In 19th-century France, Jean Valjean, who for decades has been hunted by the ruthless policeman Javert after breaking parole, agrees to care for a factory worker's daughter. The decision changes their lives forever.
Orphaned, penniless but ambitious and with a mind crammed with imagination and fresh ideas, the American Phineas Taylor Barnum will always be remembered as the man with the gift to effortlessly blur the line between reality and fiction. Thirsty for innovation and hungry for success, the son of a tailor will manage to open a wax museum but will soon shift focus to the unique and peculiar, introducing extraordinary, never-seen-before live acts on the circus stage. Some will call Barnum's wide collection of oddities, a freak show; however, when the obsessed showman gambles everything on the opera singer Jenny Lind to appeal to a high-brow audience, he will somehow lose sight of the most important aspect of his life: his family. Will Barnum risk it all to be accepted?Written by
During "From Now On", Tom thumb is seen pushing two beer taps open to pour drinks, the shot then cuts to the spout showing the tankard filling but there is only one active spout and one tankard. See more »
I love the circus. I love quality cinema. Not since Billy Rose's Jumbo (1962) has a motion picture so successfully combined these two elements. I wouldn't be surprised if it won the same awards as Cecil B. DeMille's The Greatest Show on Earth (1952). Michael Gracey skillfully brought together the best music, choreography, cast, cinematography, visual effects, costumes, and set decoration I have seen in recent years, all fresh and original, and integrated them into nothing short of a masterpiece.
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