On the eve of their high school graduation, two academic superstars and best friends realize they should have worked less and played more. Determined not to fall short of their peers, the girls try to cram four years of fun into one night.
Director Olivia Wilde and her Booksmart cast revealed some of their favorite female friendships in movies and TV, and discuss what makes a female buddy comedy click.
Journalist Fred Flarsky reunites with his childhood crush, Charlotte Field, now one of the most influential women in the world. As she prepares to make a run for the Presidency, Charlotte hires Fred as her speechwriter and sparks fly.
Director:
Jonathan Levine
Stars:
Charlize Theron,
Seth Rogen,
June Diane Raphael
A lonely woman befriends a group of teenagers and decides to let them party at her house. Just when the kids think their luck couldn't get any better, things start happening that make them question the intention of their host.
Director:
Tate Taylor
Stars:
Octavia Spencer,
Diana Silvers,
Juliette Lewis
We all have a superhero inside us, it just takes a bit of magic to bring it out. In Billy Batson's case, by shouting out one word - SHAZAM. - this streetwise fourteen-year-old foster kid can turn into the grown-up superhero Shazam.
On the eve of their high school graduation, two academic superstars and best friends realize they should have worked less and played more. Determined not to fall short of their peers, the girls try to cram four years of fun into one night.
When Principal Brown collects Amy and Molly in his car he makes a voice memo on his phone, the noise that is played to signify the start of the recording is the iPhone "siri" (digital personal assistant) alert noise, which would not indicate that the phone was recording (rather waiting for an instruction from the user). In addition to this, Principal Brown does not appear to have an iPhone, this noise would not come from a non-Apple device. See more »
Quotes
Triple A:
I'm incredible at hand-jobs but I also got a fifteen-sixty on the SATs.
See more »
Crazy Credits
At the beginning of the end credits, the main actors are seen getting hit in the face with water balloons in slow motion. See more »
Of course, as usual the ten-star advance "user reviews" here are from people who "mysteriously" have never written an IMBD review before--i.e. studio shills. But "Booksmart" has gotten great early reviews, and several people I know who saw early screenings really did love it. So I went in fully expecting to enjoy it, and was dismayed when immediately--I mean, even before the opening title--the film was making "Funny, huh? Wasn't that funny?!?" noises despite nothing particularly funny happening. I'll give Olivia Wilde points for making a very colorful and energetic movie that might indeed convince a lot of people through sheer high spirits that it's a great comedy. But instead it felt just strenuous to me, trying too hard to cover the fact that the funny, clever, witty material wasn't actually there.
The premise is ridiculous--bookworm protagonists are horrified to discover that after all their sacrifices for the future, all the party-hearty types at their high school ALSO got into Ivy League schools. This would make sense if it took place in a wealthy community where everyone was a "legacy" student thanks for their family's donations. But the movie makes a point of singling out two characters as the only "truly rich" ones here. Those two, like every character save the two lead girls, are complete "SNL"-style caricatures. What's worse, they all also seem to be played by actors who are about a decade too old, once again apart from the two lead girls.
Even so, the premise and the casting and everything might have worked if "Booksmart" were an outright farce. But it seems to be aiming to be sorta-kinda "real," while the characters nonetheless behave like no teenagers past or present. Everything here is so over-amped and contrived for effect, yet the ingenious comedy situations and bright lines that approach might have served are nowhere to be found.
Like I said, I don't get it--it's a very lively and well-crafted movie that nonetheless felt completely phony and unfunny to be. It's not boring, but I have no idea what people who like it are responding to, beyond the fact that "'Superbad' for high school senior girls" is probably good enough for many. But I liked "Superbad" well enough, and this movie just did nothing for me. You could say it aims for a mix of "Superbad" and John Hughes, but those movies do a much better job turning recognizable teenage life into farce with some heart, and if Wilde intended something similar (I'm not sure what she intended, beyond punching across every scene as if she might never be allowed to direct again), she misses the mark. A for effort, C for derivative/uninspired content, and D for over-effortfully trying to hide that empty content. It's like a student paper with a very splashy cover but nothing original or thoughtful inside.
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Of course, as usual the ten-star advance "user reviews" here are from people who "mysteriously" have never written an IMBD review before--i.e. studio shills. But "Booksmart" has gotten great early reviews, and several people I know who saw early screenings really did love it. So I went in fully expecting to enjoy it, and was dismayed when immediately--I mean, even before the opening title--the film was making "Funny, huh? Wasn't that funny?!?" noises despite nothing particularly funny happening. I'll give Olivia Wilde points for making a very colorful and energetic movie that might indeed convince a lot of people through sheer high spirits that it's a great comedy. But instead it felt just strenuous to me, trying too hard to cover the fact that the funny, clever, witty material wasn't actually there.
The premise is ridiculous--bookworm protagonists are horrified to discover that after all their sacrifices for the future, all the party-hearty types at their high school ALSO got into Ivy League schools. This would make sense if it took place in a wealthy community where everyone was a "legacy" student thanks for their family's donations. But the movie makes a point of singling out two characters as the only "truly rich" ones here. Those two, like every character save the two lead girls, are complete "SNL"-style caricatures. What's worse, they all also seem to be played by actors who are about a decade too old, once again apart from the two lead girls.
Even so, the premise and the casting and everything might have worked if "Booksmart" were an outright farce. But it seems to be aiming to be sorta-kinda "real," while the characters nonetheless behave like no teenagers past or present. Everything here is so over-amped and contrived for effect, yet the ingenious comedy situations and bright lines that approach might have served are nowhere to be found.
Like I said, I don't get it--it's a very lively and well-crafted movie that nonetheless felt completely phony and unfunny to be. It's not boring, but I have no idea what people who like it are responding to, beyond the fact that "'Superbad' for high school senior girls" is probably good enough for many. But I liked "Superbad" well enough, and this movie just did nothing for me. You could say it aims for a mix of "Superbad" and John Hughes, but those movies do a much better job turning recognizable teenage life into farce with some heart, and if Wilde intended something similar (I'm not sure what she intended, beyond punching across every scene as if she might never be allowed to direct again), she misses the mark. A for effort, C for derivative/uninspired content, and D for over-effortfully trying to hide that empty content. It's like a student paper with a very splashy cover but nothing original or thoughtful inside.