When bitten by a genetically modified spider, a nerdy, shy, and awkward high school student gains spider-like abilities that he eventually must use to fight evil as a superhero after tragedy befalls his family.
In the near future, a weary Logan cares for an ailing Professor X, somewhere on the Mexican border. However, Logan's attempts to hide from the world, and his legacy, are upended when a young mutant arrives, pursued by dark forces.
In modern day Japan, Wolverine is out of his depth in an unknown world as he faces his ultimate nemesis in a life-or-death battle that will leave him forever changed. Vulnerable for the first time and pushed to his physical and emotional limits, he confronts not only lethal samurai steel but also his inner struggle against his own near-immortality, emerging more powerful than we have ever seen him before.Written by
Twentieth Century Fox
(at around 1h 14 mins) When visiting the Noburo's penthouse, the support beams on the balcony are big Xs that resemble the X-Men film logo. See more »
(at around 3 mins) The appearance of a single bomber in the sky would hardly constitute reason for the Japanese officers to commit seppuku. However, this was a B-29 approaching Nagasaki on August 9th, 1945. Hiroshima had already been A-bombed on August 6th, so the Japanese officers knew what was coming. See more »
[an air raid begins on Nagasaki. At a prison camp, a young lieutenant sets all the prisoners free]
You! Go! Go!
[in a pit]
That was a B-29, bub. There's no outrunning what's coming. You're better off down here. I'd hurry if I were you.
See more »
This is the first X-Film to not have the title in the opening; it appears at the end of the film. See more »
Extended version contains the following changes in addition to more graphic violence:
While Yukio sleeps during the jet flight, there's an additional flashback of Logan with Yashida in the bunker calling the former kuzuri and asking how old is he.
In the limo on the way to see Yashida, Yukio describes a little more about Yashida with Logan's cynical remark: "Wow, did they give you a little card to memorize?"
Before the servants bathe Logan, he remarks that the other shoes are smaller than his.
There's an additional exchange between Yashida and Logan as Yukio was to give Logan his surgical mask.
The servant informs Shingen that Yashida wants to seem him. He gets up and dresses up before Mariko comes in demanding to see him. Shingen brushes her aside and in the next new sequence, there's a father and son exchange where they talk about assuming control of the company, confirming who is the successor and Shingen complaining about bringing in the stranger. Logan watches them from his room.
An additional set-piece taking place in the hotel where Logan and Mariko hide. Logan sees two men on the street and decides to confront them. Before a thug fires at him, he has a hallucination of Jean but gets pushed off from the balcony. The other thug fires the taser at him and we see the both thugs having fun at him. As the gunman is about to shoot Logan one more time, the other thug crashes onto the car, with a knife on the back. Mariko throws another knife at the other thug, before Logan uses the taser at him.
In the countryside retreat, Mariko gives Logan a dry set of clothes before heading to the bedroom.
When Yukio and Logan return back to Yashida family house to find Shingen, they found three corpses on the floor
There's an exchange between Viper and Harada, on Mariko's safety. She instructs him to dip the arrows in the poison that she has prepared to slow Logan down.
The second additional set-piece in the film with Logan battling ninjas on bikes. Yukio comes into assisting him with the snow blower. He blows the vehicle up before running into the tower. Meanwhile, Harada is also seen following Viper's instruction, dipping his arrows with her poison.
There's a scene also explaining why Yukio saves Logan again during the fight with Viper: she regains her consciousness and follows the trail to the tower.
This is basically a tale of two movies. I know Hugh Jackman wanted this movie to be an adaptation of the classic Chris Claremont/Frank Miller comic book mini-series. You can see bits of that story here. But then you have this other stuff, far removed from that story, that seems to be studio-imposed and ultimately hurts what could have been one of the best comic book movies to date. The good stuff, the stuff worth watching this for, are the slower, quieter parts of the story. The Wolverine and Mariko parts, basically. But all of the special effects-heavy parts and the loud, flashy action sequences suck and take away from the impact the movie would have otherwise had. There's probably no better example than the different climactic battle scenes. Wolverine vs Shingen is a much more powerful, emotional scene than the shallow, garish stuff with Viper and a guy in robot armor.
I don't really blame James Mangold. No doubt it was Fox's interference that caused the problems and also caused Darren Aronofsky to bail before filming. You can see a better movie underneath this one. But Fox didn't have the guts to make that movie. Probably felt it wasn't commercial enough. Needed more robots and CGI fights on top of a speeding train. Still, it's good enough to watch and enjoy most of it. It's certainly miles better than the last Wolverine movie. But I can't help but feel sad thinking about what might have been. They very well could have given Wolverine his own 'Batman Begins' but instead we get just another watchable popcorn movie with hints at something more substantial.
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