A wisecracking mercenary gets experimented on and becomes immortal yet hideously scarred, and sets out to track down the man who ruined his looks.A wisecracking mercenary gets experimented on and becomes immortal yet hideously scarred, and sets out to track down the man who ruined his looks.A wisecracking mercenary gets experimented on and becomes immortal yet hideously scarred, and sets out to track down the man who ruined his looks.
- Awards
- 29 wins & 78 nominations total
Stefan Kapicic
- Colossus
- (voice)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I have never been a fan of comic book turned movies, as I find them to be cookie cutters. This however is a true diamond amongst glass. It is well acted, moves along at a nice pace, truly funny. Enjoyable from beginning to end and is not boring or is over longed like say Endgame,Guardians of the galaxy. A solid 8,and I look forward to the sequel.
Let me say at the very beginning of this review, I loathe super hero movies. I can not stress that point enough. For me, watching anyone of the countless driveling movies which have been pumped out by studios in the name of entertainment over the past decade is, for me, akin to having teeth pulled. Painful to say the least. My friends however are addicted to every single bombastic franchise, and through sufferance, I've endured countless hours of mind numbing boredom watching yet more Lycra-clad numpties saving the earth from ridiculous threat (there are of course exceptions to the above; 'The Dark Knight', the original 'X-Men)
I was once again convinced that spending an evening with chums watching Deadpool would be an excellent waste of my time. I envisaged 15 minutes of feigned interest, followed by an hour 45 of updating my email and some cheeky online shopping. Well that new Morphy Richards kettle and toaster are still waiting for me to purchase as low and behold, shock of all shocks, this film is bloody marvellous!! Bloody, hold your knickers cause they are about to get blown off, marvellous!
The dialogue is witty, sincere, and delivered by every single actor with a naturalism which seems more like improvised off the cuff genius, than drab scripted nonsense.
The pacing of the movie is excellent. It held my interest through its entirety.
The actions scenes directed with the skill of a more seasoned director.
I was so pleased that for once, I was being forced to watch a movie that treated me like an adult, with adult humour and themes, made for adults. Not for grown children masquerading as adults.
This film is a perfect storm! Just everything is right! I look forward, to my great surprise to any squeals!
I was once again convinced that spending an evening with chums watching Deadpool would be an excellent waste of my time. I envisaged 15 minutes of feigned interest, followed by an hour 45 of updating my email and some cheeky online shopping. Well that new Morphy Richards kettle and toaster are still waiting for me to purchase as low and behold, shock of all shocks, this film is bloody marvellous!! Bloody, hold your knickers cause they are about to get blown off, marvellous!
The dialogue is witty, sincere, and delivered by every single actor with a naturalism which seems more like improvised off the cuff genius, than drab scripted nonsense.
The pacing of the movie is excellent. It held my interest through its entirety.
The actions scenes directed with the skill of a more seasoned director.
I was so pleased that for once, I was being forced to watch a movie that treated me like an adult, with adult humour and themes, made for adults. Not for grown children masquerading as adults.
This film is a perfect storm! Just everything is right! I look forward, to my great surprise to any squeals!
Deadpool is a triumph of artistic vision over studio interference. Little credit should be given to 20th Century Fox, as they had zero faith in the success of a Deadpool movie. To put things into perspective, Ryan Reynolds fought for this film back in 2004 when Blade: Trinity was released. Reynolds and co. went to shoot test footage that was then leaked online by Reynolds because Fox had no intentions to release it to the public. Finally, after years and years of BEGGING to the studio and the overwhelming positive responses of the test footage from the public, Fox didn't even tell Reynolds and co. that the film was greenlit. They had to find out online like the rest of us plebeians. If that sounds bad, Fox even cut their budget by $7 million AT THE LAST MINUTE, which caused the writers to scratch some action sequences that I'm sure would've been great to see.
Deadpool now has the biggest opening weekend in the month of February (surpassing Fifty Shades of Grey), the biggest opening weekend for 20th Century Fox (surpassing all the X-Men films), and the biggest opening weekend for an R rated film EVER (surpassing The Matrix: Reloaded). With all that being said, Deadpool is a hilariously entertaining film that works mainly because of Reynolds himself. His comedic skills pay off gloriously as the titular character, who gives so many quips in one instance that some jokes will be missed. Of course, credit should be given to the writers too (AKA: The Real Heroes Here), and it's impressive that this is Tim Miller's directorial debut. The action sequences and pacing are so good that you'd think this came from a veteran director.
From the ingenious opening credits to the subversive ending, Deadpool constantly upends clichés and tropes you're used to seeing in superhero flicks in the past few years. What's great here is the filmmakers had something weird and perverse and just went with it. Jokes about pedophilia, pegging, and sex run rampant, but it's never really dark, despite the mature subject matter. On top of that, it's also very refreshing to see a pansexual superhero in such a big studio film. It's unheard of these days. Fox and other studios, learn from this success. It's not the fact that a hard R-rated film can do well, it's that Deadpool also happens to be very good, most likely because you, Fox, actually gave the filmmakers the creative freedom to do whatever the hell they wanted.
Deadpool now has the biggest opening weekend in the month of February (surpassing Fifty Shades of Grey), the biggest opening weekend for 20th Century Fox (surpassing all the X-Men films), and the biggest opening weekend for an R rated film EVER (surpassing The Matrix: Reloaded). With all that being said, Deadpool is a hilariously entertaining film that works mainly because of Reynolds himself. His comedic skills pay off gloriously as the titular character, who gives so many quips in one instance that some jokes will be missed. Of course, credit should be given to the writers too (AKA: The Real Heroes Here), and it's impressive that this is Tim Miller's directorial debut. The action sequences and pacing are so good that you'd think this came from a veteran director.
From the ingenious opening credits to the subversive ending, Deadpool constantly upends clichés and tropes you're used to seeing in superhero flicks in the past few years. What's great here is the filmmakers had something weird and perverse and just went with it. Jokes about pedophilia, pegging, and sex run rampant, but it's never really dark, despite the mature subject matter. On top of that, it's also very refreshing to see a pansexual superhero in such a big studio film. It's unheard of these days. Fox and other studios, learn from this success. It's not the fact that a hard R-rated film can do well, it's that Deadpool also happens to be very good, most likely because you, Fox, actually gave the filmmakers the creative freedom to do whatever the hell they wanted.
In the film, Wade Wilson hunts the man who gave him mutant abilities and a scarred physical appearance, becoming the beloved antihero. Deadpool is a smart, fun and innovative superhero movie. It's wildly entertaining, violent , has stylish action sequences and the characters are well developed. Deadpool delivers a large dose of fun and it perfectly mixes elements of humor and over-the-top action.
Rating: 8,3.
Rating: 8,3.
If anyone else could be cast to play Deadpool, he certainly doesn't exist in this universe. After Ryan Reynolds's dramatic failure in the Green Lantern film, he has returned to the comic book world. Reynolds is absolutely phenomenal as the foul mouthed, and witty anti hero. I mean he is just superb! He completely owns the role, and gives a fantastic performance. If Robert Downey Jr. IS Iron Man, then Ryan Reynolds IS Deadpool. He is also such a liveable character, and by the end of the film, I genuinely cared about Deadpool. I never thought I'd say that. All of the performances are great. No one holds a candle to Reynolds, but I will say not one person was miscast here.
Deadpool is a unique film, and a huge gamble. Both Marvel and the studios bringing us this film took a major risk. This is a beloved character, and his world is very different than other Marvel films. Right off the bat, this film is consciously self-aware. It knows its a comic book film with comic book characters, and it actually exploits it. Many times, Deadpool turns to the audience and tells us what we're all thinking. It was so different, and it worked so very well. The narrative itself is also different. It's very non-linear. The events of the film don't play out in a normal straight narrative.
One of the trademarks, nay, the trademark of Deadpool is his sense of humour. This film is by far one of the most hysterical films I have seen in some time. The writing is so perfect, so sharp, and so full of witty banter, and thankfully, it all works. Not one joke, that I remember, fell flat. The film had me laughing constantly; from the opening credits, all the way to the after credits scene.
As for the action, it's also very satisfying. Many action films today are butchered by terrible camera work. For whatever reason, many modern action films are using shaky cam. Instead of clear, steady shots, the DP will go hand held, and shake the camera violently. The worst example in recent memory of this is, Taken 3. Thankfully, there are films like this, and others, that know exactly how to do a good action scene. Director Tim Miller and cinematographer Ken Seng do a brilliant job creating slick, good looking action. Not only is the action brutal, and extremely bloody, it's just co clear and well handled. The fights are really great here. I couldn't help but be reminded of Tarantino's, Kill Bill films while watching Deadpool. They are incredibly similar in their style of fight scenes.
Sitting in the cinema, the inner critic in me struggled internally. I kept thinking afterwards about the film. What were the flaws? I don't often see a film without pointing out the negatives. Even films I really like, or even love, have flaws. I'm certain that if one sits and picks this apart, you will eventually find some flaws. Perhaps the overall story is paper thin. Perhaps the villain wasn't very compelling as character. Then again, Ajax was honestly serviceable. Ed Skrein gave a great performance, and by the end, you really hate the bastard. He's a generic, or a dick, British villain and the film makes fun of that!
"Deadpool" and Guardians of the Galaxy were both huge risks that ultimately paid off, big time. As a film, it's nearly perfect. The film does exactly what it needed to do, and more. It introduces Deadpool, sets up his character, and gets you to like him if you didn't already. The non linear narrative was refreshing to see in a superhero film. Everything about this film was different and unique. It's self awareness and breaking of the fourth wall work well; really well. The direction is great, Ryan Reynolds is phenomenal, and the script is fantastic!
Deadpool is a unique film, and a huge gamble. Both Marvel and the studios bringing us this film took a major risk. This is a beloved character, and his world is very different than other Marvel films. Right off the bat, this film is consciously self-aware. It knows its a comic book film with comic book characters, and it actually exploits it. Many times, Deadpool turns to the audience and tells us what we're all thinking. It was so different, and it worked so very well. The narrative itself is also different. It's very non-linear. The events of the film don't play out in a normal straight narrative.
One of the trademarks, nay, the trademark of Deadpool is his sense of humour. This film is by far one of the most hysterical films I have seen in some time. The writing is so perfect, so sharp, and so full of witty banter, and thankfully, it all works. Not one joke, that I remember, fell flat. The film had me laughing constantly; from the opening credits, all the way to the after credits scene.
As for the action, it's also very satisfying. Many action films today are butchered by terrible camera work. For whatever reason, many modern action films are using shaky cam. Instead of clear, steady shots, the DP will go hand held, and shake the camera violently. The worst example in recent memory of this is, Taken 3. Thankfully, there are films like this, and others, that know exactly how to do a good action scene. Director Tim Miller and cinematographer Ken Seng do a brilliant job creating slick, good looking action. Not only is the action brutal, and extremely bloody, it's just co clear and well handled. The fights are really great here. I couldn't help but be reminded of Tarantino's, Kill Bill films while watching Deadpool. They are incredibly similar in their style of fight scenes.
Sitting in the cinema, the inner critic in me struggled internally. I kept thinking afterwards about the film. What were the flaws? I don't often see a film without pointing out the negatives. Even films I really like, or even love, have flaws. I'm certain that if one sits and picks this apart, you will eventually find some flaws. Perhaps the overall story is paper thin. Perhaps the villain wasn't very compelling as character. Then again, Ajax was honestly serviceable. Ed Skrein gave a great performance, and by the end, you really hate the bastard. He's a generic, or a dick, British villain and the film makes fun of that!
"Deadpool" and Guardians of the Galaxy were both huge risks that ultimately paid off, big time. As a film, it's nearly perfect. The film does exactly what it needed to do, and more. It introduces Deadpool, sets up his character, and gets you to like him if you didn't already. The non linear narrative was refreshing to see in a superhero film. Everything about this film was different and unique. It's self awareness and breaking of the fourth wall work well; really well. The direction is great, Ryan Reynolds is phenomenal, and the script is fantastic!
'Deadpool 2' Stars Choose Their MCU Teammates
'Deadpool 2' Stars Choose Their MCU Teammates
Deadpool 2 stars Josh Brolin, Zazie Beetz, Julian Dennison, and director David Leitch choose which MCU heroes and villains their characters would team up with.
Storyline
Did you know
- TriviaThrough the Make-A-Wish Foundation, 13-year-old Connor McGrath, a terminally ill fan from Edmonton, requested to attend the special event for Deadpool (2016) in January, which turned out to be one of the two special screenings in New York and Los Angeles for the fans. He couldn't make it, due to the severity of his illness. Ryan Reynolds heard his story, traveled to Edmonton, and surprised him with a private special screening of the film. Reynolds said the boy was the first person ever to see the film. They kept in touch until Connor's passing a few months later. Reynolds paid tribute to him on his social media pages.
- Goofs(at around 51 mins) Angel Dust can withstand full punches from Colossus in his armored steel form, but she flinches in pain from a head-butt from a very human Wade, which is used to explain how he steals her matchstick.
- Crazy creditsThe opening credits are placeholders for what was in the script. "As written by Deadpool"; "Some douchebag's film, Starring God's perfect idiot (referring to Ryan. Accompanied by an Easter Egg of Ryan's People Magazine cover as Sexiest Man Alive); "A hot chick"; "A British villain"; "The comic relief"; "A moody teen"; "A CGI character"; "A gratuitous cameo"; "Produced by asshats"; "Written by the real heroes here"; "Directed by an overpaid tool". There are Easter Eggs as well: The card in the wallet of Ryan in a green suit, the thug with the lighter was originally a filmed joke in reference to Colin Farrell in Daredevil (2003), "Rob L." on the coffee cup is Rob Liefeld, the little sex key-chain, the Orange Number 5 card, and the Hello Kitty.
- Alternate versionsThe theatrical and DVD releases were censored by the CBFC in India to secure an A rating (restricted to adults i.e. 18+):
- 'Asshole', 'motherfucker', 'balls', 'blowjob', 'touching myself', '24 ball gags', 'vagina', 'bitch', 'dick', 'suck a cock', 'testicles' and 'dildo' were all muted.
- The triple head-shot in the highway fight was removed.
- Nudity, thrusting and innuendos were removed from the sex scene.
- Deadpool cutting his hand off was removed and replaced with shots of Colossus.
- A poster showing a woman touching her vagina was removed.
- Shots of naked women in the strip club were removed.
- Blood and gore in the final fight was removed.
- Anti-smoking disclaimers and a health spot were added to the beginning and middle of the film. Static, scrolling messages were also added whenever a character is shown smoking.
- ConnectionsEdited from X-Men: The Last Stand (2006)
- SoundtracksAngel Of The Morning
Written by Chip Taylor
Performed by Juice Newton
Mixed by Michael Verdick (uncredited)
Courtesy of Capitol Records Nashville under license from Universal Music Enterprises
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Skullpoopl
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $58,000,000 (estimated)
- Gross US & Canada
- $363,070,709
- Opening weekend US & Canada
- $132,434,639
- Feb 14, 2016
- Gross worldwide
- $782,837,347
- Runtime1 hour 48 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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