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Halloween (2018)

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In 31 theaters near Ashburn VA US [change]

Laurie Strode comes to her final confrontation with Michael Myers, the masked figure who has haunted her since she narrowly escaped his killing spree on Halloween night four decades ago.

Director:

David Gordon Green

Writers:

David Gordon Green (screenplay), Danny McBride (screenplay) | 3 more credits »
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1 ( 5)
1 nomination. See more awards »

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Cast

Cast overview, first billed only:
Jamie Lee Curtis ... Laurie Strode
Judy Greer ... Karen
Andi Matichak ... Allyson
James Jude Courtney ... The Shape
Nick Castle ... The Shape
Haluk Bilginer ... Dr. Sartain
Will Patton ... Officer Hawkins
Rhian Rees ... Dana Haines
Jefferson Hall ... Aaron Korey
Toby Huss ... Ray
Virginia Gardner ... Vicky
Dylan Arnold ... Cameron Elam
Miles Robbins ... Dave
Drew Scheid ... Oscar
Jibrail Nantambu ... Julian
Edit

Storyline

Laurie Strode comes to her final confrontation with Michael Myers, the masked figure who has haunted her since she narrowly escaped his killing spree on Halloween night four decades ago.

Plot Summary | Plot Synopsis

Taglines:

Face Your Fate

Genres:

Horror | Thriller

Motion Picture Rating (MPAA)

Rated R for horror violence and bloody images, language, brief drug use and nudity | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official site

Country:

USA

Language:

English

Release Date:

19 October 2018 (USA) See more »

Also Known As:

Halloween See more »

Filming Locations:

Charleston, South Carolina, USA See more »

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Box Office

Budget:

$10,000,000 (estimated)

Opening Weekend USA:

$76,221,545, 21 October 2018, Wide Release

Gross USA:

$76,221,545, 21 October 2018
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

Allyson Strode, best friend Vicky, and her boyfriend Dave confirm that Laurie Strode is not Michael Myers' younger sister, that rumors are behind that. See more »

Goofs

The cemetery woman describes another cemetery not far away and says both Bernie Mac and Muddy Waters are buried there. But those two men are buried in two different Illinois towns. See more »

Quotes

Allyson Strode: Everyone in my family, like, turns into a nutcase this time of year.
Vicky: I mean, your grandmother is Laurie Strode. She was almost murdered.
Oscar: Wasn't it her brother who murdered all those babysitters?
Allyson Strode: No. He was not her brother, that's something that people made up.
See more »

Crazy Credits

The opening and closing credits is stylized after the original 1978 version. See more »

Connections

Follows Halloween II (1981) See more »

Frequently Asked Questions

See more »

User Reviews

 
Tonally inconsistent and spreads itself too thin.
19 October 2018 | by recklesscowSee all my reviews

For starters, I'm a huge "Halloween" buff, so I was anticipating this "recalibration" since it was announced.

Jamie Lee back in action, Carpenter on board as a producer and scorer--what could go wrong?

Unfortunately, a few things.

One, this new "Halloween" seems to be having an identity crisis. It's a somber psychoanalysis on the effects of severe trauma. It's a teenage relationship film. It's a babysitter-in-peril slasher film. It's an action-packed revenge movie. It's too many things, none of them consistent. One moment we're watching hand-held, soft-focus camerawork focusing on a crying Jamie Lee as she copes with her past trauma--a beautiful, poignant shot with diffused lighting that's very "indie." The next, we're transported back into a 1980s slasher film before taking a veer into an episode of "Dawson's Creek" with two teenagers at the school dance. Scenes and tones transition without much coherency, almost as if the director was trying to force several film genres into one movie to cover all possible audience bases. You want a thumping action flick with shootouts and fights? We gotcha covered. A classic slasher film complete with 80s synth score? We got ya there, too. For the kids, you want something to relate to, some high school problems? Come on in. Had the film chosen to stick to one or even two of these genres, I feel the tone would have benefitted from it massively.

Yes, Michael is back and deadly, the kills being more akin to Rob Zombie's entries in terms of explicit violence. When Michael is on-screen, the film works wonderfully. Unfortunately, this being a "Halloween" film and a slasher, he's in it far too seldom for my taste. In the original "Halloween", Michael is a presence in the film from the opening right towards the very end, barely going 5 minutes without an appearance of some sort--lurking around bushes, watching from street curbs, etc. In this "Halloween", there's an entire 20-minute segment with no Michael at all. What's more, entire narrative segments have either been left unscripted or edited out for running time, leaving some jarring transitions where some offscreen action is explained via dialogue. One of these is the critical bus crash that allows Michael to escape--the scene is never witnessed in the film, only the aftermath. The same can be said for the fate of one character, whose death we only see in hindsight.

There are also two completely out-of-left-field subplots that spring up and go absolutely nowhere. How they weren't written out is beyond me, as they promise much exposition in the coming scenes only to completely be abandoned or forgotten about in the next. One has to wonder if such "twists" were really necessary to get said character from point A to point B--certainly there are less outlandish ways, no?

But all's not lost. The film does provide several hair-raising moments of suspense, and, when it plays to its slasher root strengths, works. One can't help but lament how much better it would have been had these elements been the sole priorities throughout.

Jamie Lee is fantastic again as Laurie Strode, and the new cast members all hold their own. The cinematography, albeit ranging from tonally inconsistent indie shots to glossy big-production horror film, is all very good, as is the music.

There's fun to be had here, no doubt, but the overall product is a strange mishmash of ideas and genres, like putting multiple kids' breakfast cereals into one bowl.

The original "Halloween" sequel still reigns supreme.


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