The human government develops a cure for mutations, and Jean Gray becomes a darker uncontrollable persona called the Phoenix who allies with Magneto, causing escalation into an all-out battle for the X-Men.
In the 1960s, superpowered humans Charles Xavier and Erik Lensherr work together to find others like them, but Erik's vengeful pursuit of an ambitious mutant who ruined his life causes a schism to divide them.
When bitten by a genetically modified spider, a nerdy, shy, and awkward high school student gains spider-like abilities that he eventually must use to fight evil as a superhero after tragedy befalls his family.
In modern day Japan, Wolverine is out of his depth in an unknown world as he faces his ultimate nemesis in a life-or-death battle that will leave him forever changed. Vulnerable for the first time and pushed to his physical and emotional limits, he confronts not only lethal samurai steel but also his inner struggle against his own near-immortality, emerging more powerful than we have ever seen him before.Written by
Twentieth Century Fox
This is the second movie in the franchise without any opening credits. The title is not shown until the end of the movie. See more »
(at around 1h 22 mins) Shingen is poisoned by Viper during the ninja assault on the Yashida residence, causing scarring across half his face. These scars are missing when Logan and Yukio arrive right after this and Shingen attacks them in the medical room. See more »
[an air raid begins on Nagasaki. At a prison camp, a young lieutenant sets all the prisoners free]
You! Go! Go!
[in a pit]
That was a B-29, bub. There's no outrunning what's coming. You're better off down here. I'd hurry if I were you.
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In the closing credits, the names of all the Japanese crew members who worked on the film are given almost exclusively in Japanese characters. See more »
Some time after the events of The Last Stand, this sequel of sorts focuses on Logan/Wolverine as a tortured soul living in isolation and haunted by vivid memories of his lost love. Now, having reached an emotional impasse, he travels to Japan to visit an old comrade. Once there, he quickly gets caught up in a complex political power struggle that, for the first time in his life, makes him truly vulnerable. Jackman, not unexpectedly, is formidable in the lead, and there are lots of visceral action scenes, but that does little to compensate for the faults; film's tone is grim, its characters—sans Jackman—are unappealing, plotting is convoluted, subject matter turns ugly, and the pace lags heavily after a strong start. Jackman effectively spits, scowls, snarls, and flexes his muscles in what has become his go-to role, but he has almost no support; too long, too dark, and too serious to really be fun. **
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