6.9/10
45,566
190 user 352 critic

Martha Marcy May Marlene (2011)

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Haunted by painful memories and increasing paranoia, a damaged woman struggles to re-assimilate with her family after fleeing an abusive cult.

Director:

Sean Durkin

Writer:

Sean Durkin
Reviews
Popularity
4,831 ( 37)

Elizabeth Olsen Through the Years

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22 wins & 70 nominations. See more awards »

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Cast

Cast overview, first billed only:
Elizabeth Olsen ... Martha
Christopher Abbott ... Max
Brady Corbet ... Watts
Hugh Dancy ... Ted
Maria Dizzia ... Katie
Julia Garner ... Sarah
John Hawkes ... Patrick
Louisa Krause ... Zoe
Sarah Paulson ... Lucy
Adam David Thompson ... Bartender (as Adam Thompson)
Allen McCullough ... Man in Home #2
Lauren Molina ... Cult Member
Louisa Braden Johnson Louisa Braden Johnson ... Cult Member
Tobias Segal ... Cult Member
Gregg Burton Gregg Burton ... Man in Home #1
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Storyline

Martha has run away from an abusive hippie-like cult where she was living as Marcy May for two years. She turns to her sister and brother-in-law who take her in and want to help her. The problem is Martha is having a hard time separating dreams from reality and when haunting memories of her past keep resurfacing, she may need more help than anyone is able to give her. Written by napierslogs

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Motion Picture Rating (MPAA)

Rated R for disturbing violent and sexual content, nudity and language | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official site | Official site [Spain] | See more »

Country:

USA

Language:

English

Release Date:

21 December 2011 (Sweden) See more »

Also Known As:

La fuga di Martha See more »

Filming Locations:

Livingston Manor, New York, USA See more »

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Box Office

Opening Weekend USA:

$137,651, 23 October 2011, Limited Release

Gross USA:

$2,981,638, 5 February 2012
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

Dolby Digital | SDDS | Datasat

Color:

Color

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Sean Durkin was looking for an unknown actress to play the role of Martha, which was the only role auditions were held for. Elizabeth Olsen auditioned twice for the role of Martha, and had to begin filming only two weeks after winning the part. See more »

Goofs

During Martha's breakdown in the party scene, the bow on her white dress is hanging loose when she is being corralled into the bedroom by Lucy and Ted. In the next shot, the bow is done up again. See more »

Quotes

[first lines]
Watts: [as Martha runs away] Marcy! Marcy May! Where ya goin'?
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Connections

Featured in WatchMojo: Top 10 Movies with Terrible Titles (2015) See more »

Soundtracks

Waiting
Written by Devon Anderson
Performed by Devon Anderson
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Frequently Asked Questions

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User Reviews

 
More Than Meets the Eye
6 December 2011 | by tappingjeffSee all my reviews

Sean Durkin's first feature is quite the trip. Durkin's sensibility as a director shines with this film, and shows undeniable promise. The really crazy thing about this film is that it's quietness is only juxtaposed by the really messed up things that are happening in the plot. An intriguing analytical mess of reality, memory, and fantasy, Martha Marcy May Marlene is about a paranoia, an extreme desire to escape the past, though it always comes back to haunt you. It is the isolation and the trouble that comes with that, that Martha really suffers from-- the cult has a certain way of thinking and the film geniously explores the psychological persuasion into a way of thinking…the way that the cult tries to make their ethics and morality universal is a terrifying, and intriguing thing. Elizabeth Olsen does a helluva job as Martha, giving her dewey eyed complexity, both bewilderment, shock, disgust, and intrigue. She gives quiet moments great momentum, and is an actress to keep an eye on. Jody Lee Lipes' cinematography is eerily distant and then uncomfortably close; the mixed bag reflects Martha's psyche in an interesting way. The scariest thing about Martha Marcy May Marlene is that it actually could happen. It may have even benefited from taking that dive a bit further, let us know just how paranoid and altered Martha is, and especially contrasting that with the old Martha, and the only complaint I might have is that we never get to see what the original Martha was like; it is only inferred as to why she would even accept and join this group in the first place, or what exactly she was running away from. But perhaps that makes the film only more intriguing—running away brought her to this society, and of course it looks fine on the outside, with it's acceptable living conditions and always a "family' of sorts around you. But, ah, there's always more than meets the eye. B+


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