Two astronauts work together to survive after an accident leaves them stranded in space.Two astronauts work together to survive after an accident leaves them stranded in space.Two astronauts work together to survive after an accident leaves them stranded in space.
- Director
- Writers
- Stars
Top credits
- Director
- Writers
- Stars
- Won 7 Oscars
- 239 wins & 187 nominations total
Videos9
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- Production, box office & more at IMDbPro
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Storyline
Did you know
- TriviaThe film's cascade of debris is a very real possibility. This scenario is known as the Kessler syndrome, named after N.A.S.A. scientist Donald J. Kessler who first proposed the theory in 1978. A cascading Kessler syndrome involving an object the size of the International Space Station would trigger a catastrophic chain-reaction of debris. The orbiting debris field would make it impossible to launch space exploration missions or satellites for many decades.
- GoofsStars do not twinkle when viewed from space. The twinkling seen from earth is because of the earth's atmosphere. As they were seen above the atmosphere, they should not twinkle.
- Quotes
Matt Kowalski: Listen, do you wanna go back, or do you wanna stay here? I get it. It's nice up here. You can just shut down all the systems, turn out all the lights, and just close your eyes and tune out everyone. There's nobody up here that can hurt you. It's safe. I mean, what's the point of going on? What's the point of living? Your kid died. Doesn't get any rougher than that. But still, it's a matter of what you do now. If you decide to go, then you gotta just get on with it. Sit back, enjoy the ride. You gotta plant both your feet on the ground and start livin' life. Hey, Ryan? It's time to go home.
- Crazy creditsThe credits end with the sound of a radio transmission and a man counting down: "Three, two, one, mark."
- ConnectionsFeatured in Filmselskabet: Episode #4.1 (2013)
Top review
Gravity in a Word: "Captivating"
Gravity is the latest in science fiction feature films, a thriller directed by Alfonso Cuarón that will have your heart racing and your breath held for most of the film. Gravity toys with your emotions from minute one, juxtaposing the beauty and serenity of space with its impending danger and destruction.
The film stars Sandra Bullock and George Clooney and tells the story of two astronauts and their fight to get back to Earth after the destruction of their space shuttle. Bullock plays the role of Dr. Ryan Stone, a medical engineer on her first expedition to space with Matt Kowalski, played by Clooney, a veteran and the more experienced of the two. Bullock's acting is wonderful, as she shared strong and true emotions with the audience despite the fact that for most of the film, she only has herself or Matt (a man her character isn't very well acquainted with) to talk to.
What set this film apart are the special effects. With a budget of $100 million, about 80 per cent of the production was done in CG (more than James Cameron's Avatar) to create a visually stunning film. Viewing the beauty of Planet Earth from space is what captivates you for most of the film, with the help of 3D technology designed and added in post- production under the supervision of Chris Parks, giving an amazing depth to the film. The work producers put into bringing space to life is phenomenal — not to mention the light box, with over 4,000 LED bulbs that had to be created (invented, even) to film the actors' faces inside their astronaut helmets.
Gravity shares similarities with traditional tales of determination to return home and survival. The Odyssey and Castaway come to mind. But in space, this narrative takes on a new perspective. The theme of perseverance is written all over this movie, with Stone questioning her ability to keep fighting — to look death in the face and either go on or give up. This is a story about going against all odds when the entire universe is against you.
There are several hints of a rebirth theme as well, with the astronauts hanging from the space shuttle with their lifelines like fetuses with their umbilical cords. Look out for the scene partway through the film with Bullock floating in a C-shape fetal position, and remember the way astronauts have to relearn to walk and gain strength in their muscles upon returning to Earth, like a child. All these instances suggest a Kubrick-like interest in demonstrating the evolution and vulnerability of human life, united with the scenes of confronting death.
Gravity is at the top of the list where the Oscars are concerned, with ten nominations (tied for the lead with American Hustle), including a nomination for Best Picture. Even astronaut Buzz Aldrin gave the film positive reviews, and he told the Hollywood Reporter that he's happy Gravity was made and hopes it will "stimulate the public" to encourage advancements in space technology. I think with a movie like this — and all the recent press from Canadian astronaut Chris Hadfield — we're taking one small step in the right direction.
http://juliekinnear.com/blogs/gravity-movie-captivating
The film stars Sandra Bullock and George Clooney and tells the story of two astronauts and their fight to get back to Earth after the destruction of their space shuttle. Bullock plays the role of Dr. Ryan Stone, a medical engineer on her first expedition to space with Matt Kowalski, played by Clooney, a veteran and the more experienced of the two. Bullock's acting is wonderful, as she shared strong and true emotions with the audience despite the fact that for most of the film, she only has herself or Matt (a man her character isn't very well acquainted with) to talk to.
What set this film apart are the special effects. With a budget of $100 million, about 80 per cent of the production was done in CG (more than James Cameron's Avatar) to create a visually stunning film. Viewing the beauty of Planet Earth from space is what captivates you for most of the film, with the help of 3D technology designed and added in post- production under the supervision of Chris Parks, giving an amazing depth to the film. The work producers put into bringing space to life is phenomenal — not to mention the light box, with over 4,000 LED bulbs that had to be created (invented, even) to film the actors' faces inside their astronaut helmets.
Gravity shares similarities with traditional tales of determination to return home and survival. The Odyssey and Castaway come to mind. But in space, this narrative takes on a new perspective. The theme of perseverance is written all over this movie, with Stone questioning her ability to keep fighting — to look death in the face and either go on or give up. This is a story about going against all odds when the entire universe is against you.
There are several hints of a rebirth theme as well, with the astronauts hanging from the space shuttle with their lifelines like fetuses with their umbilical cords. Look out for the scene partway through the film with Bullock floating in a C-shape fetal position, and remember the way astronauts have to relearn to walk and gain strength in their muscles upon returning to Earth, like a child. All these instances suggest a Kubrick-like interest in demonstrating the evolution and vulnerability of human life, united with the scenes of confronting death.
Gravity is at the top of the list where the Oscars are concerned, with ten nominations (tied for the lead with American Hustle), including a nomination for Best Picture. Even astronaut Buzz Aldrin gave the film positive reviews, and he told the Hollywood Reporter that he's happy Gravity was made and hopes it will "stimulate the public" to encourage advancements in space technology. I think with a movie like this — and all the recent press from Canadian astronaut Chris Hadfield — we're taking one small step in the right direction.
http://juliekinnear.com/blogs/gravity-movie-captivating
helpful•149
- jul-kinnear
- Jan 22, 2014
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Cuộc Chiến Không Trọng Lực
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $100,000,000 (estimated)
- Gross US & Canada
- $274,092,705
- Opening weekend US & Canada
- $55,785,112
- Oct 6, 2013
- Gross worldwide
- $723,192,705
- Runtime1 hour 31 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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