When his home of New Eden is destroyed by a revitalized Brotherhood and its new Vamp leader, Martin finds himself alone in the badlands of America with only the distant memory of his mentor and legendary vampire hunter, Mister, to guide him.
A deadly infection breaks out in Manhattan, causing humans to devolve into blood-thirsty rat creatures. Six recently evicted tenants must survive the night and protect their downtown ... See full summary »
And suddenly, overnight, the world came to a halt. Two men, two survivors, one kid, and hatred that separates them. A place forgotten by everyone, including the creatures that inhabit the Earth... until now.
Miguel Ángel Vivas
When a protective father meets a murderous ex-con, both need to deviate from the path they are on as they soon find themselves entangled in a downwards spiral of lies and violence while having to confront their own inner psyche.
A group of five people working to stay alive in a post-apocalyptic future discover what they think is a safe, abandoned farmhouse, but they soon find themselves fighting to stay alive as a gang of bloodthirsty predators attack.
In the year 2019, a plague has transformed almost every human into vampires. Faced with a dwindling blood supply, the fractured dominant race plots their survival; meanwhile, a researcher works with a covert band of vamps on a way to save humankind.
Martin was a normal teenage boy before the country collapsed in an empty pit of economic and political disaster. A vampire epidemic has swept across what is left of the nation's abandoned towns and cities, and it's up to Mister, a death dealing, rogue vampire hunter, to get Martin safely north to Canada, the continent's New Eden.Written by
This film was shot in two different portions with two months off in between both portions. See more »
When Martin is being examined by the doc, Mister has a half full jug of beer sitting beside his foot. When they step outside the door, the jug is empty and Mister asks the barber sitting in the chair if they have any alcohol in town. The barber then tells him there's some "sour beer but it won't kill you" and Mister then walks off to fill his empty jug. The two scenes are out of order. See more »
In desperate times, false gods abound. People put their faith in the loudest preacher and hope they're right. But sometimes they're wrong. Dead wrong.
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NO MORE MY LAWD
PERFORMED BY JIMPSON AND MEN WITH AXES
UNDER LICENSE FROM ESSENTIAL MEDIA GROUP See more »
A unique take on the post apocalyptic vampire movie
Ever since the success of 28 Days Later back in 2002, the post- apocalyptic genre of films has been a crowded market with its fair share of successes and failures. Notable releases such as The Road and Zombieland have been accompanied by such misfires as Doomsday and I Am Legend that, whilst entertaining, ultimately failed to hit their mark. Stakeland is a brave and accomplished entry in Jim Mickle's career, and although there are only a handful of original ideas throughout the film, the ideas taken from other movies are handled with enough skill that they serve only to enhance the overall viewing experience. It must be said, some of the director's own ideas are fantastic and show a great potential for the future - a future that the ragged band of survivors we follow throughout Stakeland may not be able to enjoy.
After our protagonist is saved from a disastrous situation which leaves him as the sole survivor of his family, he is taken under the wing of his rescuer; the elusive 'Mister', whose similarities to Whistler from Blade appear to be more than pure coincidence. Together,they embark on a road trip that tests them to their very limits as they encounter a whole host of dangers and struggle to survive whilst roaming throughout North America, picking up a number of travelling companions on the way.
In a storyline not too dissimilar to The Mist, some surviving factions of humans believe that God has sent the vampires to punish humanity and it is these that pose almost as much danger to our band of travellers as the dangerous breeds of vampire that stalk them. These cults are a welcome addition to the film, enhancing the aspect of danger and providing the basis for some of the film's more memorable moments in a standout scene where a supposedly safe town is assaulted from the air.
The initially nameless main character - played brilliantly by Connor Paolo (the spitting image of a young Colin Farrel) - has his life turned upside down at the start of the movie, however, we do not get to see how the whole world initially turned upside down, and the cause of the vampire's origins is rarely touched upon. His story is told through countless monologues that overlay the fantastic imagery of sparse vistas and urban decay, creating a sense of scale that is far beyond what we see on the screen. Whilst the other characters we meet do not have enough time to develop fully, they all play an essential part in the story, and although some scenes could have been far more powerful if the audience were affected by their plight, the suspense was enough to keep me on my edge of the seat throughout.
There are few scares to be found in Stakeland but the overall sense of foreboding doom and the generous helpings of violence and gore should please the majority of horror fans. Anyone with even a passing interest in post-apocalyptic films will definitely take a lot from Stakeland and although it is not quite a genre classic, it will certainly become a cult favourite in a few years time.
If you like this, you will love these:
The Road, 28 Days Later, Near Dark, The Signal
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