Arthur Christmas reveals the incredible, never-before seen answer to every child's question: 'So how does Santa deliver all those presents in one night?' The answer: Santa's exhilarating, ultra-high-tech operation hidden beneath the North Pole. But at the center of the film is a story about a family in a state of comic dysfunction and an unlikely hero, Arthur, with an urgent mission that must be completed before Christmas morning dawns.Written by
Sony Pictures Animation
This is the first Sony Pictures Animation's Christmas film, followed by The Star (2017). See more »
After Arthur hooks on to the upside-down turned sleigh, it takes him over a minute to get it under control and make a U-turn, but less than 15 seconds to make it come to a full stop. Thus it couldn't possibly have returned to where the boat was, and crash on top of it. See more »
[Gwen has just received her present, Arthur is now Santa and Bryony speaks over the public address system in Mission Control at the North Pole, using a HO-HO, It is visible on the big screen]
Drop complete! And we have our new Santa!
[Arthur peeps out the window]
North Pole Computer:
[the L.E.D. Display above the Mainframe in Mission Control switches to green and shows 0000000000]
[Back up on the S-1! Learning that Arthur is now Santa having successfully delivered Gwen's present]
[...] See more »
After the end of the credits, there is a seven second scene, all in black silhouette on a blue background. One of the elf-lowering-cables descends, pauses, then lifts up an elf, who proceeds to throw snowballs at the screen until it's all black. See more »
"A lovely thing about Christmas is that it's compulsory, like a thunderstorm, and we all go through it together." Garrison Keillor
Where I live, too many Christmas Carol adaptations take the place of imaginative theater productions that could celebrate the holidays without the requisite Scrooge redemption. Arthur Christmas is a refreshing new take on the countless Santa stories, notwithstanding my favorite: Bad Santa, which satisfies my need for the new and irreverent.
Arthur (James McAvoy) is one of Santa's two sons, a bungler with a big heart. He takes it on his own to bring a present to the one girl in all the land whose present was not delivered. His technocrat brother, Steve (Hugh Laurie), has been responsible for the mis-delivery, although his array of laptops for elves and computerized delivery system is impressive. The head versus the heart forms the central conflict, providing laughs and groans but never in a mean way as in Bad Santa.
Aardman CG works its animation magic to create big-nosed, elongated-faced characters like GrandSanta (Bill Nighy), Santa (Jim Broadbent), and Mrs. Santa (Imelda Staunton), all of whom are fleshed out as loving characters with quirks just right for their roles.
In regard to developing character, Aardman goes nose to nose with Pixar. The use of 3-D is unobtrusive as it is in Martin Scorsese's Hugo with the process useful to give flights of the sleighs a grand feel, swooping in and out of perspective. Yet, in the end, regardless of the jazzy visuals, it's a lovely and exciting story for the holidays. As soon as the younger audience adjusts to the Brit accents, and that doesn't take long, they will enjoy the high spirits, good will, dry humor, and imagination they deserve and should expect from the masters of unique animation.
It's wonderful filmmaking that touches the heart with affectionate Brit humor.
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