An undercover Detroit cop navigates a dangerous neighborhood that's surrounded by a containment wall with the help of an ex-con in order to bring down a crime lord and his plot to devastate the entire city.
Damien and Leito return to District 13 on a mission to bring peace to the troubled sector that is controlled by five different gang bosses, before the city's secret services take drastic measures to solve the problem.
In a future where Detroit's most dangerous criminals occupy the city's deserted brick mansions, an undercover cop joins forces with an ex-convict to defeat the notorious drug kingpin who has taken the mayor hostage. Detroit has fallen to crime, and in an effort to contain it, authorities have sealed up the inner city with a massive wall. Once you're inside, you never get out. Lino (David Belle) is an ex-con who's trying to make the best of life in this urban penitentiary when his girlfriend is abducted by ruthless drug lord Tremaine (RZA). Meanwhile, as undercover cop Damien Collier (Paul Walker) contends with deep-rooted corruption within the police department, Tremaine imprisons the mayor, and threatens to detonate a powerful weapon unless he's paid millions in ransom. Despite their differences, Lino and Collier are the only men capable of entering the city, and defeating Tremaine's gang. With the clock ticking, this mismatched duo must now prevent Detroit from being completely ...
In the scene right before Tremaine talks to Lola, the letters "RS" can be seen spray painted on a water tower. Paul Walker played the lead role in a film with the same letters - film "Running Scared" (2006). See more »
During a fight between Rayzah and Lola, Rayzah shoves Lola onto something that sounds like a piano with piano keys being mashed. It's actually an electric organ and even if it were on, would not have sounds like that built in. See more »
A bad yet still enjoyable action flick in Paul Walker's final film.
Dystopian Detroit. Criminal exploits. No name thugs. Guns and drugs. These are probably words, phrases, and tags seen before in other movies, and apt descriptors of Brick Mansions. The movie is a remake of 2004′s french title District B13 and stars the late Paul Walker as police officer Damien Collier. For about a year, Damien has been undercover looking to take down Tremaine (RZA), a kingpin who also killed Damien's father while he was in the line of duty.
Tremaine and crew reside in Brick Mansions, a place so dangerous they built a wall around it to protect the rest of the city. Brick Mansions, once a place of great prosperity, is now a hellhole no man or woman should venture into.
To take down Tremaine though, Damien will need help. Lino Dupree is an in and out con who isn't really a bad guy, but more of a victim of circumstance. As a resident, he knows Brick Mansions like the back of his hand. For Lino, it becomes personal when his girlfriend is taken hostage by Tremaine. To save Detroit and exact revenge, the reluctant duo must come together for a common cause.
Brick Mansions is not going to blow anyone away, which should not be appalling looking at the trailers. It really does possess a straight to home media vibe, from the cast to the direction. But you know what? I did not think it was completely terrible and dare I say I was still kind of entertained, all because I knew what I was getting into. In no way does this absolve the film's problems, and it was not worth 11 dollars, but I have felt much worse spending my hard earned cash on other cinema films.
Let's get right down to the acting, specifically Paul Walker's in his last full role. It is not controversial to call Mr. Walker an average actor, and many of the roles and movies he starred in were never that acclaimed. He knew his limitations, and there is no fault in that. One thing he often had in most roles though was screen presence and silent charisma, which is evident here. It may sound politically correct, but he really is the best thing about Brick Mansions. Likable, endearing, and just a good guy to pull for.
As for the rest of the acting, it is downright abysmal. Maybe a quarter of this is due to the dreadful dialogue, which falls into the typical hard sounding thug talk that is supposed to be realistic and fear- invoking, but comes off as dated and hilarious. David Belle, one of the founders of Parkour, brings amazing physical feats to the silver screen, but his acting chops are nonexistent. To add insult to injury, he clearly struggles with the English language which ends up resulting in horribly dubbed dialogue.
Still, he is not the worst actor in this movie. That title indisputably belongs to RZA. His Tremaine is supposed to be menacing and unflinching, but time and time again he brings the same facial expression to the character, and the dialogue delivered by him may be the worst heard all year. He has no thespian talent, plain and simple, and it is time that Hollywood stop giving this man so many chances. Honestly, there are worse actors present, especially RZA's main henchman who is just as offensive, but none have the billing that RZA does in this.
The plot itself is nothing to write home about, and is somewhat absurd and slightly predictable. Just take it for what it is. There are times late when the movie makes thinly veiled allusions to present day Detroit and the Occupy Wall Street movement, but it basically is a popcorn movie existing to showcase guns, stunts, and fisticuffs. The only big issue had is that everything wraps up too nicely given that the movie was a full on war moments before. As a whole, it is nothing that hasn't been done or seen previously (and better at that), but at least it only last 90 minutes.
There really are some well done set pieces from time to time. Parkour may be a passing fad now, but when done right, it is still a treat to witness, and David Belle moves effortlessly between chasms and rooftops seamlessly. Paul Walker provides more hand to hand and firearm combat, and he looks right at home in this element. Problem is, director Camille Delamarre (Taken 2, Transporter 3, Columbiana) uses terrible framing and janky editing during a lot of these scenes. It is quite sad, as Belle and Walker are clearly doing some good things. For some asinine reason though, this man insists that wobbly framing, needless zooms and archaic Matrix-like slow motion is needed. Not all looked bad, but a more consistent steady hand could have worked wonders.
Brick Mansions is unimpressive, but crazy to say, also enjoyable. Heavily flawed, but entertaining (in a bad way half of the time) and fast paced enough to check out through rental or Netflix. Non action fans should avoid at all costs. With tempered expectations though, Walker fans and action fans may find enough here for mild satisfaction. A perfect film to throw on in the background and not think too much.
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