A mysterious young woman seduces lonely men in the evening hours in Scotland. However, events lead her to begin a process of self-discovery.
Director:
Writers:
Awards:
- Nominated for 1 BAFTA Film Award. Another 23 wins & 110 nominations.
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Reviews:
Photos and Videos
Cast
| Scarlett Johansson | ... |
The Female
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| Jeremy McWilliams | ... |
The Bad Man
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| Lynsey Taylor Mackay | ... |
The Dead Woman
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Dougie McConnell | ... |
Pick-Up Man
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Kevin McAlinden | ... |
First Victim
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D. Meade | ... |
Leering Man
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Andrew Gorman | ... |
Second Victim
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Joe Szula | ... |
Man at Club
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| Krystof Hádek | ... |
The Swimmer
(as Krystof Hadek)
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Roy Armstrong | ... |
Father at Beach
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Alison Chand | ... |
Mother at Beach
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| Ben Mills | ... |
The Baby
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Oscar Mills | ... |
The Baby
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Lee Fanning | ... |
Motorcyclist #1
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| Paul Brannigan | ... |
Andrew
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Marius Bincu |
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Scott Dymond | ... |
The Nervous Man
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Stephen Horn | ... |
Gang Member #1
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Adam Pearson | ... |
The Deformed Man
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May Mewes | ... |
Tearoom Waitress
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Michael Moreland | ... |
The Quiet Man
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Gerry Goodfellow | ... |
The Bus Driver
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| Dave Acton | ... |
The Logger
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Jessica Mance | ... |
The Alien
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| Rest of cast listed alphabetically: | |||
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Jerome Boyle | ... |
The Walker (uncredited)
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| Antonia Campbell-Hughes | ... |
Shadow Alien (uncredited)
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Poppy Alexandra Coe | ... |
Nightclub Dancer (uncredited)
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Robert J. Goodwin | ... |
Tearoom Customer (uncredited)
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Steve Keys | ... |
Motorcyclist #2 (uncredited)
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Directed by
| Jonathan Glazer | ||
Written by
| Walter Campbell | ... | (written by) & |
| Jonathan Glazer | ... | (written by) |
| Michel Faber | ... | (based on the novel by) |
| Milo Addica | ... | () (uncredited) |
Produced by
| Reno Antoniades | ... | executive producer |
| Gillian Berrie | ... | co-producer |
| Claudia Bluemhuber | ... | executive producer |
| Walter Campbell | ... | executive producer |
| Florian Dargel | ... | executive producer |
| Ian Hutchinson | ... | executive producer |
| Alexander O'Neal | ... | co-producer |
| Tessa Ross | ... | executive producer |
| Nick Wechsler | ... | producer |
| James Wilson | ... | producer |
Music by
| Mica Levi | ||
Cinematography by
| Daniel Landin | ... | director of photography |
Film Editing by
| Paul Watts | ||
Editorial Department
| Helle Absalonsen | ... | digital intermediate producer: Dirty Looks |
| Tor Adams | ... | supplier: Avids, The Quarry |
| Tom Balkwill | ... | digital intermediate technical supervisor: Dirty Looks |
| Gareth Bishop | ... | on-line editor: Dirty Looks |
| Katie Bullock-Webster | ... | post-production coordinator |
| John Claude | ... | colorist: Dirty Looks |
| Paul Dawber | ... | assistant editor |
| Andy Hague | ... | additional assistant editor |
| Christopher R. Nunn | ... | colorist: dailies |
| Lawrie Read | ... | supplier: additional cutting rooms, Hireworks |
| Céline Zapater | ... | additional assistant editor |
| Fiorenza Bagnariol | ... | digital film bureau (uncredited) |
| J.D. Funari | ... | trailer editor (uncredited) |
| Andrew Hegele | ... | marketing editor (uncredited) |
| Timothy P. Jones | ... | digital film bureau (uncredited) |
| Laura Pavone | ... | digital film bureau (uncredited) |
Casting By
| Kahleen Crawford | ||
Production Design by
| Chris Oddy | ||
Art Direction by
| Emer O'Sullivan | ||
Costume Design by
| Steven Noble | ||
Makeup Department
| Helen Barrett | ... | hair stylist / makeup artist |
| Christine Beveridge | ... | hair designer / makeup designer |
| Rebecca Cain | ... | prosthetics crew: Asylum Model & Effects (as Becky Cain) |
| Jessica Cruickshank | ... | hair stylist / makeup artist |
| Tom Curtis | ... | prosthetics crew: Asylum Model & Effects |
| Marianne Gallagher | ... | prosthetics crew: Asylum Model & Effects |
| Darren Grassby | ... | dental technician: Asylum Model & Effects |
| Ian Jones | ... | prosthetics crew: Asylum Model & Effects |
| Kate McConnell | ... | senior prosthetic supervisor: Asylum Model & Effects |
| Esteban Mendoza | ... | prosthetics crew: Asylum Model & Effects |
| Kevin Morris | ... | dental technician: Asylum Model & Effects |
| Sunita Parmar | ... | prosthetics crew: Asylum Model & Effects |
| Annie Toop | ... | prosthetics crew: Asylum Model & Effects |
| Faye Windridge | ... | prosthetics crew: Asylum Model & Effects |
| Joe Yabsley | ... | prosthetics crew: Asylum Model & Effects |
| Andy Garner | ... | special makeup effects artist (uncredited) |
Production Management
| Livia Burton | ... | production manager |
| Tracey Josephs | ... | production: Film4 |
| Richard Lloyd | ... | post-production supervisor |
| Fiona Morham | ... | head of production: BFI Film Fund |
| Mark Murdoch | ... | production manager: pick-ups |
| Brodie Pringle | ... | unit manager |
Second Unit Director or Assistant Director
| Sean Boyle | ... | assistant director: daily |
| Grant Butler | ... | trainee assistant director: Screen NETS |
| Stephen Carney | ... | third assistant director |
| Tom Debenham | ... | second unit director: second unit/additional photography |
| Marilyn Edmond | ... | second assistant director: pick-ups / third assistant director: London studio shoot |
| David Gilchrist | ... | first assistant director: second unit/additional photography |
| Nick Heckstall-Smith | ... | first assistant director |
| Mark Hopkins | ... | second assistant director: rehearsals |
| Brian Horsburgh | ... | first assistant director: second unit/additional photography |
| Susie Lee | ... | second assistant director |
| Laurie Mahon | ... | third assistant director: pick-ups |
| Alex McKay | ... | co-third assistant director |
| Mark Murdoch | ... | second assistant director |
| Rory Stewart | ... | daily floor runner |
Art Department
| Simon Allen | ... | pre-vis artist: Asylum Model & Effects |
| Helen Allingham | ... | art department assistant |
| Philip Barratt | ... | graphic artist |
| John Booth | ... | stand-by props |
| Brian Boyne | ... | carpenter |
| Conor Breen | ... | pre-vis artist: Asylum Model & Effects |
| Ollie Campbell | ... | stand-by greensman |
| Tiffany M. Carpenter | ... | graphic designer |
| Jon Colson | ... | greensman |
| Paul Curran | ... | painter |
| Sam Curren | ... | painter (as Sam Curran) |
| Paul Cutler | ... | stand-by props: London studio shoot |
| Jim Elliott | ... | property master |
| Derek Fraser | ... | construction manager |
| Marianne Gallagher | ... | art department trainee: SCreen NETS |
| Roddy Garden | ... | dressing props |
| Iain Geddes | ... | painter |
| Georgina Gordon-Smith | ... | art department assistant: London studio shoot |
| Alan Harley | ... | dressing props |
| Jane Harvie | ... | painter |
| Roger Holden | ... | hod greensman |
| Will Holden | ... | stand-by greensman |
| Gavin Johnson | ... | greensman |
| Adrian Marler | ... | storyboard artist |
| Jamie McCallum | ... | carpenter |
| Nicki McCallum | ... | assistant art director |
| Chris McMillan | ... | stand-by props |
| Martin McNee | ... | stand-by art director |
| Craig Menzies | ... | props buyer |
| Matt Mooney | ... | dressing props |
| Carly Parris | ... | assistant props buyer |
| Mike Scanlon | ... | stagehand: London studio shoot |
| Anna Smith | ... | art department trainee: London studio shoot |
| Imogen Toner | ... | art department assistant: pick-ups |
| Tom Walker | ... | stand-by carpenter: London studio shoot |
| Simon Duric | ... | illustrator (uncredited) |
Sound Department
| Nigel Albermaniche | ... | production sound mixer |
| Steve Browell | ... | sound effects editor |
| Johnnie Burn | ... | re-recording mixer / sound designer / supervising sound editor |
| Simon Carroll | ... | first assistant sound editor |
| Mark DeSimone | ... | adr mixer |
| Ed Downham | ... | production effects editor |
| Bryn Duffy | ... | sound assistant |
| Al Green | ... | mix technician |
| Jussi Honka | ... | dialogue editor |
| Billy Mahoney | ... | foley recordist |
| Joe Mount | ... | foley editor |
| Alex Nicholls-Lee | ... | additional sound effects editor |
| Margarita Osepyan | ... | foley artist |
| Andrew Quinney | ... | boom operator |
| Steve Single | ... | re-recording mixer |
| Ashley Smith | ... | sound mix technician |
| Barnaby Smyth | ... | foley artist / foley editor |
| Jason Swanscott | ... | foley artist |
| Alissa Timoshkina | ... | foley artist |
| Javier Valdés | ... | director: castilian/spanish |
| Stuart St Vincent Welch | ... | adr recordist (as Stuart St. Vincent Welch) |
| Andy Botham | ... | sound re-recording engineer (uncredited) |
| Keith Partridge | ... | foley engineer (uncredited) |
| Ric Schnupp | ... | adr recordist (uncredited) |
Special Effects by
| Ken Batten | ... | mechanical live action special effects crew: Asylum Models and Effects |
| Paul Carter | ... | modelmaking crew: Asylum Model & Effects |
| Michael Cox | ... | modelmaking crew: Asylum Model & Effects |
| Mark Curtis | ... | senior special effects supervisor: Asylum Models and Effects |
| Jenny Denham | ... | mould shop: Asylum Model & Effects |
| Paul Dunn | ... | pyrotechnic supervisor: Asylum Model & Effects |
| Frank Farman | ... | modelmaking crew: Asylum Model & Effects |
| Kerry Flynn | ... | modelmaking crew: Asylum Model & Effects |
| Michael Fontaine | ... | lifecasting: Ms. Johansson |
| Andy Garner | ... | sculptor: Asylum Model & Effects |
| Andy Geddes | ... | mould shop: Asylum Model & Effects |
| Marek Grochal | ... | modelmaking crew: Asylum Model & Effects |
| Jonathan Hateley | ... | sculptor: Asylum Model & Effects |
| Craig Leong | ... | modelmaking crew: Asylum Model & Effects |
| Ben Lewens | ... | mechanical live action special effects crew: Asylum Models and Effects |
| Toni Maddox | ... | production support: Asylum Model & Effects |
| Toni Malyan | ... | modelmaking crew: Asylum Model & Effects |
| Alasdair McKay | ... | modelmaking crew: Asylum Model & Effects (as Ali McKay) |
| Heidi Munn | ... | production support: Asylum Model & Effects |
| David Payne | ... | modelmaking crew: Asylum Model & Effects |
| John Pennicott | ... | modelmaking crew: Asylum Model & Effects |
| David Plewis | ... | mechanical live action special effects crew: Asylum Models and Effects |
| Geraldine Purcell-Lynch | ... | production support: Asylum Model & Effects |
| James Reynolds | ... | production support: Asylum Model & Effects |
| Adam Sankey | ... | mould shop supervisor: Asylum Model * Effects |
| John Sims | ... | modelmaking crew: Asylum Model & Effects |
| Tony Skinner | ... | senior mechanical supervisor: Asylum Models and Effects |
| Maria Smith | ... | production support: Asylum Model & Effects |
| Roland Stevenson | ... | sculptor: Asylum Model & Effects |
| Tsia Stuart | ... | modelmaking crew: Asylum Model & Effects |
| Lee Sutton | ... | modelmaking crew: Asylum Model & Effects |
| Nigel Swift | ... | mould shop: Asylum Model & Effects |
| Peter Tilbe | ... | modelmaking crew: Asylum Model & Effects |
| Tony Turner | ... | mechanical live action special effects crew: Asylum Models and Effects (as Antony Turner) |
| Sam Hue Vashon | ... | mechanical live action special effects crew: Asylum Models and Effects (as Sam Hue-Vashon) |
| Francesca Walker | ... | mould shop: Asylum Model & Effects |
| Andy Walsh | ... | mechanical live action special effects crew: Asylum Models and Effects (as Andrew Walsh) |
| Amanda Ward | ... | mould shop: Asylum Model & Effects |
| Mark Ward | ... | modelmaking supervisor: Asylum Model & Effects |
| Eloise Waymouth | ... | mould shop: Asylum Model & Effects (as Eloise Anson) |
| Roger Wotton | ... | modelmaking crew: Asylum Model & Effects |
| Dan Wright | ... | modelmaking crew: Asylum Model & Effects |
| Jacky Wu | ... | modelmaking crew: Asylum Model & Effects |
Visual Effects by
| Sarah Byers | ... | 3D camera tracker: One of Us |
| Earle Stuart Callender | ... | visual effects producer: One of Us |
| Jorge Canada Escorihuela | ... | digital compositor: One of Us |
| Huseyin Caner | ... | visual effects supervisor |
| Tom Debenham | ... | visual effects supervisor: One of Us |
| Christophe Dehaene | ... | digital compositor: One of Us |
| Andrea Falcone | ... | senior character technical director: One of Us |
| Greg Fee | ... | visual effects data wrangler: One of Us |
| Chaya Feiner | ... | visual effects producer: One of Us |
| Tim Field | ... | consultant visual effects producer |
| Lucien Fostier | ... | digital compositor: One of Us |
| Richard Frazer | ... | digital compositor: One of Us |
| Andy Hague | ... | visual effects editor: One of Us |
| Andrew Hogden | ... | digital compositor: One of Us |
| Richard Hopkins | ... | texture artist: One of Us |
| Ritchie Hoyle | ... | roto animation artist: One of Us |
| Duncan Kinnaird | ... | visual effects artist |
| Laura Lynch | ... | senior visual effects coordinator: One of Us |
| Ian Mackinnon | ... | software developer: one-cam, One of Us |
| Christina Mandia | ... | rotoanim artist: One of Us |
| Jeanette Monero | ... | digital compositor: One of Us |
| Daniel Moore | ... | rotoanim artist: One of Us (as Dan Moore) |
| Stephen Murphy | ... | cg supervisor: One of Us / look development: One of Us |
| Louis Mustill | ... | technical supervisor: one-cam, One of Us |
| Leila Nicotera | ... | visual effects coordinator: One of Us |
| Dominic Parker | ... | visual effects supervisor: One of Us |
| Nikul Patel | ... | lidar tech |
| Cecile Peltier | ... | digital compositor: One of Us |
| Rachael Penfold | ... | visual effects executive producer: One of Us |
| Colin Phillips | ... | software developer: one-cam, One of Us |
| Emmanuel Pichereau | ... | digital compositor: One of Us |
| Adrian Pinder | ... | cloth technical director: One of Us |
| Mike Pope | ... | digital compositor: One of Us |
| Matt Power | ... | systems administrator: One of Us |
| Lewis Saunders | ... | digital compositor: One of Us |
| Petra Schwane | ... | compositing supervisor: One of Us |
| Abigail Scollay | ... | senior compositor: One of Us |
| Arron Smith | ... | camera engineer: one-cam, One of Us |
| Tom Sparks | ... | digital compositor: One of Us |
| Barny Stoppard | ... | digital artist: One of Us |
| Sam Swift-Glasman | ... | effects technical director: One of Us |
| Robert Timmins | ... | element shoot coordinator: One of Us |
| Tomas Tombakas | ... | data i/o operator: One of Us |
| Victor Tomi | ... | digital compositor: One of Us |
| Cristina Vozian | ... | digital artist: One of Us |
| Samuel John Joseph Walsh | ... | 3d artist: One of Us |
| Dan Warder | ... | effects artist: One of Us |
| Roland Watson | ... | data i/o operator: One of Us |
| Pat Wong | ... | digital compositor: One of Us |
| Nicholas Zissimos | ... | digital compositor: One of Us |
| Antony Bluff | ... | visual effects producer: WebFx (uncredited) |
| Louise Brand | ... | head of operations: 4DMax (uncredited) |
| Duncan Lees | ... | head of 3d services: 4DMax (uncredited) |
| Jean-Marc Rulier | ... | cyber scanning technician: 4DMax (uncredited) |
| Stephen J. Smith | ... | roto artist (uncredited) |
Stunts
| Gary Connery | ... | stunt performer |
| David Cronnelly | ... | stunt rigger: London studio shoot (as Dave Cronnelly) |
| Rick English | ... | stunt performer |
| Gary Hoptrough | ... | stunt performer |
| Andy Merchant | ... | stunt performer |
| Gareth Milne | ... | stunt coordinator |
| Sian Milne | ... | stunt performer |
| Ian Pead | ... | stunt performer |
| Peter Pedrero | ... | stunt performer |
| Tom Struthers | ... | stunt rigger: London studio shoot |
| Joshua Tuersley | ... | diving double: underwater shoot |
| Leonard Woodcock | ... | diving double: underwater shoot (as Lenny Woodcock) |
Camera and Electrical Department
| Jaspreet Bal | ... | first assistant camera |
| Paul Bates | ... | best boy |
| Alasdair Boyce | ... | clapper loader: "b" camera, pick-ups |
| Bob Bridges | ... | video playback operator |
| Stuart Bridges | ... | video playback assistant |
| Robbie Bryant | ... | assistant camera |
| Donald Campbell | ... | electrician |
| John Colley | ... | gaffer |
| Oliver Couch | ... | electrician: underwater shoot |
| Luke Coulter | ... | clapper loader: "b" camera |
| Tim Critchell | ... | grip |
| Ash Daniyan | ... | digital imaging technician assistant: dailies |
| Rana Darwish | ... | clapper loader: London studio shoot |
| Tom Debenham | ... | director of photography: second unit/additional photography |
| Eddie Dias | ... | lighting coordinator Panalux |
| Laura Dinnett | ... | clapper loader: "a" camera, pick-ups |
| Arthur Donnelly | ... | electrician |
| Andy Duncan | ... | electrician: underwater shoot |
| Steve Ellingworth | ... | grip |
| Paul Evans | ... | wireman |
| Stuart Farmer | ... | electrician: pick-ups |
| Dave Freeth | ... | libra head technician: London studio shoot (as David Freeth) |
| Robert Gavigan | ... | electrician: London studio shoot |
| Damon Graham | ... | rigger: London studio shoot, Metro Rigging |
| Emily-Jane Grainger | ... | electrician (as Emily Grainger) |
| Ross Grainger | ... | generator operator |
| Iain Harrison | ... | rigger |
| Steve Hideg | ... | crane technician: London studio shoot |
| Simon Hillman | ... | wireman |
| Steve Howe | ... | rigger |
| Stuart Howell | ... | camera operator: "a" camera / steadicam operator |
| Malcolm Huse | ... | grip: London studio shoot |
| Tony Kay | ... | first assistant "c" camera |
| Pip Keeling | ... | gaffer: underwater shoot |
| David Littlejohns | ... | assistant grip: pick-ups |
| Jason Lobb | ... | electrician: underwater shoot |
| John MacTavish | ... | camera trainee |
| Vinny Madden Jr. | ... | electrician: London studio shoot |
| Vince Madden | ... | rigging gaffer |
| Nathan Mann | ... | focus puller: "a" camera |
| Alan Martin | ... | gaffer: pick-ups |
| Bruno Martins | ... | electrician: London studio shoot |
| David McAnulty | ... | key grip: pick-ups |
| Lewis McInnes | ... | camera trainee: Screen NETS / digital imaging technician trainee |
| Grant McPhee | ... | digital imaging technician |
| Keith Mead | ... | grip: London studio shoot |
| Callum Milne | ... | electrician |
| Andy Mountain | ... | desk operator: London studio shoot |
| Jody Neckles | ... | digital lab technician |
| Christopher R. Nunn | ... | data lab technician & dailies colourist (as Chris Nunn) |
| Niall O'Brien | ... | still photographer |
| Justin Pentecost | ... | motion control technician: London studio shoot |
| Derrick Peters | ... | focus puller: "b" camera |
| Sam Phillips | ... | key grip |
| George Powell | ... | crane technician: London studio shoot |
| Bernie Prentice | ... | gaffer: underwater shoot |
| Danny Preston | ... | first assistant camera: underwater shoot |
| Mark Purvis | ... | digital imaging technician |
| David Ritchie | ... | electrician |
| Mark Silk | ... | camera operator: underwater shoot |
| Arron Smith | ... | one-cam technician: pick-ups |
| Simon Surtees | ... | clapper loader: "a" camera / focus puller: "b" camera, pick-ups |
| Peter Tarran | ... | camera trainee: pick-ups |
| Alex Teale | ... | second assistant camera: London |
| Gregoire Thevenot | ... | clapper loader: London studio shoot |
| Simon Thorpe | ... | grip |
| Matt Wesson | ... | second assistant camera: underwater shoot |
| James Willett | ... | digital lab technician |
| Alex Wilmington | ... | wireman |
| Billy Wilson | ... | rigger |
| David Wilson | ... | electrician |
| Ben Brown | ... | second assistant camera: dailies (uncredited) |
| Erin Currie | ... | second assistant camera: dailies (uncredited) |
| Tom Maine | ... | electrician (uncredited) |
| Ian Speed | ... | libra technician (uncredited) |
Casting Department
| Dan Jackson | ... | casting assistant (as Danny Jackson) |
| Caroline Stewart | ... | casting associate / crowd casting |
Costume and Wardrobe Department
| Clementine Charity | ... | costume supervisor |
| Amanda Mattes | ... | costume buyer |
| Nat Van Halle | ... | costume supervisor: pick-ups / stand-by costumer |
Location Management
| Sean Barclay | ... | location scout |
| Morven MacPherson | ... | location assistant (as Morven McPherson) |
| Eugene Strange | ... | location manager |
| David Taylor | ... | assistant location manager |
| Alison Young | ... | location scout / locations |
| Michael Campbell | ... | location scout: Glasgow (uncredited) |
Music Department
| Luis Almau | ... | score engineer |
| Anisa Arslanagic | ... | musician |
| Max Baillie | ... | musician |
| Alex Benge | ... | music research |
| Samuel Karl Bohn | ... | technical assistant |
| Goetz Botzenhardt | ... | score engineer |
| Oliver Coates | ... | musician |
| Eugene Feygelson | ... | musician |
| Simone Filiali | ... | additional score mixer |
| Rebecca Gardiner | ... | musician |
| Daniel Gay | ... | music production assistant |
| Ben Griffiths | ... | musician (as Benjamin Griffiths) |
| Julian Guidetti | ... | music research |
| Jake Jackson | ... | score mixer |
| Jay James | ... | music supervisor |
| Evan Jolly | ... | associate music producer / orchestrator |
| Rael Jones | ... | techincal programming |
| Charlotte Kerbegian | ... | musician |
| Mica Levi | ... | music arranger / musician |
| Gerard McCann | ... | music editor |
| Laura Murphy | ... | musician |
| Orchestrate | ... | score performed by |
| Marc Pell | ... | musician |
| Peter Raeburn | ... | music arranger / music producer / music supervisor |
| Max Ruisi | ... | musician |
| Bridget Samuels | ... | score fixer: Orchestrate |
| Harriet Scott | ... | musician |
| Vincent Sipprell | ... | musician |
| Emma Smith | ... | musician |
| Stefan Karrer | ... | soundtrack album producer (uncredited) |
Script and Continuity Department
| Debbie Banbury-Morley | ... | script clearances (as Debbie Banbury) |
| Claire Hewitt | ... | script supervisor |
Transportation Department
| Martin Auld | ... | unit driver |
| Stewart Brown | ... | driver: minibus |
| John Burns | ... | unit driver |
| Alan Davidson | ... | driver: minibus |
| Ben Dillon | ... | picture vehicle coordinator |
| Tina Faulkner | ... | driver: London studio shoot |
| Andy Finnie | ... | unit driver |
| Geoff Gowland | ... | facilities captain: Movie Makers |
| Jefferson Gowland | ... | driver: facilities, Movie Makers |
| David Harrop | ... | driver |
| Stephen Harrop | ... | driver |
| Lee Isgar | ... | driver: Ms. Johansson |
| Ian McBain | ... | unit driver |
| Carl McGreevy | ... | driver: facilities, Movie Makers (as Carl McGreevey) |
| Drew Moore | ... | driver: minibus |
| David Rush | ... | driver: London studio shoot |
| Paul Smith | ... | action vehicle coordinator |
| Paul H. Smith | ... | assistant action vehicle coordinator (as Paul 'H' Smith) |
| Terry Smith | ... | action vehicle technician |
| Rob Snooks | ... | driver: camera car, pick-ups |
| Darryl Woods | ... | driver: facilities, Movie Makers (as Darrell Woods) |
| Tel Smith | ... | picture car coordinator (uncredited) |
Additional Crew
| Felicity Aldridge | ... | assistant: Nick Wechsler |
| Robbie Allen | ... | development and production: Creative Scotland |
| Reno Antoniades | ... | production legal services: Lee and Thompson |
| Pip Ayers | ... | epk producer: PMA Film & Television |
| Gero Bauknecht | ... | representative: Silver Reel |
| Martin Blytheway | ... | security: Media Security Services |
| Mary Brehony | ... | legals: Creative Scotland, Brehon & Co |
| Sue Bruce-Smith | ... | commercial & brand strategy: Film4 |
| Neil Cairns | ... | production accountant |
| Neil Calder | ... | completion guarantor: Film Finances |
| Steven Caldwell | ... | personal security: Ms.Johansson |
| Iain Canning | ... | production assistant: pick-ups |
| Sarah Caughey | ... | business affairs executive: BFI Film Fund |
| Christopher Collins | ... | senior production and development executive: BFI Film Fund |
| Fergus Cook | ... | production assistant |
| Rebecca Coppin | ... | production legal services: Lee and Thompson (as Rebecca Pick) |
| Alan Cousins | ... | health and safety advisor |
| Guy Cowan | ... | caterer: pick-ups |
| Cynthia De Souza | ... | BFI Film Fund |
| Brendan Diver | ... | chef: BBC TV Caterers |
| Harry Dixon | ... | business affairs: Film4 |
| Elizabeth Doonan | ... | assistant: Jonathan Glazer |
| Charlie Duffy | ... | chef: BBC TV Caterers |
| Jo Dutton | ... | utility stand-in |
| Jim Elliott | ... | armourer |
| Trevor Evans | ... | production coordinator: underwater shoot |
| Will Evans | ... | director of business affairs: BFI Film Fund |
| Julie Falconer | ... | unit medic |
| Georgie Fallon | ... | production coordinator |
| Mark Farrow | ... | title designer: Farrow |
| Uta Fredebeil | ... | representative: Silver Reel |
| Irene Gall | ... | representative: Silver Reel |
| Rose Garnett | ... | head of development: Film4 |
| Mark Geddes | ... | screen commissioner: SWSSC |
| Tommy Gibb | ... | chef: BBC TV Caterers |
| Adam Gilbert | ... | caterer: London, Red Chutney |
| Stuart Grosse | ... | diver: underwater shoot |
| Richard Gunner | ... | diver: underwater shoot |
| Riobert Halpern | ... | chef: BBC TV Caterers |
| Clare Hardwick | ... | completion guarantor: Film Finances |
| Deborah Hecht | ... | dialect coach |
| Ruth Hodgson | ... | completion guarantor: Film Finances |
| Paul Imrie | ... | assistant accountant |
| Jack Ivins | ... | floor runner |
| Paula Jack | ... | dialect coach |
| Steve Joberns | ... | auditor: Shipleys |
| David Johnstone | ... | insurance: Media Insurance Brokers |
| Ian Kirk | ... | head of production finance: BFI Film Fund |
| Sam Lavender | ... | development: Film4 |
| Steven Little | ... | assistant production coordinator |
| Marc McCarthy | ... | security: Media Security Services |
| Linda McClure | ... | business affairs: Creative Scotland |
| Drew McGurk | ... | security: Media Security Services |
| Hugh McGurk | ... | lead security: Media Security Services |
| Don McInnes | ... | security: Media Security Services |
| Louise McKusker | ... | stand-in: London |
| Pauline More | ... | unit medic |
| Adam Nowell | ... | stand-in: London |
| Sylvie Nowik Nowika | ... | caterer: London studio shoot, Red Chutney |
| John O'Sullivan | ... | insurance: Media Insurance Brokers |
| David Quli | ... | legal services: Silver Reel, Wiggin |
| Ben Roberts | ... | director of the lottery film fund: BFI Film Fund |
| Meagan Rogers | ... | assistant: Scarlett Johansson |
| Andrew Ross | ... | security: Media Security Services |
| Mark Rossi | ... | floor runner |
| Don Saladino | ... | trainer: Scarlett Johansson |
| Chrissie Saunders | ... | caterer: underwater shoot |
| Tom Savage | ... | epk director: PMA Film & Television |
| Gerd Schepers | ... | representative: Silver Reel |
| James Shirras | ... | completion guarantor: Film Finances |
| Alan Smith | ... | utility stand-in |
| Geoff Smith | ... | medic: underwater shoot |
| Trevor Smith | ... | animal handler: London |
| Stephanie Snowden | ... | utility stand-in: pick-ups |
| Dave Stewart | ... | animal consultant and trainer: Creature Feature (as David Stewart) |
| Gary Stillwell | ... | title designer: Farrow |
| Richard Taylor | ... | travel agent |
| Frazer Tolmie | ... | paramedic (as Fraser Tolmie) |
| Dan Travers | ... | diver: underwater shoot |
| Alexander Urquhart | ... | chef: BBC TV Caterers |
| Helen Varty | ... | assistant: Film4 |
| Phil Walton | ... | unit medic: London |
| Dan Whybrew | ... | legal services: Silver Reel, Wiggin |
| Elle Wilson | ... | utility stand-in |
| Fred Woodcock | ... | dive supervisor: underwater shoot |
| Catherine Woolston | ... | stand-in: London |
| Paul Zieleniec | ... | assistant accountant |
| Gemma Blair | ... | runner (uncredited) |
| Kristopher Blair | ... | runner (uncredited) |
| Elliott Evans | ... | underwater safety: diver (uncredited) |
| Ashley McKee | ... | runner: dailies (uncredited) |
| Anna Cameron McKessock | ... | cast associate (uncredited) |
| William Overstall | ... | modeler: Asylum Models & Effects (uncredited) |
| Simon Small | ... | medic: underwater unit (uncredited) |
Thanks
| Mark Ankner | ... | special thanks |
| Simon Duric | ... | the filmmakers would like to thank |
| Daniel Hammeley | ... | in loving memory (as Terry Smith) |
| Sam Lavender | ... | the filmmakers would like to thank |
| Mark Mason | ... | in loving memory of |
| Chris Penfold | ... | the filmmakers would like to thank |
Production Companies
- Film4 (presents)
- British Film Institute (BFI) (presents)
- Silver Reel (in association with)
- Creative Scotland (in association with)
- Sigma Films (co-production)
- FilmNation Entertainment (in association with)
- Nick Wechsler Productions
- JW Films
- Scottish Screen
- UK Film Council
Distributors
- A-Film Benelux MSD (2014) (Netherlands) (theatrical)
- A24 (2014) (United States) (theatrical)
- BIM Distribuzione (2014) (Italy) (theatrical)
- Diaphana Films (2014) (France) (theatrical)
- Fine Films (2014) (Japan) (theatrical)
- Golden Village Pictures (2014) (Singapore) (theatrical)
- MK2 Diffusion (2014) (France) (theatrical)
- MVP Entertainment (2014) (Singapore) (theatrical)
- Maison Motion (2014) (Taiwan) (theatrical)
- Mongrel Media (2014) (Canada) (theatrical)
- Odeon (2014) (Greece) (theatrical)
- Roadshow Films (2014) (Australia) (theatrical)
- Senator Film (2014) (Germany) (theatrical)
- StudioCanal (2014) (United Kingdom) (theatrical)
- Top Film Baltic (2014) (Estonia) (theatrical)
- Top Film Baltic (2014) (Latvia) (theatrical)
- Top Film Baltic (2014) (Lithuania) (theatrical)
- A-Film Benelux MSD (2015) (Netherlands) (Blu-ray)
- A-Film Benelux MSD (2015) (Netherlands) (DVD)
- Amazon Instant Video (2014) (United States) (video) (VOD)
- Ascot Elite Entertainment Group (2014) (Switzerland)
- Avalon (2020) (Spain)
- Batrax Entertainment (2014) (Non-US)
- Canal+ (2015) (Poland) (tv)
- Film1 (2016) (Netherlands) (tv) (limited)
- GEM Entertainment (2014) (Non-US)
- Lionsgate Home Entertainment (2014) (United States) (DVD)
- Lionsgate Home Entertainment (2014) (United States) (Blu-ray) (DVD)
- Odeon (2014) (Greece) (DVD)
- Prorom Media-Trade (2014) (Romania)
- R Film (2014) (Turkey)
- Senator Home Entertainment (2014) (Germany) (DVD)
- Senator Home Entertainment (2014) (Germany) (Blu-ray) (DVD)
- StudioCanal (2014) (United Kingdom) (DVD)
- StudioCanal (2014) (United Kingdom) (Blu-ray) (DVD)
- Sun Distribution (2014) (Non-US) (Latin America)
- Zon Audiovisuais (2014) (Portugal)
Special Effects
- One Of Us (visual effects design)
- Asylum Models & Effects (special effects)
- Plowman Craven & Associates (3D scanner)
- 4DMax (3D Cyber scanning and digital modelling)
- Webvfx (additional visual effects)
Other Companies
- ARRI Media Grip (cranes)
- Ad hoc studios (dubbing facility)
- At Wave Studios London & Amsterdam (audio post-production services)
- Audiolink Radio Communications (radios)
- BBC TV Caterers (catering)
- BBVC (HD video assist equipment)
- Bickers Action Vehicles (tracking vehicles)
- Blitz Rigging (rigging equipment)
- Brehon & Co. Solicitors (legals: Creative Scotland)
- Camera Revolution (libra technician)
- Codex (digital recording equipment)
- Creature Feature (animal consultant and trainer)
- Dirty Looks (digital intermediate)
- Driven Scotland (unit drivers)
- EPL Skylift (cranes)
- Elstree Film & Television Studios (movie studio)
- Farrow Design (title design)
- Film Finances (completion guarantor)
- Film Finances (film completion guarantor)
- Freeway CAM B.V. (world revenues collection and distribution)
- Goldcrest Post Production London (re-recorded at)
- HireWorks (Avids)
- Lee & Thompson (production legal services)
- MGM Cars (action vehicles design and build)
- Media Insurance Brokers (insurance)
- Media Security Services (security)
- Mediacom 24-7 (accommodation and travel)
- Metro Rigging (rigger: London studio shoot)
- Milan Records (soundtrack)
- Mission Digital (On Set DIT Services and Digital Lab Services)
- Movie Makers (facilities company)
- Movietech (camera equipment)
- Orchestrate (score fixer)
- PMA Production (electronic press kit)
- Panalux (lighting equipment)
- Premier PR (publicity)
- Red Chutney (catering: London studio shoot)
- SP Locations (location equipment)
- Sapex Scripts (post-production script services)
- Sapex Scripts (subtitles)
- Sargent Disc (payroll)
- Shipleys (production auditing)
- Soho Sound Kitchen (score mixed at)
- Soundtrack New York (adr facility)
- Soundtree Studios (score recorded at)
- Stars Nurses (unit medic services)
- Technicolor Sound Services (re-recorded at)
- The Quarry (additional cutting rooms)
- Toronto International Film Festival (festival)
- Visual Icon (exclusive clip and still licensing)
- Wave Recording studios (foley)
- Wiggin I (legal services: Silver Reel)
Storyline
| Plot Summary |
An alien entity inhabits the earthly form of a young woman who combs the roads and streets of Scotland in search of the human prey she came to plunder. She seduces her isolated and forsaken male victims into an otherworldly dimension where they are stripped and consumed. However, existence in all its complexity begin to change the alien visitor. She begins to discover herself as human with tragic and terrifying consequences. Written by Claudio Carvalho, Rio de Janeiro, Brazil |
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| Parents Guide | View content advisory » |
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Box Office
| Budget | $13,300,000 (estimated) |
Did You Know?
| Trivia | The men lured into the van by Scarlett Johansson's character were not actors. Jonathan Glazer had hidden cameras installed in the van and only informed the men afterwards that they were in a movie. See more » |
| Goofs | When Laura is walking down the street before she trips, you can see reflections of a crew member in a high-vis vest helping the camera follow her down the street. See more » |
| Movie Connections | Featured in Venice Film Festival 2013 (2013). See more » |
| Soundtracks | Real Gone Kid See more » |
| Crazy Credits | None of the characters are named in the closing credits: the cast-list is only a list of actors' names. See more » |
| Quotes |
Female:
You're not from here? Where are you from? Camper: I'm from Czech Republic. Female: Why are you in Scotland? Camper: I just... wanted to get away from it all. Female: Yeah? Why here? Camper: Because it's... It's nowhere. See more » |