Washed-up true-crime writer Ellison Oswalt finds a box of super 8 home movies that suggest the murder he is currently researching is the work of a serial killer whose work dates back to the 1960s.
12 years after the tragic death of their little girl, a dollmaker and his wife welcome a nun and several girls from a shuttered orphanage into their home, where they soon become the target of the dollmaker's possessed creation, Annabelle.
A prequel set before the haunting of the Lambert family that reveals how gifted psychic Elise Rainier reluctantly agrees to use her ability to contact the dead in order to help a teenage girl who has been targeted by a dangerous supernatural entity.
Rebecca must unlock the terror behind her little brother's experiences that once tested her sanity, bringing her face to face with a supernatural spirit attached to their mother.
Director:
David F. Sandberg
Stars:
Teresa Palmer,
Gabriel Bateman,
Maria Bello
Two strangers, who awaken in a room with no recollection of how they got there, soon discover they're pawns in a deadly game perpetrated by a notorious serial killer.
A widowed mother, plagued by the violent death of her husband, battles with her son's fear of a monster lurking in the house, but soon discovers a sinister presence all around her.
In 1971, Carolyn and Roger Perron move their family into a dilapidated Rhode Island farm house and soon strange things start happening around it with escalating nightmarish terror. In desperation, Carolyn contacts the noted paranormal investigators, Ed and Lorraine Warren, to examine the house. What the Warrens discover is a whole area steeped in a satanic haunting that is now targeting the Perron family wherever they go. To stop this evil, the Warrens will have to call upon all their skills and spiritual strength to defeat this spectral menace at its source that threatens to destroy everyone involved.Written by
Kenneth Chisholm (kchishol@rogers.com)
The film contains no sex or nudity, little profanity, tame and mostly bloodless violence, and brief depictions of alcohol and no smoking, yet it received an R rating. This was solely for its scare factor alone. See more »
Goofs
The 1967 Mustang convertible parked at the motel had B.F. Goodrich Radial T/A tires which were not sold in 1971.
The Radial T/A was not introduced until 1972. See more »
Quotes
[first lines]
Debbie:
It scares us just thinking about it. When you hear it, you're gonna think we're insane.
Ed Warren:
Try us. Please, from the start.
See more »
Crazy Credits
When the names "Shannon Kook", "John Brotherton", "Sterling Jerins" appear in the end credits, a white cross on the grave turns upside down. See more »
The key with The Conjuring is not that it has freshness on its side, as evidenced by the ream of horror fans arguing on internet sites about "nothing new on the table" , but while those fans will be going hungry for a very, very long time, The Conjuring does everything right for the splinter of horror it deals with.
There's a lot to admire about a horror film that in this day and age stands tall and proud against the ream of remakes, sequels and teen friendly slashers that "haunt" the multiplexes with all too much frequency these days. Free of gore and sex, this was automatically going to alienate a good portion of the lustful members of the horror fan base, but for those who like their horror served with appetising scares and a cauldron of suspense, then this delivers plenty to your particular table.
Forget the "based on a true story" tag, since it's kind of irrelevant in this new technological age, it's a selling gimmick that actually means "this story might be true and we might have played with it a bit". Regardless of hoax charges and embellishments, just buy into the premise, commit to it as a scary story in the same way as director James Wan has, for then the rewards are there for the compliant.
Story essentially is based around an investigation in the early seventies by paranormal specialists Ed and Lorraine Warren, who aided the Perron family as they were victims of dreadful supernatural events at their Rhode Island home. Wan builds it deftly, letting us into the Perron families lives as they move into what they believe to be a dream home. Then things start to happen, but again Wan builds it in slow instances, creating a palpable sense of dread, his camera work intelligent. So when the big moments come they have maximum impact and have us also yearning for the Warren's to get involved.
There is no over killing of the boo-jump scares, they are placed with care and marry up superbly with the mounting tension. Naturally all the cliché conventions of the haunted house movie are here, strange smells, creaky doors, ominous cellar and etc, yet these are supplemented with Wan's talented knack for a good scare and a very effective production design. From mysterious bruises and literal leg pulls – breath holding games of hide and seek – to bona fide pant soiling moments, The Conjuring is a lesson in sustained unease until the big finale is unleashed.
The script is devoid of cheese and pointless filler, itself refreshing in a horror sub-genre that suffers often with these problems. Joseph Bishara's musical score is an absolute nerve shredder, and again it's a refreshing accompaniment because it doesn't resort to telegraphed shrieks to tell us to be afraid, it never overwhelms a scene. John Leonetti's cinematography has Gothic textures, both in the house and outside of the lakeside farmhouse, while the strong lead cast of Vera Farmiga, Patrick Wilson, Lili Taylor and Ron Livingston come up trumps for sure.
Met with critical and box office success, The Conjuring justifies its reputation as a superb haunted house movie. 9/10
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The key with The Conjuring is not that it has freshness on its side, as evidenced by the ream of horror fans arguing on internet sites about "nothing new on the table" , but while those fans will be going hungry for a very, very long time, The Conjuring does everything right for the splinter of horror it deals with.
There's a lot to admire about a horror film that in this day and age stands tall and proud against the ream of remakes, sequels and teen friendly slashers that "haunt" the multiplexes with all too much frequency these days. Free of gore and sex, this was automatically going to alienate a good portion of the lustful members of the horror fan base, but for those who like their horror served with appetising scares and a cauldron of suspense, then this delivers plenty to your particular table.
Forget the "based on a true story" tag, since it's kind of irrelevant in this new technological age, it's a selling gimmick that actually means "this story might be true and we might have played with it a bit". Regardless of hoax charges and embellishments, just buy into the premise, commit to it as a scary story in the same way as director James Wan has, for then the rewards are there for the compliant.
Story essentially is based around an investigation in the early seventies by paranormal specialists Ed and Lorraine Warren, who aided the Perron family as they were victims of dreadful supernatural events at their Rhode Island home. Wan builds it deftly, letting us into the Perron families lives as they move into what they believe to be a dream home. Then things start to happen, but again Wan builds it in slow instances, creating a palpable sense of dread, his camera work intelligent. So when the big moments come they have maximum impact and have us also yearning for the Warren's to get involved.
There is no over killing of the boo-jump scares, they are placed with care and marry up superbly with the mounting tension. Naturally all the cliché conventions of the haunted house movie are here, strange smells, creaky doors, ominous cellar and etc, yet these are supplemented with Wan's talented knack for a good scare and a very effective production design. From mysterious bruises and literal leg pulls – breath holding games of hide and seek – to bona fide pant soiling moments, The Conjuring is a lesson in sustained unease until the big finale is unleashed.
The script is devoid of cheese and pointless filler, itself refreshing in a horror sub-genre that suffers often with these problems. Joseph Bishara's musical score is an absolute nerve shredder, and again it's a refreshing accompaniment because it doesn't resort to telegraphed shrieks to tell us to be afraid, it never overwhelms a scene. John Leonetti's cinematography has Gothic textures, both in the house and outside of the lakeside farmhouse, while the strong lead cast of Vera Farmiga, Patrick Wilson, Lili Taylor and Ron Livingston come up trumps for sure.
Met with critical and box office success, The Conjuring justifies its reputation as a superb haunted house movie. 9/10