Foul-mouthed mutant mercenary Wade Wilson (AKA. Deadpool), brings together a team of fellow mutant rogues to protect a young boy with supernatural abilities from the brutal, time-traveling cyborg, Cable.
Orphaned, penniless but ambitious and with a mind crammed with imagination and fresh ideas, the American Phineas Taylor Barnum will always be remembered as the man with the gift to effortlessly blur the line between reality and fiction. Thirsty for innovation and hungry for success, the son of a tailor will manage to open a wax museum but will soon shift focus to the unique and peculiar, introducing extraordinary, never-seen-before live acts on the circus stage. Some will call Barnum's wide collection of oddities, a freak show; however, when the obsessed showman gambles everything on the opera singer Jenny Lind to appeal to a high-brow audience, he will somehow lose sight of the most important aspect of his life: his family. Will Barnum risk it all to be accepted?Written by
This is Zac Efron's fifth musical along with the High School Musical trilogy and Hairspray (2007). See more »
Barnum and Carlyle each down 7 shots over 4 minutes during "the Other Side" and can still dance their way back to the circus and up a set of stairs to the trapeze level. Even if they are both experienced drinkers they should be showing some physical impairment. See more »
You are the American. I believe I might have heard of you.
Oh well, If you've heard of me all the way over here, I must have been doing something right.
That, or something very wrong.
In the world of publicity there is hardly any difference.
I believe those are the words of a scoundrel, Mr Barnum.
A showman, Miss Lind, just a showman. The best on my side of the Atlantic.
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The modern 20th Century Fox logo along with the logos for TSG Entertainment and Chernin Entertainment are shown in sepia tone. See more »
I love the circus. I love quality cinema. Not since Billy Rose's Jumbo (1962) has a motion picture so successfully combined these two elements. I wouldn't be surprised if it won the same awards as Cecil B. DeMille's The Greatest Show on Earth (1952). Michael Gracey skillfully brought together the best music, choreography, cast, cinematography, visual effects, costumes, and set decoration I have seen in recent years, all fresh and original, and integrated them into nothing short of a masterpiece.
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