Young Indian man Thomas is a nerd in his reservation, wearing oversize glasses and telling everyone stories no-one wants to hear. His parents died in a fire in 1976, and Thomas was saved by... See full summary »
A story of life on a First Nations reserve in Ontario: Silas and Frank are trying to get into college to train to be mechanics but they find themselves having to deal with girls, family ...... See full summary »
Ryan Rajendra Black,
It's 1922; somewhere in Australia. When a Native Australian man is accused of murdering a white woman, three white men (The Fanatic, The Follower and The Veteran) are given the mission of ... See full summary »
For over 130 years till 1996, more than 100,000 of Canada's First Nations children were legally required to attend government-funded schools run by various Christian faiths. There were 80 ... See full summary »
Taya Ayotte Bourns,
Depicts the struggles of reservation-dwelling Native Americans in the North Central United States. The main character is an introspective and lovable person in a process of seeking pride ... See full summary »
Virgil First Raise wakes with a shiner and a hangover in a roadside ditch on the stark but beautiful plains of Montana. As he rises to face the day he sees a vision of his father lying dead... See full summary »
A documentary about the evolution of the depiction of First Nations people in film, from the silent era to today. Featuring clips from hundreds of films, candid interviews with famous Native and non-Native directors, writers and actors, Reel Injun traces how the image of First Nations people in cinema have influenced the understanding and misunderstanding of their culture and history.Written by
In a montage showing Caucasian actors portraying Native Americans, Daniel Day-Lewis is shown in "The Last of the Mohicans." Day-Lewis's character, Nathaniel Poe, a/k/a/ "Hawkeye," is actually a white man adopted into Native American culture. See more »
We're creative natives. And we're... and we're like the Energizer Bunny. The mightiest nation in the world tried to exterminate us, anglicise us, Christianize us, Americanize us, but we just keep going and going. And I think that Energizer Bunny must be Indian. He's got that little water drum he plays. And I always say, "Next time you have a powwow, have the... the Energizer Bunny lead the grand entry, and after a few rounds then we can get together and EAT him", because we never waste anything.
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I am an Ojibwe American Indian. In the first place, including Rusell Means in this film proves how absolutely uninformed the film maker really is. Means has been universally discredited as a gangster and killer by the broad American Indian community...there could be no more offensive presence in a film about American Indians. Otherwise the film is a terribly overworked cliché of itself and shows serious problems that are designed to fit the writer's agenda but does not tell an accurate story. There is so little good and correct information available on American Indians that many film-makers, including this one, just make things up. Modern people often feel so guilty and sympathetic, if they feel anything at all, about the American Indian, that a film like this will get good reviews just because it confirms the paranoid tendencies of the new world order. Had the improperly focused writer and film-maker chosen to tell a more positive and honest story, this film could have had some value. As it is, it tells a somewhat true story in such a paranoid and selective way that it, too, has become another part of the problem.
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