Rock roadie, Le Donk, has lived, loved and learned. Along the way, he's lost a classy girlfriend but gained a sidekick, Scorz-Ayz-Ee. He sets out to make Scorz a star with a little help from the Artic Monkeys.
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Christmas 1988. Soulmates, woody and Lol find themselves in exile from each other and the gang. Trying to understand the definition 'growing up', Shaun begins a course at College, that quickly takes the wrong turn.
The year is 1990, the rave scene has just entered England. The sound of the Stone roses lurks toward Shaun and the gang. This means that Woody and Lol are living in a domestic bliss, they are happy again. But this year will see huge changes in everyone. This is the year 1990. This is England.
Lyra Mae Thomas,
An improvised comedy, shot over five days by Shane Meadows, devised with and starring Paddy Considine. Rock roadie and failed musician, Le Donk has lived, loved and learned. Along the way he's lost a girlfriend but he has found a new sidekick in up-and-coming rap prodigy Scor-zay-zee. With Meadows' fly-on-the-wall crew in tow, Donk sets out to make Scor-zay-zee a star...with a little help from the Arctic Monkeys... This low-budget rockumentary follows Le Donk and Scorz on their journey of a lifetime; it's an unpredictable, irrepressible ode to spontaneous filmmaking - and to a burgeoning UK rap talentWritten by
The first "5 Day Feature" to be released by Warp Films. It will be the first of a series of 5 Day Features, a movement created by Shane Meadows and Mark Herbert. Unlike Dogme '95, it has few rules - in fact there is only one rule - it has to be shot in 5 days. Shane and Mark hope to encourage film makers to create a feature film in 5 days, be they first time film makers or Steven Spielberg. See more »
Shane Meadows has earned an incomparable amount of slack over the course of his 13 year career, and although this takes an even bigger cut than last year's well observed but insubstantial Somers Town, its an enjoyable watch.
And although real life Nottingham rapper Scorzayzee gets top billing, this is basically the Paddy Considine show, and there is absolutely nothing wrong with that.
Its dramatically underpowered and about as edgy as an episode of Last Of The Summer Wine, but its short and peppy and there are quite a few laughs in it.
But no 71 minute film should really be allowed to have four heedless musical montages in it.
And I'd have been monumentally p*ssed off if I'd have paid to see it in a cinema.
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