The early years of James Logan, featuring his rivalry with his brother Victor Creed, his service in the special forces team Weapon X, and his experimentation into the metal-lined mutant Wolverine.
Director:
Gavin Hood
Stars:
Hugh Jackman,
Liev Schreiber,
Ryan Reynolds
The human government develops a cure for mutations, and Jean Gray becomes a darker uncontrollable persona called the Phoenix who allies with Magneto, causing escalation into an all-out battle for the X-Men.
In the 1960s, superpowered humans Charles Xavier and Erik Lensherr work together to find others like them, but Erik's vengeful pursuit of an ambitious mutant who ruined his life causes a schism to divide them.
Director:
Matthew Vaughn
Stars:
James McAvoy,
Michael Fassbender,
Jennifer Lawrence
In a world where mutants (evolved super-powered humans) exist and are discriminated against, two groups form for an inevitable clash: the supremacist Brotherhood, and the pacifist X-Men.
Director:
Bryan Singer
Stars:
Patrick Stewart,
Hugh Jackman,
Ian McKellen
After Peter Parker is bitten by a genetically altered spider, he gains newfound, spider-like powers and ventures out to save the city from the machinations of a mysterious reptilian foe.
When bitten by a genetically modified spider, a nerdy, shy, and awkward high school student gains spider-like abilities that he eventually must use to fight evil as a superhero after tragedy befalls his family.
In modern day Japan, Wolverine is out of his depth in an unknown world as he faces his ultimate nemesis in a life-or-death battle that will leave him forever changed. Vulnerable for the first time and pushed to his physical and emotional limits, he confronts not only lethal samurai steel but also his inner struggle against his own near-immortality, emerging more powerful than we have ever seen him before.Written by
Twentieth Century Fox
(at around 4 mins) Explosions do not enter blind cavities like the well shown. Even a shallow ditch is sufficient protection from a blast wave. Blind tunnels are used in mines to protect workers from explosions. See more »
Quotes
[first lines]
[an air raid begins on Nagasaki. At a prison camp, a young lieutenant sets all the prisoners free]
Young Yashida:
You! Go! Go!
Logan:
[in a pit]
That was a B-29, bub. There's no outrunning what's coming. You're better off down here. I'd hurry if I were you.
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Crazy Credits
SPOILER: There is a scene in the closing credits: as Wolverine enters an airport security check, he comes face to face with Magneto and Professor X, who request his assistance for a new threat to mutants. This leads into X-Men: Days of Future Past (2014). See more »
Alternate Versions
Extended version contains the following changes in addition to more graphic violence:
While Yukio sleeps during the jet flight, there's an additional flashback of Logan with Yashida in the bunker calling the former kuzuri and asking how old is he.
In the limo on the way to see Yashida, Yukio describes a little more about Yashida with Logan's cynical remark: "Wow, did they give you a little card to memorize?"
Before the servants bathe Logan, he remarks that the other shoes are smaller than his.
There's an additional exchange between Yashida and Logan as Yukio was to give Logan his surgical mask.
The servant informs Shingen that Yashida wants to seem him. He gets up and dresses up before Mariko comes in demanding to see him. Shingen brushes her aside and in the next new sequence, there's a father and son exchange where they talk about assuming control of the company, confirming who is the successor and Shingen complaining about bringing in the stranger. Logan watches them from his room.
An additional set-piece taking place in the hotel where Logan and Mariko hide. Logan sees two men on the street and decides to confront them. Before a thug fires at him, he has a hallucination of Jean but gets pushed off from the balcony. The other thug fires the taser at him and we see the both thugs having fun at him. As the gunman is about to shoot Logan one more time, the other thug crashes onto the car, with a knife on the back. Mariko throws another knife at the other thug, before Logan uses the taser at him.
In the countryside retreat, Mariko gives Logan a dry set of clothes before heading to the bedroom.
When Yukio and Logan return back to Yashida family house to find Shingen, they found three corpses on the floor
There's an exchange between Viper and Harada, on Mariko's safety. She instructs him to dip the arrows in the poison that she has prepared to slow Logan down.
The second additional set-piece in the film with Logan battling ninjas on bikes. Yukio comes into assisting him with the snow blower. He blows the vehicle up before running into the tower. Meanwhile, Harada is also seen following Viper's instruction, dipping his arrows with her poison.
There's a scene also explaining why Yukio saves Logan again during the fight with Viper: she regains her consciousness and follows the trail to the tower.
Some time after the events of The Last Stand, this sequel of sorts focuses on Logan/Wolverine as a tortured soul living in isolation and haunted by vivid memories of his lost love. Now, having reached an emotional impasse, he travels to Japan to visit an old comrade. Once there, he quickly gets caught up in a complex political power struggle that, for the first time in his life, makes him truly vulnerable. Jackman, not unexpectedly, is formidable in the lead, and there are lots of visceral action scenes, but that does little to compensate for the faults; film's tone is grim, its characters—sans Jackman—are unappealing, plotting is convoluted, subject matter turns ugly, and the pace lags heavily after a strong start. Jackman effectively spits, scowls, snarls, and flexes his muscles in what has become his go-to role, but he has almost no support; too long, too dark, and too serious to really be fun. **
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Some time after the events of The Last Stand, this sequel of sorts focuses on Logan/Wolverine as a tortured soul living in isolation and haunted by vivid memories of his lost love. Now, having reached an emotional impasse, he travels to Japan to visit an old comrade. Once there, he quickly gets caught up in a complex political power struggle that, for the first time in his life, makes him truly vulnerable. Jackman, not unexpectedly, is formidable in the lead, and there are lots of visceral action scenes, but that does little to compensate for the faults; film's tone is grim, its characters—sans Jackman—are unappealing, plotting is convoluted, subject matter turns ugly, and the pace lags heavily after a strong start. Jackman effectively spits, scowls, snarls, and flexes his muscles in what has become his go-to role, but he has almost no support; too long, too dark, and too serious to really be fun. **