Twelve years after the tragic death of their little girl, a doll-maker and his wife welcome a nun and several girls from a shuttered orphanage into their home, where they become the target of the doll-maker's possessed creation, Annabelle.
A priest with a haunted past and a novice on the threshold of her final vows are sent by the Vatican to investigate the death of a young nun in Romania and confront a malevolent force in the form of a demonic nun.
A prequel set before the haunting of the Lambert family that reveals how gifted psychic Elise Rainier reluctantly agrees to use her ability to contact the dead in order to help a teenage girl who has been targeted by a dangerous supernatural entity.
In 1971, Carolyn and Roger Perron move their family into a dilapidated Rhode Island farm house and soon strange things start happening around it with escalating nightmarish terror. In desperation, Carolyn contacts the noted paranormal investigators, Ed and Lorraine Warren, to examine the house. What the Warrens discover is a whole area steeped in a satanic haunting that is now targeting the Perron family wherever they go. To stop this evil, the Warrens will have to call upon all their skills and spiritual strength to defeat this spectral menace at its source that threatens to destroy everyone involved.Written by
Kenneth Chisholm (email@example.com)
Andrea Perron wrote a three-part book based on her experiences in the house titled "House of Darkness, House of Light". Experiences written about in her book also appear in the film. Perron cites the film as a work of art and not a work of fiction. See more »
When Rory's ghost leads Cindy up the stairs and into the bedroom, Drew is listening through the audio equipment and says there is someone else in the bedroom with Cindy. When Roger, Officer Brad, and Ed look for Cindy in the bedroom, Ed tells Officer Brad to get the UV light from Drew. When Officer Brad asks Drew for the UV light, Drew acts as if he hadn't heard it despite still wearing the audio headset. See more »
It scares us just thinking about it. When you hear it, you're gonna think we're insane.
Try us. Please, from the start.
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When the names "Shannon Kook", "John Brotherton", "Sterling Jerins" appear in the end credits, a white cross on the grave turns upside down. See more »
With virtually no sex, no gore and no cursing The Conjuring earns its R-rating on scares alone.
Who would've guessed that the director of Saw would end up being the most inventive horror filmmaker working in the industry? James Wan brilliantly takes us back to the retro days of horror, delivering an extremely stylistic, visually striking horror film that stands tall amongst the classics. With virtually no sex, no gore and no cursing The Conjuring earns its R-rating on scares alone.
Set in 1971, The Conjuring focuses on the married paranormal researchers Ed (Patrick Wilson) and Lorraine (Vera Farmiga) Warren, who lecture at colleges across the US on all the interesting cases they come across. Just as they're thinking of retirement cue the Perron family; parents Roger (Ron Livingston) and Carolyn (Lili Taylor) are scared for their lives and the lives of their 5 daughters claiming there is something evil in their now Rhode Island home. It doesn't take long for the Warrens to discover that the Perron's are being tormented by something supernatural, but what is it, and what does it want?
In short: The Conjuring is the most terrifying film I've ever seen. Trying to erase his name from the "torture porn" crowd has proved difficult for the director of Saw, however without a doubt he's finally done it. On looks alone this movie should be a PG movie, which would normally be frowned upon by the horror junkies, but despite having no sex, no gore and no swearing, James Wan's latest film has been slapped with an R rating anyway. If you're wondering how frightening it actually is I think the MPAA has spoken on its behalf.
Most horror films these days climax somewhere in the middle; and in turn everything that follows doesn't really have the same affect. In The Conjuring there is comic relief brilliantly placed throughout to bring you down from your own climax so they get another chance to build your fear up and startle you again. Wan understands the psychology behind tension and builds suspense through mere scene construction.
While obviously taking notes from the Exorcist and The Amityville Horror, the inspiration for this film derives from real case files from the Warren's, which is still their most famous case to date. Straying away from the ironic style made famous by The Cabin In The Woods, nothing on the surface of this story seems inventive, but I assure you the way in which this film works makes it one of the most creative films in recent memory. One thing I've always loved about James Wan is how he manages to take something so unoriginal, like the haunted-house- possession story in this case, and shows it to us like we've never seen it before.
The scares, pacing, sound design and camera work can only be described as precise. Together James Wan and cinematographer John Leonetti (responsible for the look of Insidious as well) give us a fresh visual style that, unlike most horror films, include a lot of wide shots AND movement. The cinematography is absolutely stunning, and not relying on shaky cam for its realism leaves a rather unique feel to the movie, separating it visually from any other movie you can narratively relate this to.
One issue I've always had with recent films in the genre was that they revealed the demons too much. Insidious and Sinister are examples where they hooked me to the story and then showed me too much. Fear of the unknown is the greatest thing a horror filmmaker has on its audience and Wan has definitely learned from Insidious. In The Conjuring the apparitions aren't revealed to the audience until way late, and even then they're far away or out of focus. Letting us use our imagination is what makes this film truly horrifying, and I think horror filmmakers should be taking notes from Mr. Wan.
This film is everything I wanted it to be and more, my only complaint about the movie isn't even something wrong with the film. Once again marketing has screwed us over and the trailer for The Conjuring reveals way too many of the scares. I avoided most of the trailers for this movie on command from James Wan's twitter account but it's hard to miss TV spots. I wish I went into this with a fresh mind so if you still haven't seen the trailer and want to see this film, please stay away from any of the marketing!
Ultimately the overall production value allows The Conjuring to stand out in an otherwise rotting genre. The acting is impressive, the practical effects are perfect and the classic 70s feel Wan was going for make for a great time at the movies. This is the first must-see film of the summer.
Our Rating: 9.0/10
Let me know on Twitter @thejoshl what you thought of The Conjuring!
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