Mildred brings a sample of her pies into the diner and they're a big hit with the customers. Soon she gets an order for 35 pies a week and the orders start to pile up from other restaurants as well. ...
After her youngest daughter's funeral, Mildred concentrates on opening her new restaurant. Opening night is a smashing success and even Veda seems to approve. It's all a little too busy for a first ...
In 1984, British journalist Arthur Stuart investigates the career of 1970s glam superstar Brian Slade, who was heavily influenced in his early years by hard-living and rebellious American singer Curt Wild.
Jonathan Rhys Meyers,
Another dazzling suburban phantasm from writer-director Todd Haynes, Dottie Gets Spanked (made post-Poison and pre-Safe) is a stylized, bittersweet nod to his childhood fascination with I ... See full summary »
J. Evan Bonifant,
Glendale, California, 1931: Mildred Pierce, a young mother with a talent for baking, is left a "grass widow" after throwing her husband, Bert, out of the house. Forced to hunt for work to support herself and her two young daughters, 11-year-old Veda and seven-year-old Ray, Mildred visits an employment agency, only to encounter job opportunities she feels are beneath her. Amidst her job search, she receives dating advice from her friend and neighbor, Lucy Gessler, and begins an unexpected affair with an ex-business partner of her husband's, Wally Burgan. When Mildred receives a call from the agency regarding an opening as a housekeeper to a wealthy socialite, she reluctantly agrees to meet with her. After cutting the acerbic interview short, Mildred seeks refuge at a local diner, Cristofor's Café, where fate, and a waitress named Ida, will play a role in shaping her future.Written by
During the DVD commentary, director Todd Haynes mentions that while on the set of this movie, Kate Winslet told Guy Pearce that he had been one of her biggest crushes when she was a teenager in the UK and he had a role on the long-running Australian soap opera Neighbours (1985). See more »
Never saw the Joan Crawford version, so I can't compare, but visually, this film is flawless. The colors, the props, the costumes, the HATS, the makeup. Evan Rachel Wood is probably a little too skinny for a woman of that era, but other than that - visually perfect.
Emotionally exhausting (in a good way). Kate Winslet must have been worn out by the end of this film. She was amazing. I can't even imagine working that hard. Beautiful and amazing.
I fast forwarded through maybe 2 moments that were a little long but not because they lacked emotion - every moment was pretty dang perfect - but because I am short on time.
What a great piece of directing, what great acting - Melissa Leo sounded like she had been lifted from the era - her phrasing was flawless - reminded me of how my grandmother used to talk.
Everyone who likes period drama should see this film.
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