After a new neighbor moved into the house next door, Charley discovers that he is an ancient vampire and goes in search for the help of Peter Vincent, a famous "vampire killer" to save his neighborhood from the creature.
A remake of the 1985 original, teenager Charley Brewster (Yelchin) guesses that his new neighbor Jerry Dandrige (Farrell) is a vampire responsible for a string of recent deaths. When no one he knows believes him, he enlists Peter Vincent (Tennant), a self proclaimed vampire killer and Las Vegas magician, to help him take down Jerry.Written by
In early stages of development, Heath Ledger was considered for the role of Jerry, but he passed away in January of 2008. See more »
When Charlie enters to Jerry 's house to save Doris, it is night. But when they leave the house the sun is shining. See more »
Defy reason. Defy everything you know. A mind blowing experience of the occult and supernatural. Peter Vincent. A magical tour de force. Peter Vincent. Welcome to Fright Night. Onstage at the Hard Rock Hotel and Casino in Las Vegas.
See more »
This rip-off remake should never have been made in the first place.
I had the grave misfortune of attending an early preview screening for this piece of garbage. The audience I saw it with was less than enthused as well. I credit them with having some actual taste. I must disclose that I am a fan of the original film. In fact in the pantheon of great vampire movies I feel that "Fright Night," stands tall as one of the best ever. It's a very clever idea for a vampire film and the original characters are a lot of fun. The original film is in many ways a love letter to horror films and horror fans. The main character in the original is a horror fan, his friends are horror fans and he idolizes Peter Vincent who is the host of a late night horror movie show. The film was post modern and gave the audience credit for having some kind of prior knowledge. Now we are confronted with this brain dead remake. It is hard to know where to begin in explaining how awful this new film is.
We can start with the sad fact that the very essence of the original characters, their arcs and their dynamics have been changed almost completely. The main character, Charlie, is now a self-absorbed and selfish jerk. Charlie treats his much more intelligent friend Ed like human waste. Charlie has a hot girlfriend and is hanging out with a much more popular crowd. Ed's intellect and peculiarities set him apart so of course Charlie has to drop him as a friend. When a movie starts off and your protagonist is a fake and hateful cretin it is a serious problem.
Then there is the character of Evil Ed himself who is unfortunately played by Christopher Mintz-Plasse. Mintz-Plasse has now given the exact same tiresome performance in God knows how many movies. In the original film Ed was a tragic character. In this one he is at best an annoyance.
The main problem with the new characterizations lies in the re-imagining of Peter Vincent. He is now a Las Vegas magician who prances around like Russell Brand and almost seems like a complete afterthought in the film. Vincent's arc in the original movie was touching and central to the narrative's success. In this new incarnation he hardly drives the film at all. Like every other poor decision made by the filmmakers, the casting of David Tennant is merely a stunt to draw the geek crowd in. He might as well not even be in the picture.
Colin Farrell is not a disaster as Jerry Dandridge, but he is hardly a success either. Chris Sarandon's portrayal was sly and full of little touches that really sold the implicit threat of Dandridge. Farrell is a very obvious actor and he gives a very obvious performance in this movie. His character is really more of a serial killer/sexual predator than a true master vampire. As the movie progresses he goes steadily over the top and seems less and less threatening for doing so. By the time he is chasing Charlie, Charlie's mom and Charlie's girlfriend on a motorcycle he might as well be The Terminator. His supernatural abilities rarely if ever come into play.
The film has zero atmosphere and barely comes to anything approaching excitement. Product placement is rampant and so frequent that it becomes hilarious. The fun, new-wave Gothic feel of the original film has been replaced by a slick treatment more befitting a luxury car commercial. There is no edge to this movie. The computer effects are terrible and poorly rendered. The editing is desperate and the gotcha moments are lame in the extreme. I was so bored watching it I resorted to checking my watch every few minutes to see when the ordeal would be over. If you are thinking about viewing this abomination I would suggest streaming the original on Netflix or watching it for free on Hulu. Your time would be better spent and you will not have wasted thirty dollars or more on crappy, post-production 3D.
90 of 181 people found this review helpful.
Was this review helpful to you?
| Report this