When an unseen enemy threatens mankind by taking over their bodies and erasing their memories, Melanie will risk everything to protect the people she cares most about, proving that love can conquer all in a dangerous new world.
When her mother disappears, Clary Fray learns that she descends from a line of warriors who protect our world from demons. She joins forces with others like her and heads into a dangerous alternate New York called the Shadow World.
Jamie Campbell Bower,
Rose Hathaway is a Dhampir, half human-half vampire, a guardian of the Moroi, peaceful, mortal vampires living discreetly within our world. Her calling is to protect the Moroi from bloodthirsty, immortal Vampires, the Strigoi.
As a string of mysterious killings grips Seattle, Bella, whose high school graduation is fast approaching, is forced to choose between her love for vampire Edward and her friendship with werewolf Jacob.
Valerie (Seyfried) is a beautiful young woman torn between two men. She is in love with a brooding outsider, Peter (Fernandez), but her parents have arranged for her to marry the wealthy Henry (Irons). Unwilling to lose each other, Valerie and Peter are planning to run away together when they learn that Valerie's older sister has been killed by the werewolf that prowls the dark forest surrounding their village. For years, the people have maintained an uneasy truce with the beast, offering the creature a monthly animal sacrifice. But under a blood red moon, the wolf has upped the stakes by taking a human life. Hungry for revenge, the people call on famed werewolf hunter, Father Solomon (Oldman), to help them kill the wolf. But Solomon's arrival brings unintended consequences as he warns that the wolf, who takes human form by day, could be any one of them. As the death toll rises with each moon, Valerie begins to suspect that the werewolf could be someone she loves. As panic grips the ...Written by
Warner Bros. Pictures
The novelization by Sarah Blakley-Cartwright is based on the shooting script rather than the finished film. This is the reason that the novel diverges noticeably from the film. See more »
Several times through the film Solomon tells his crossbow man to "fire", and expression that wasn't used until the introduction of firearms to Europe in the end of the 14th century. And as such hadn't yet become a common command to use for someone in the middle ages especially since Solomon's men doesn't appear to bring any gunpowder with them. See more »
Amanda Seyfried plays Valerie, a young girl in a village fearful of an ungodly werewolf that has been terrorizing them for twenty years. Its latest victim is Valerie's sister. So to solve the mystery of who the werewolf is, as well as to kill the creature, they seek the help of a religious priest (Played by Gary Oldman), a man experienced in the killing of a wolf. One night, the wolf attacks, but Valerie discovers that... she can talk... to the... wolf...
What? Oh, sorry. I guess I'm as bored summarizing the plot of the movie as I was watching the actual movie.
First of all, Amanda Seyfried makes an attractive fit for the role of Valerie, and the production design of the film is interesting, but that's as close to complimentary as I'm going with this movie.
Director Catherine Hardwicke really has trouble keeping an even sense of rhythm, and the cast is a serious disappointment. Gary Oldman hams up the scene, while Julie Christie is sadly exploited for her willingness to stand around and do nothing. The leading men of Valerie have the personalities of water and sandpaper, while Billy Burke and Virginia Madsen can't make anything out of their roles. They do bad jobs, but it isn't all their fault. I know I'D have trouble trying to do a half decent job with this kind of writing.
The screenplay is awful beyond comprehension. Full of contrivances, unbearable dialogue, and a needless sense of piling on characters, and twists and turns until the final product is a total WTF of lame explanations. I wouldn't be surprised if someone fell asleep watching the movie, but I also wouldn't be surprised if they woke right up. The movie, with it's musical thumps and white noise, is near as loud as a rock concert... and I never could understand why they felt the need to play alt. rock music during a period piece.
In short: One or two bright spots - bland acting + ridiculous screenplay + off pacing = Terrible.
Red Riding Hood = * out of ****
20 of 24 people found this review helpful.
Was this review helpful to you?
| Report this