ill-timed or simply not funny, or a combination of both. This prevents the movie from developing an overall atmosphere. This isn't so much a problem in the third act, thankfully, but the finale would've been more effective if a bleak atmosphere had been established earlier in the film. A few more wide shots of the streets of Haddonfield in the fall weather; more shots of Michael standing in the background eerily out of focus; limiting the comic relief to one, maybe two characters max; any of these could've been helped.
That's not to say that the direction is poor. Far from it. This is the closest the franchise has felt like a Carpenter movie since the original. Gordon Green does a good job of keeping Michael in the shadows - even unmasked, it's difficult to make out his face. You really get the sense that he is, purely and simply, evil. Background action is also prevalent and well done (as in, there's not a music sting whenever Michael comes into frame). Again, a breath of fresh air after the Zombie films which had the subtlety of a sledgehammer.
This is an excellent sequel to Halloween and a thoroughly enjoyable, well crafted slasher movie on its own. It's wonderful to see the Boogeyman on the big screen again, and now he has finally met his match. Is it a perfect movie? Absolutely not. But Halloween (2018) is something to be celebrated if only for one thing: it proves that slashers can still be scary.
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