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Prometheus (2012)

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Following clues to the origin of mankind, a team finds a structure on a distant moon, but they soon realize they are not alone.

Director:

Ridley Scott
Popularity
719 ( 62)
Nominated for 1 Oscar. Another 6 wins & 46 nominations. See more awards »

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Cast

Cast overview, first billed only:
Noomi Rapace ... Elizabeth Shaw
Michael Fassbender ... David
Charlize Theron ... Meredith Vickers
Idris Elba ... Janek
Guy Pearce ... Peter Weyland
Logan Marshall-Green ... Charlie Holloway
Sean Harris ... Fifield
Rafe Spall ... Millburn
Emun Elliott ... Chance
Benedict Wong ... Ravel
Kate Dickie ... Ford
Branwell Donaghey Branwell Donaghey ... Mercenary 1
Vladimir 'Furdo' Furdik ... Mercenary 2 (as Vladimir Furdik)
C.C. Smiff C.C. Smiff ... Mercenary 3 (as CC Smiff)
Shane Steyn ... Mercenary 4
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Storyline

Following clues to the origin of mankind, a team finds a structure on a distant moon, but they soon realize they are not alone.

Plot Summary | Plot Synopsis

Taglines:

They went looking for our beginning. What they found could be our end. See more »


Motion Picture Rating (MPAA)

Rated R for sci-fi violence including some intense images, and brief language | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Alien Universe | Official Facebook | See more »

Country:

USA | UK

Language:

English | Scottish Gaelic

Release Date:

8 June 2012 (USA) See more »

Also Known As:

Alien 0 See more »

Filming Locations:

Scotland, UK See more »

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Box Office

Budget:

$130,000,000 (estimated)

Opening Weekend USA:

$51,050,101, 10 June 2012

Gross USA:

$126,477,084

Cumulative Worldwide Gross:

$403,354,469
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

In one of the screenplay drafts for Alien (1979), there was a sex scene between Ripley and Dallas, to show how crew members would engage in casual sex during long space travels, simply to fulfill their needs. Ridley Scott never filmed the scene, but the idea was reused for this film in the exchange between Vickers and Janek. See more »

Goofs

In the first shot of Prometheus, it is moving at high speed through space. When it enters the target planet/moon's atmosphere, it must slow down which should mean that the thrusters would be pointing forwards and down, not straight backwards as seen. However, the ship will have slowed down (offscreen) as it approached the destination moon, though it would still be necessary to have the thrusters pointing backwards so as to propel the ship to a landing site. It does not mean the ship was still travelling at the same immense speed it did when in deep space. Also, the thrusters are indeed pointing downwards when the ship lands. See more »

Quotes

[first lines]
Elizabeth Shaw: Get Charlie.
See more »

Crazy Credits

The 20th Century Fox, Dune Entertainment and Scott Free Production logos are shaded ice blue. See more »

Alternate Versions

The film's 70mm and Digital IMAX 3D release was presented open-matte, at an aspect ratio of 1.90:1, meaning more information was in the frame for the entire film. See more »

Connections

Featured in Bad Movie Beatdown: Review of 2012 (2013) See more »

Soundtracks

'O Come All Ye Faithful
Traditional
See more »

Frequently Asked Questions

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User Reviews

 
Curiosity killed the Crew
8 July 2012 | by dharmendrasinghSee all my reviews

This needed a second viewing, just to see if not being awestruck was my fault. Sir Ridley Scott's unintended (but obviously linked) prequel to his 1979 classic, 'Alien' is a hugely ambitious film; but is, in a word, meretricious.

The story is profoundly compelling, and is an example of why sci-fi can be the most noble of all genres. It's not afraid to ask the big questions – Where do we come from? What is our purpose? What happens when we die? – but cowers into the nearest black hole when it comes to answering them (or at least the last two of those). No film I have seen has handled analogous material better than Kubrick's '2001', and 'Prometheus' could have ensured similar stardom if it chose epiphany over escapist entertainment.

The year is 2093. Discovery of a recurring ancient cave painting has prompted a space expedition. A vessel called Prometheus carries a crew of 17 to a destination where it is believed the answers to human origin lie. Interweaving an alien story with the central plot is a major strength, a double-whammy concept. But the delivery is all devilry; pure Hollywood compromise.

Despite the voluptuous visuals, stunning production design and preference of manual over computer effects (including a memorable alien abortion sequence), what ruined it for me was the handling of this precious material. Perhaps it was inevitable. Between them, the two writers (Jon Spaihts and Damon Lindelof) have a limited repertoire which has space for the execrable 'Cowboys and Aliens' and equally distasteful 'The Darkest Hour'.

Discoveries are anti-climactic. When the crew discover something of importance, i.e. everything, they are remarkably insouciant. The effect on me was a mutual disinterest. All the elements for suspense are here: dark passages, inexplicable noises, prolonged moments of inactivity; yet there is a lack of the kind of suspense which gave Scott's 1979 film its reputation.

One saving grace is Michael Fassbender's David, the onboard android. He gives everyone an acting lesson; one that ship captain, Janek (Idris Elba) doesn't heed, choosing instead to remain impassive throughout. Guy Pearce (in heavy make-up) cameos as the CEO of the company funding the venture. He has only a few days of life left and presumes they will find a merciful rather than noxious God, and further presumes that he will be able to barter for an extension.

Other principal players are Doctors Elizabeth Shaw (Noomi Rapace) and Charlie Holloway (Logan Marshall-Green), and expedition manager, Meredith Vickers (Charlize Theron), who raises her voice to remind everyone who's boss (an interesting discussion point, evoking Scott's 'Blade Runner', is whether she's another android).

Once Darwinism has been negated, the crew, particularly Shaw, desperately seek other answers. This is where I felt cheated. Yes, speculation is often more enticing than revelation, but this film is fuelled by its revelations. We're not given the answers, ostensibly to add mystery. But I feel that the script writers had no more to offer. David asks Shaw why she so badly wants to know more. Her response is risible: 'Maybe it's because I'm human and you're a robot'.

The conclusion is impetuous and insipid. It is not too distant in tone and style than – I'm serious – 'Armageddon'. The best bit of the film probably won't even be talked about. It's established that Prometheus has actually landed on an installation, where aliens were being manufactured by our 'Engineers' (Gods) to create WMD. Their intention was to use these weapons to destroy Earth, but the aliens escaped captivity and massacred them. What a concept! If you were going to compromise, which this film does, why not show that story? Maybe they will in another prequel.

www.moseleyb13.com


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