Eliezer and Uriel Shkolnik are father and son as well as rival professors in Talmudic Studies. When both men learn that Eliezer will be lauded for his work, their complicated relationship reaches a new peak.
Is today's fanaticism tomorrow's policy? In a West Bank settlement, Rabbi Meltzer has a grand design: he's building a movement "to pray at the Temple Mount." His yeshiva has scholars, and ... See full summary »
Mivtza Savta ("Operation Grandma") is a satirical Israeli comedy about three very different brothers trying to get around many obstacles to bury their grandmother on her kibbutz. The story ... See full summary »
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Azulai is a policeman in Jaffa, whose incompetence is only matched by his soft-heartedness. His superiors want to send him to early retirement, but he would like to stay on the force, and ... See full summary »
The movie is a romantic comedy which takes place in Israel during the Austerity period of the 1950s. The movie's hero is Alex, a 13 year old boy who is about to attend his Bar Mitzvah. Alex... See full summary »
The story of a great rivalry between a father and son, both eccentric professors in the Talmud department of Hebrew University in Jerusalem. The son has an addictive dependency on the embrace and accolades that the establishment provides, while his father is a stubborn purist with a fear and profound revulsion for what the establishment stands for, yet beneath his contempt lies a desperate thirst for some kind of recognition. The Israel Prize, Israel's most prestigious national award, is the jewel that brings these two to a final, bitter confrontation.Written by
The theatre show the family goes to see is 'Fiddler on the Roof'. See more »
At around 38:00, when Uriel enters the room that the committee is meeting in for the first time, he can open and close the door easily. But when he returns with a chair a few seconds later, suddenly there's not enough space to close it, despite his chair not being in the way. See more »
I'll illustrate it for you. Say we both deal with potsherds. Yes? Broken pottery? One of us examines these potsherds, cleans them meticulously, catalogs them, measures them scientifically and precisely, tries to decipher which period they're from, and who made them. And if he succeeds, he has done his work properly, and it has scientific value for generations. The other looks at the potsherds for a few seconds, sees they're more or less the same color, and immediately makes a pot out of them. ...
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The credits for the major cast and crew members all have the initial letters of their names in bold, echoing the plot device that causes the confusion between the father and son. See more »
The fictitious hero is a old man who takes himself and his work completely seriously-- to the exaggerated extent that we expect to find only in a fable. The screen displays to the audience a number of arch textual explanations about him and his son, and the audience chuckles at his eccentric single-mindedness. But a sort of tension appears as the characters' behavior slips outside the limits of the explanations. Is the old man cheating on his wife? What's behind his grandson's oblomovism? Eventually the movie focuses on an unknown that is stretched almost to the point of paradox: Is the quality of the old man's work in academe really unsurpassed, or is it really unsatisfactory? The movie does turn out to be a fable, and a fable worth taking seriously. It attracted an all-star cast, and Shlomo Bar-Abba, in the lead, continues the tradition of comedians who, when they undertake a dramatic role, gain additional impact from the contrast with their familiar persona. The movie received the 2011 screenplay award at Cannes.
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