When bitten by a genetically modified spider, a nerdy, shy, and awkward high school student gains spider-like abilities that he eventually must use to fight evil as a superhero after tragedy befalls his family.
In the near future, a weary Logan cares for an ailing Professor X, somewhere on the Mexican border. However, Logan's attempts to hide from the world, and his legacy, are upended when a young mutant arrives, pursued by dark forces.
In modern day Japan, Wolverine is out of his depth in an unknown world as he faces his ultimate nemesis in a life-or-death battle that will leave him forever changed. Vulnerable for the first time and pushed to his physical and emotional limits, he confronts not only lethal samurai steel but also his inner struggle against his own near-immortality, emerging more powerful than we have ever seen him before.Written by
Twentieth Century Fox
The movie is written as a stand-alone story, with very little connection to past or future X-Men films. 20th Century Fox embraced the idea of this film being different, and were even the ones to come up with the title The Wolverine. The story does feature other mutants, and that includes other mutants from the X-Men universe. James Mangold says there was no pressure from the studio to connect this story with the other X-Men films, previous or future. There is no set-up in this story for future films, as far as he knows. Mangold says "Our goal is to make something that doesn't rely on franchise." See more »
After Logan loses some of his healing powers and his wounds do not heal as quickly as they should, he is shot several times, bleeds and is left with wounds that take time to heal. However, despite extending his claws through the skin between his knuckles multiple times, this leaves no blood or visible wounds of any kind. See more »
[an air raid begins on Nagasaki. At a prison camp, a young lieutenant sets all the prisoners free]
You! Go! Go!
[in a pit]
That was a B-29, bub. There's no outrunning what's coming. You're better off down here. I'd hurry if I were you.
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Rounded-rectangle encompassed full-screen credit: "The making and authorized distribution of this film supported over 15,000 jobs and involved hundreds of thousands of work hours." See more »
Forthcoming Blu-ray release will feature an extended director's cut. See more »
This is basically a tale of two movies. I know Hugh Jackman wanted this movie to be an adaptation of the classic Chris Claremont/Frank Miller comic book mini-series. You can see bits of that story here. But then you have this other stuff, far removed from that story, that seems to be studio-imposed and ultimately hurts what could have been one of the best comic book movies to date. The good stuff, the stuff worth watching this for, are the slower, quieter parts of the story. The Wolverine and Mariko parts, basically. But all of the special effects-heavy parts and the loud, flashy action sequences suck and take away from the impact the movie would have otherwise had. There's probably no better example than the different climactic battle scenes. Wolverine vs Shingen is a much more powerful, emotional scene than the shallow, garish stuff with Viper and a guy in robot armor.
I don't really blame James Mangold. No doubt it was Fox's interference that caused the problems and also caused Darren Aronofsky to bail before filming. You can see a better movie underneath this one. But Fox didn't have the guts to make that movie. Probably felt it wasn't commercial enough. Needed more robots and CGI fights on top of a speeding train. Still, it's good enough to watch and enjoy most of it. It's certainly miles better than the last Wolverine movie. But I can't help but feel sad thinking about what might have been. They very well could have given Wolverine his own 'Batman Begins' but instead we get just another watchable popcorn movie with hints at something more substantial.
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