Foul-mouthed mutant mercenary Wade Wilson (AKA. Deadpool), brings together a team of fellow mutant rogues to protect a young boy with supernatural abilities from the brutal, time-traveling cyborg, Cable.
Orphaned, penniless but ambitious and with a mind crammed with imagination and fresh ideas, the American Phineas Taylor Barnum will always be remembered as the man with the gift to effortlessly blur the line between reality and fiction. Thirsty for innovation and hungry for success, the son of a tailor will manage to open a wax museum but will soon shift focus to the unique and peculiar, introducing extraordinary, never-seen-before live acts on the circus stage. Some will call Barnum's wide collection of oddities, a freak show; however, when the obsessed showman gambles everything on the opera singer Jenny Lind to appeal to a high-brow audience, he will somehow lose sight of the most important aspect of his life: his family. Will Barnum risk it all to be accepted?Written by
P.T. Barnum was born in Bethel, CT, and lived Bridgeport until he died at 80. He is buried at Mt. Grove Cemetery in Bridgeport. Tom Thumb was a lifelong resident of Bridgeport. See more »
When Anne is in slow motion on the trapeze the first time she and Phillip see each other, her left arm is out to her side. The arm remains out to her side as their eyes meet, but in the next clip just before it speeds up to normal, both of her arms are out in front of her. See more »
P. T. Barnum, at your service.
[shakes Tom's hand, then gets down on his knee to his height]
I am putting together a show, and I need a star.
You want people to laugh at me.
Well they're laughing anyway, kid, so you might as well get paid.
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The rolling credits are displayed over hand-painted artwork summarizing visual highlights in the film from beginning to end. See more »
I love the circus. I love quality cinema. Not since Billy Rose's Jumbo (1962) has a motion picture so successfully combined these two elements. I wouldn't be surprised if it won the same awards as Cecil B. DeMille's The Greatest Show on Earth (1952). Michael Gracey skillfully brought together the best music, choreography, cast, cinematography, visual effects, costumes, and set decoration I have seen in recent years, all fresh and original, and integrated them into nothing short of a masterpiece.
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