An operative for an elite private intelligence firm finds her priorities changing dramatically after she is tasked with infiltrating an anarchist group known for executing covert attacks upon major corporations.
Director:
Zal Batmanglij
Stars:
Brit Marling,
Alexander Skarsgård,
Ellen Page
A young married couple's lives are thrown into a harrowing tailspin when an acquaintance from the husband's past brings mysterious gifts and a horrifying secret to light after more than 20 years.
When their father passes away, four grown siblings are forced to return to their childhood home and live under the same roof together for a week, along with their over-sharing mother and an assortment of spouses, exes and might-have-beens.
Conrad (Jason Bateman) is helped by his old friend Dylan (Billy Crudup) and returns the favor by falling for Dylan's girlfriend Beatrice (Olivia Wilde).
A distraught college student finds a phone that enables her to talk to her deceased mother in the past. Instead of a heart attack, she learns that her mother was murdered. She tries to use ... See full summary »
Director:
Robin Christian
Stars:
Steffany Huckaby,
Amanda Troop,
Eddie Jones
Shot documentary-style, this film follows the daily grind of two young police officers in LA who are partners and friends, and what happens when they meet criminal forces greater than themselves.
Director:
David Ayer
Stars:
Jake Gyllenhaal,
Michael Peña,
Anna Kendrick
A hard-working lawyer, attached to his cell phone, can't find the time to communicate with his family. A couple is drawn into a dangerous situation when their secrets are exposed online. A widowed ex-cop struggles to raise a mischievous son who cyber-bullies a classmate. An ambitious journalist sees a career-making story in a teen that performs on an adult-only site. They are strangers, neighbors and colleagues and their stories collide in this riveting dramatic thriller about ordinary people struggling to connect in today's wired world.Written by
LD Entertainment
Director Henry Alex Rubin had always intended the title to be just a noun and was surprised by people who interpreted it as an imperative and a message from the film, saying "Disconnect [from the Internet]!" See more »
Goofs
With the exception of Nina Dunham's iPhone 5, the phones used by most characters are actually iPod Touch devices. See more »
Quotes
Kyle:
You don't wanna see me jack off or play with these toys or anything? You really just wanna... you just wanna chat?
See more »
Tornado
Performed by Jon Thor Birgisson (as Jonsi)
Written by Jon Thor Birgisson
Published by Universal-Songs of Polygram International, Inc. on behalf of Universal Music Publishing Ltd.
Courtesy of XL Recordings
By arrangement with Beggars Group Media Limited See more »
And the award for the 2013 film most reminiscent of the Oscar-winning Best Picture "Crash" goes to "Disconnect."
Though, in defense of "Disconnect," it's a much better film than Paul Haggis's hot mess. It's directed by Henry Alex-Rubin, whose only other screen credit that I'm personally familiar with is the excellent 2005 documentary "Murderball." It examines the toll social media takes on personal relationships, and like "Crash," it examines the paradox of a world in which communication with other humans is easier than ever before, yet in which everyone feels lonelier than ever. It brings together a number of stories and makes connections between them, and like any screenplay that relies heavily on this narrative approach, some of the connections are more graceful than others. The film culminates in a montage of violence, in which the characters in the various stories finally and literally connect with each other in the only way they know how -- through violence. Parts of this climax, particularly a story featuring Alexander Skarsgaard and Paula Patton as a married couple who fall victim to identity theft, felt over done, but Alex-Rubin mostly keeps a firm and sensible hand on his material and doesn't let his film become preachy the way "Crash" did.
One of the things I liked most about "Disconnect" was the way it captured just how reliant we as a race have fallen to all electronic devices. Some type of gadget makes an appearance in literally every scene of the movie -- characters sit around checking their phones, listening to their music, tapping away at their laptops -- and yet it didn't feel forced by the screenplay in order to make a point. It felt like the way the world actually looks now.
Grade: A-
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And the award for the 2013 film most reminiscent of the Oscar-winning Best Picture "Crash" goes to "Disconnect."
Though, in defense of "Disconnect," it's a much better film than Paul Haggis's hot mess. It's directed by Henry Alex-Rubin, whose only other screen credit that I'm personally familiar with is the excellent 2005 documentary "Murderball." It examines the toll social media takes on personal relationships, and like "Crash," it examines the paradox of a world in which communication with other humans is easier than ever before, yet in which everyone feels lonelier than ever. It brings together a number of stories and makes connections between them, and like any screenplay that relies heavily on this narrative approach, some of the connections are more graceful than others. The film culminates in a montage of violence, in which the characters in the various stories finally and literally connect with each other in the only way they know how -- through violence. Parts of this climax, particularly a story featuring Alexander Skarsgaard and Paula Patton as a married couple who fall victim to identity theft, felt over done, but Alex-Rubin mostly keeps a firm and sensible hand on his material and doesn't let his film become preachy the way "Crash" did.
One of the things I liked most about "Disconnect" was the way it captured just how reliant we as a race have fallen to all electronic devices. Some type of gadget makes an appearance in literally every scene of the movie -- characters sit around checking their phones, listening to their music, tapping away at their laptops -- and yet it didn't feel forced by the screenplay in order to make a point. It felt like the way the world actually looks now.
Grade: A-