Foul-mouthed mutant mercenary Wade Wilson (a.k.a. Deadpool), brings together a team of fellow mutant rogues to protect a young boy with supernatural abilities from the brutal, time-traveling cyborg Cable.
Director:
David Leitch
Stars:
Ryan Reynolds,
Josh Brolin,
Morena Baccarin
The Guardians struggle to keep together as a team while dealing with their personal family issues, notably Star-Lord's encounter with his father the ambitious celestial being Ego.
Earth's mightiest heroes must come together and learn to fight as a team if they are going to stop the mischievous Loki and his alien army from enslaving humanity.
Director:
Joss Whedon
Stars:
Robert Downey Jr.,
Chris Evans,
Scarlett Johansson
Peter Parker balances his life as an ordinary high school student in Queens with his superhero alter-ego Spider-Man, and finds himself on the trail of a new menace prowling the skies of New York City.
Director:
Jon Watts
Stars:
Tom Holland,
Michael Keaton,
Robert Downey Jr.
Armed with a super-suit with the astonishing ability to shrink in scale but increase in strength, cat burglar Scott Lang must embrace his inner hero and help his mentor, Dr. Hank Pym, plan and pull off a heist that will save the world.
Steve Rogers, a rejected military soldier, transforms into Captain America after taking a dose of a "Super-Soldier serum". But being Captain America comes at a price as he attempts to take down a war monger and a terrorist organization.
Director:
Joe Johnston
Stars:
Chris Evans,
Hugo Weaving,
Samuel L. Jackson
As Steve Rogers struggles to embrace his role in the modern world, he teams up with a fellow Avenger and S.H.I.E.L.D agent, Black Widow, to battle a new threat from history: an assassin known as the Winter Soldier.
Directors:
Anthony Russo,
Joe Russo
Stars:
Chris Evans,
Samuel L. Jackson,
Scarlett Johansson
T'Challa, heir to the hidden but advanced kingdom of Wakanda, must step forward to lead his people into a new future and must confront a challenger from his country's past.
Director:
Ryan Coogler
Stars:
Chadwick Boseman,
Michael B. Jordan,
Lupita Nyong'o
This is the origin story of former Special Forces operative turned mercenary Wade Wilson, who after being subjected to a rogue experiment that leaves him with accelerated healing powers, adopts the alter ego Deadpool. Armed with his new abilities and a dark, twisted sense of humor, Deadpool hunts down the man who nearly destroyed his life.Written by
20th Century Fox
Tim Miller and cinematographer Ken Seng wanted the film to look "grittier and less clean and glossy" than other superhero films, and decided to shoot with digital cameras but add film grain in post-production to keep texture in the images. Seng used Super Baltar lenses and Cooke zooms for the origin story timeline, opposed to Panavision primo lenses for the Deadpool scenes which gave them more clarity. Exterior scenes in the film have a consistent overcast look, but location shooting came with "unpredictable" weather. For instance, the production had use of the Georgia Viaduct for two weeks, and "just had to keep shooting, rain or shine, because once our permit expired on the bridge, we were never going to get it back." Seng used more lighting on cloudy days and less on sunny days to keep the look consistent. See more »
Goofs
(at around 40 mins) In an early scene in which Deadpool escapes from Colossus, he has neither sword on his back as he falls into an open-bed truck. He later emerges from the truck and now has both swords in place. Then after another flashback, the swords are gone again. See more »
Quotes
[first lines]
Deadpool:
Kinda lonesome back here.
[wedges himself through the Plexiglas opening between the back seat and the front]
Deadpool:
Yeah, little help.
See more »
Crazy Credits
The opening credits are placeholders for what was in the script, since Director Tim Miller (who asked Blur Studio's Layout Supervisor Franck Balson to remove his quickly) and Ryan Reynolds were the only ones. "As written by Deadpool"; "Some douchebag's film, Starring God's perfect idiot (referring to Ryan. Accompanied by an Easter Egg of Ryan's People Magazine cover as Sexiest Man Alive.); "A hot chick"; "A British villain"; "The comic relief"; "A moody teen"; "A CGI character"; "A gratuitous cameo"; "Produced by asshats"; "Written by the real heroes here"; "Directed by an overpaid tool". There are Easter Eggs as well: The card in the wallet of Ryan in a green suit, a blurry Killebrew being on the phone, the thug with the lighter was originally a filmed joke in reference to Colin Farrell in Daredevil (2003), "Rob L." on the coffee cup is Rob Liefeld, the little sex key-chain, the Orange Number 5 card, and the Hello Kitty. See more »
Alternate Versions
The Freeform print removes all uses of "fuck". See more »
I really, really liked Deadpool. And you know what? I didn't expect to. Seriously, I was never a fan of the character (in the sense that I hardly knew anything about him) and the humor as well as the violence seemed forced and overdone in the trailers. Still, I remained interested in the film, I just never expected it to actually be good - until the reviews arrived. After most critics unexpectedly showered this newest superhero movie with praise, I went in cautiously optimistic (but still fully prepared to hate the film).
The first thing I noticed was how inventive the storytelling is. The film throws you into the action from the first moment (literally: the very first moment) and then it goes back and forth in brilliant and unexpected ways to slowly unspool the story of this insane - but oddly charming - antihero. Flashbacks and fast-forwards can be annoying as hell, but when done right, they can help render even a somewhat simple story fresh and exciting. And that's exactly how Deadpool felt to me right from the start: like a fresh (if somewhat dirty) jolt of energy.
The action itself is beautifully designed, employing playful visuals and using pretty much every camera technique available; it never feels repetitive and the pacing is close to perfection. But, and that was probably the key to me liking the film so much, there's a beating heart underneath all the action and carnage, and that has a lot to do with how brilliantly Ryan Reynolds portrays the character and the great chemistry he has with co-star Morena Baccarin. What came as a complete surprise to me was how unabashedly romantic Deadpool is. The love story in this film is probably the most sincere I've ever seen in a superhero movie and it gives the film the strong emotional core which so many of these movies lack.
The humor, which I initially feared would just be non-stop juvenile wisecracks and soon become distracting, also works surprisingly well. Not every line or every joke lands - but that's the beauty of this character: they don't really need to. Deadpool can't help himself; as long as he's able to breathe he'll crack wise and make fun of himself and those around him. It's a clinical condition; he's not a stand-up comedian whose jokes need to land: he's a madman (albeit a very entertaining one) and the comedy in his case is born out of tragedy.
Despite all my praise, it's not a perfect film. The villain in this revenge tale could be more memorable and the story itself is a bit too derivative to really do its highly unconventional protagonist (he insists he's not a hero) justice: but it's a damn good first entry in a franchise that will hopefully explore the character and his world to a much larger extent in the sequel(s). And it's actually a very important film for another reason. If Deadpool is a financial success - which at this point is already clear it will be - this could play a vital role in how studios henceforth view the financial prospects of R-rated superhero films, and we'll hopefully see more of them in the future.
Many people might feel different - and I respect their opinion - but I've grown tired of the entirely bloodless CGI overkill in all those 200 million productions where even the most terrible villains talk like Mormon schoolgirls. I mean: there's a gigantic audience out there that is over the age of 18, loves to read comic books and can absolutely handle real-world language, real-world sex and real-world violence in superhero movies. This genre is so diverse; it's ridiculous to believe just because comic books have pictures in them all film adaptations - regardless of the material - must automatically be made for kids in order to be successful.
As it is, I think Deadpool - a dirty, funny, sexy and violent film which is decidedly NOT for kids - just proved my point perfectly. 8 stars out of 10.
I really, really liked Deadpool. And you know what? I didn't expect to. Seriously, I was never a fan of the character (in the sense that I hardly knew anything about him) and the humor as well as the violence seemed forced and overdone in the trailers. Still, I remained interested in the film, I just never expected it to actually be good - until the reviews arrived. After most critics unexpectedly showered this newest superhero movie with praise, I went in cautiously optimistic (but still fully prepared to hate the film).
The first thing I noticed was how inventive the storytelling is. The film throws you into the action from the first moment (literally: the very first moment) and then it goes back and forth in brilliant and unexpected ways to slowly unspool the story of this insane - but oddly charming - antihero. Flashbacks and fast-forwards can be annoying as hell, but when done right, they can help render even a somewhat simple story fresh and exciting. And that's exactly how Deadpool felt to me right from the start: like a fresh (if somewhat dirty) jolt of energy.
The action itself is beautifully designed, employing playful visuals and using pretty much every camera technique available; it never feels repetitive and the pacing is close to perfection. But, and that was probably the key to me liking the film so much, there's a beating heart underneath all the action and carnage, and that has a lot to do with how brilliantly Ryan Reynolds portrays the character and the great chemistry he has with co-star Morena Baccarin. What came as a complete surprise to me was how unabashedly romantic Deadpool is. The love story in this film is probably the most sincere I've ever seen in a superhero movie and it gives the film the strong emotional core which so many of these movies lack.
The humor, which I initially feared would just be non-stop juvenile wisecracks and soon become distracting, also works surprisingly well. Not every line or every joke lands - but that's the beauty of this character: they don't really need to. Deadpool can't help himself; as long as he's able to breathe he'll crack wise and make fun of himself and those around him. It's a clinical condition; he's not a stand-up comedian whose jokes need to land: he's a madman (albeit a very entertaining one) and the comedy in his case is born out of tragedy.
Despite all my praise, it's not a perfect film. The villain in this revenge tale could be more memorable and the story itself is a bit too derivative to really do its highly unconventional protagonist (he insists he's not a hero) justice: but it's a damn good first entry in a franchise that will hopefully explore the character and his world to a much larger extent in the sequel(s). And it's actually a very important film for another reason. If Deadpool is a financial success - which at this point is already clear it will be - this could play a vital role in how studios henceforth view the financial prospects of R-rated superhero films, and we'll hopefully see more of them in the future.
Many people might feel different - and I respect their opinion - but I've grown tired of the entirely bloodless CGI overkill in all those 200 million productions where even the most terrible villains talk like Mormon schoolgirls. I mean: there's a gigantic audience out there that is over the age of 18, loves to read comic books and can absolutely handle real-world language, real-world sex and real-world violence in superhero movies. This genre is so diverse; it's ridiculous to believe just because comic books have pictures in them all film adaptations - regardless of the material - must automatically be made for kids in order to be successful.
As it is, I think Deadpool - a dirty, funny, sexy and violent film which is decidedly NOT for kids - just proved my point perfectly. 8 stars out of 10.
Favorite films: IMDb.com/list/mkjOKvqlSBs/
Lesser-Known Masterpieces: imdb.com/list/ls070242495/
Favorite Low-Budget and B-Movies: imdb.com/list/ls054808375/
Favorite TV-Shows reviewed: imdb.com/list/ls075552387/