6.4/10
5,193
37 user 103 critic

Red White & Blue (2010)

Not Rated | | Drama, Thriller | 8 October 2010 (USA)
Trailer
1:39 | Trailer
A woman attracts the attention of a psychopathic former Army interrogator and an emotionally fragile young man caring for his ailing mother.

Director:

Simon Rumley

Writer:

Simon Rumley
3 wins & 6 nominations. See more awards »

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Photos

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Cast

Cast overview, first billed only:
Amanda Fuller ... Erica
Marc Senter ... Franki
Jon Michael Davis ... Ed
Nick Holden ... Alvin (as Nick Ashy Holden)
Patrick Crovo Patrick Crovo ... Carl
Mary Mathews Mary Mathews ... Marj
Noah Taylor ... Nate
Julian Haddad Julian Haddad ... Lil' Alan
Ernest James ... Nightclub Pick-Up
Jenny Gravenstein Jenny Gravenstein ... Druggie Rock Girl (as Jenny Graven)
Mark Hanson ... Druggie Rock Guy
Chance Hartman Chance Hartman ... Hotel Pick-Up
Vincent Doenges Vincent Doenges ... William
Eryn Brooke Eryn Brooke ... Ed's Girlfriend
Chris Summers Chris Summers ... Steve
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Storyline

Set in Austin, Texas, this "slacker revenge movie" follows the disaffected and promiscuous Erica as she sleeps with a series of nameless men, until she is befriended by Nate, an ex-Iraq war veteran with a sociopath's streak. Written by Trinity Filmed Entertainment

Plot Summary | Plot Synopsis

Taglines:

Three lives... bound together in blood

Genres:

Drama | Thriller

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official site | See more »

Country:

UK | USA

Language:

English

Release Date:

8 October 2010 (USA) See more »

Also Known As:

Red, White and Blue See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Several scenes throughout the film emphasize the colors red white and blue. See more »

Quotes

Nate: You put a guy in a room with an interrogator, you ask him a question, 95% of the guys will tell you the answer straight away. Now I got a question for you, and I know you're gonna tell me the answer. But unfortunately for you, I'm the guy they always bring in for the more headstrong 5 percent. And even more unfortunately for you, I'm a guy who really fucking loves his job.
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User Reviews

 
a horror tour-de-force, delightfully gritty & realistic
8 October 2011 | by fionawebsterSee all my reviews

I'n a longtime horror fan. I like my horror movies intense, bloody & down-to-earth. If they're too slick, if everything from the story & pace & acting, to the editing & sound production, slots together too perfectly, I will admire the film, but not be moved by it. I started watching "Red, White & Blue" thinking it was a "psychological suspense thriller," because that's what Netflix told me it was. Much to my delight, it's a flat-out (non-supernatural) horror movie that satisfies my taste. It's also a multifaceted revenge tragedy—a study of how one initial act of violence (the rape of 4-yr-old girl) spins out a world of suffering, which leads to many unfocused acts of revenge, one of which eventually triggers a much more pointed episode of revenge, which in turn triggers a veritable *rampage* of revenge—so well-acted & so engaging, it practically bores a hole in your brain.

One brilliant thing about this flick is that all of this takes place in a central Texas setting which is as real as the sun is hot. I'm a Texan, so I should know. Don't you hate movies that start out telling you they're located in a specific geographic locale, then some aspects of the setting—the character's accents, for example, or the license plates on cars, or a city skyline—are broadcasted so loud & clear you get sick of 'em, but many other, more telling, aspects—like the architecture of the houses or the sounds of the birds or the kinds of trees, even—are all wrong? It distracts you from your immersion in the story! This movie is just the opposite: we see a hint here, a hint there, of where the events are unfolding, but unless you recognize specific streets & buildings of one lowdown area of Austin—I didn't, because I don't know Austin that well—the fact that you're in Texas seeps rather gradually into your awareness. Even the fact that one character has an obvious tattoo of the state's outline only means that *he's* a Texan. But by the end, when a big Texas flag flapping gently in the wind in someone's front yard prompts you into a reverie about what the title of the movie signifies, you are so grounded in place, it deeply underscores the gritty, down-to-earth flavor of the whole flick. That also contributes to how the story's tragedy, while ramifying out to include dozens, even hundreds, of people, feels as tightly concentrated as a watch spring.

I must warn you that the real story you're watching—as opposed to the mere events—will also take a while to seep into your awareness. And that this can be kind of annoying. At first I thought that the film was lagging because our initial point-of-view character wasn't being very well acted. But once you understand why the character is like that, you'll appreciate the subtlety that Amanda Fuller brings to the role. Same goes for Eric Senter's character, who comes across as such an irritating dweeb he's hard to look at—and then you get *his* story.

Noah Taylor's character, on the other hand, is so fascinating from the get-go, you won't be able to take your eyes off him. He just about pops off the screen, that's how intensely he burns.

After all was said and done, I appreciated, in retrospect, the way the way the movie starts out so slow as to be almost meandering, then starts to pick up speed, accelerates some more, and then quite suddenly slams into the rampage I referred to earlier. But still, for all of the violence in Act 3, the story is never hyper: it steadily remains in the real world, where there are always occasional downshifts in a sequence of events.

The only thing I didn't like about the flick was the fingernails-on-blackboard piano music that's supposed to heighten the splatter at the end: they should've stuck with the rock-n-roll used earlier.

"Red, White & Blue" even has a denouement. How often does *that* happen? The kind of denouement that lets the flames of intense emotion die down, even lets the embers cool, before the screen goes black and the credits roll.

Simon Rumley is definitely no amateur. I'm going to be watching his next flick, that's for sure. I hope it's horror!


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