The story of legendary Guan Yu crossing five passes & slaying six generals. He played a major role in the civil war that led to the collapse of Han Dynasty & the establishment of Shu Han of the 3 Kingdoms, making Liu Bei its first emperor.
In 1905, revolutionist Sun Yat-Sen visits Hong Kong to discuss plans with Tongmenghui members to overthrow the Qing dynasty. But when they find out that assassins have been sent to kill him, they assemble a group of protectors to prevent any attacks.
Seven years after the apparent death of Chen Zhen, who was shot after discovering who was responsible for his teacher's death (Huo Yuanjia) in Japanese-occupied Shanghai. A mysterious ... See full summary »
A martial arts instructor from the police force gets imprisoned after killing a man by accident. But when a vicious killer starts targeting martial arts masters, the instructor offers to help the police in return for his freedom.
A near retired inspector and his unit are willing to put down a crime boss at all costs while dealing with his replacement, who is getting in their way. Meanwhile, the crime boss sends his top henchmen to put an end to their dirty schemes.
It's about time Donnie Yen made an impact yet again in the fantasy wuxia-pian genre, given the rather recent dismal films with Painted Skin (where he only had a supporting role), An Empress and the Warriors, and Tsui Hark's Seven Swords back in 2005. Most of us went ballistic with his more modern action roles ranging from SPL to Ip Man, and his 14 Blades character of Qing Long (Green Dragon, thanks to those mean looking tattoos adorned all over his upper torso) here looks quite set to become yet another memorable role similar to his morally ambiguous one in Bodyguards and Assassins.
Here, Yen's Qing Long is the General-in-chief bodyguard to, and assassin for a Ming Dynasty king, who had set up the Jin Yi Wei (the Mandarin title), or the Brocaded Robe Guards, a special army known for its dogmatic principles in fulfilling mission objectives, whose loyalty is to the king only, and are at his beck and call to do just about anything the king commands. That of course leaves room for evil eunuchs to manipulate, especially when they can get the king easily distracted with wine, song and plenty of nubile women.
The first few minutes of the film introduces us to the background of Qing Long and his army of bodyguards and assassins, the evil that lurks within the royal family and palace from eunuchs to an exiled prince (an extremely short cameo by Sammo Hung), and of course, the fabled 14 Blades. Unfortunately, we are told of the uniqueness and names of each blade, but never see all of them in action, coupled by the fact that they look quite generic. Only Qing Long is assigned this utility box containing the swords and lugs it everywhere ala El Mariachi's guitar case, and at his will can throw up the appropriate weapon to battle adversaries, including a set of grappling hooks!
Writer-director Daniel Lee managed to create a film consisting of a successful amalgamation of wuxia-pian elements, with iconic fight action sequences set in tea houses, desert duels, forest brawls with abandoned temples and exotic cities enhanced by CG to play host to a film complete with double crosses, a prized possession that everyone is after, and had time to sneak in unrequited romance. In some ways the film plays out like a Cowboy Western with its one man sheriff and an escort agency up against various bands of outlaws in endless desert filled land, with that theme of hope that they'll make it unscathed against changing odds, save the day and to ride off into the sunset with the damsel.
The story though gave way at the midway mark, where it clearly became nothing more than a stringing together of battles and one on one duels, which thankfully were still exciting to sit through, with none of the fast cut edits or crazy closeups that will make you cringe. With the introduction of Wu Chun as Judge, the leader of a brigade of bandits who has this cool boomerang double blade, and Kate Tsui in a role where she only grunts as loud as Maria Sharapova in a return volley, ample time got dedicated for one to mirror QIng Long's transformation and road to redemption, while the other, well, just serves to grunt a lot, in a get up that looks inspired by Medusa, and armed with a serpent sword-like-whip, and powers of CG stealth.
But underneath the fights, the flimsy storyline and gorgeous costumes, 14 Blades turns out to have an incredibly strong romance instead, with Vicky Zhao (her umpteenth period role straight) starring as Qiao Hua, daughter of the Justice Escort agency founder (played by veteran Wu Ma), enamoured by the manliness of the legendary leader of the Jin Yi Wei, since she grew up on fairy tales and harbouring the hopes that a fabled swordsman would one day save society from its evils. In a way her Qiao Hua exhibits the Stockholm Syndrome, being held captive against her wishes, but slowly being drawn romantically to her captive, even endangering herself (in a scene to provide comic relief) by willingly becoming his aide and pawn.
It's far from being the perfect film, especially with unbelievably incoherent flashbacks and the going overboard with explosions (of the RPG type), but Donnie Yen once again shows that when it comes to the fisticuffs, he still has a lot to offer, despite the story's potential that had it go off the blocks strongly, only to fizzle out before the end in a case of severe narrative burn-out.
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