As his kingdom is being threatened by the Turks, young prince Vlad Tepes must become a monster feared by his own people in order to obtain the power needed to protect his own family, and the families of his kingdom.
A disgraced black ops agent is dispatched to a remote CIA broadcast station to protect a code operator. Soon, they find themselves in a life-or-death struggle to stop a deadly plot before it's too late.
The greatest dream of a unique woman, Maria, future Queen of Spain and wife of Charles King of Naples and Sicily and of a special man, the greatest architect of his time, Luigi Vanvitelli. ... See full summary »
Psychologist Margaret Matheson and her assistant study paranormal activity, which leads them to investigate a world-renowned psychic who has resurfaced years after his toughest critic mysteriously passed away.
Robert De Niro,
This movie is set in the mid 1800s and involves poet Edgar Allan Poe. A serial killer is on the loose and murdering people using Poe's descriptions from his published stories and poems. Poe teams up with Detective Fields, a Baltimore policeman to try and catch the killer by using his knowledge of the descriptions. Even though the stories are fictional, they start to become reality and the killer is a step ahead of them. Then it takes on a personal note as Poe's lover becomes a target. Will they stop the killer in time?Written by
Michael Hallows Eve
At the time of filming writer William S. Tribell was living in the flat featured in the opening scene before the title sequence. See more »
The dance that begins the ballroom scene is Pyotr Ilyich Tchaikovsky's "Waltz", from his "Children's Album", (Opus 39 no. 8). It is incorrectly identified as "No. 9" in the film's credits; and, (dating from 1878), it hadn't been written at the time of Poe's death. See more »
I really wanted to like this film, I really did. Something was off, though. Was it the script? Perhaps, although I can't find a clear fault in it. Some of the sophistication of the crimes and of the investigative methods were clearly out of the era, but overall it was OK. The production values were good, the direction was good, the acting was good. The atmosphere was dark and claustrophobic as in Poe's writing. Yet, I didn't quite find the enjoyment I was looking for.
The only thing I can think off was John Cusack. He and Alice Eve had no chemistry (and how can you not have it with Alice Eve?!) and the thing I had most trouble believing were not the way the criminal always barely escapes, not the story or the era or the feel of the movie, but that Cusack's character had any feelings at all. He seemed apathetic and occasionally angry. That was it. And that made the film, a good film overall, not be better than average.
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