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A Woman, a Gun and a Noodle Shop (2009)

San qiang pai an jing qi (original title)
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The owner of a Chinese noodle shop's scheme to murder his adulterous wife and her lover goes awry.


Yimou Zhang


Zhengchao Xu (screenplay), Jianquan Shi (screenplay) | 3 more credits »
2 nominations. See more awards »



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Credited cast:
Honglei Sun ... Zhang
Shenyang Xiao ... Li
Yan Ni ... Wang's Wife
Dahong Ni ... Wang
Ye Cheng Ye Cheng ... Zhao
Mao Mao ... Chen
Julien Gaudfroy Julien Gaudfroy ... Persian Merchant
Benshan Zhao ... Patrol Team Commander
Na Wei Na Wei ... Persian Woman
Sisi Wang Sisi Wang ... Female Prisoner
Wenting LI Wenting LI ... Female Prisoner
Ran Cheng Ran Cheng ... Male Prisoner
Shuo Huang Shuo Huang ... Male Prisoner
Rest of cast listed alphabetically:
Xiaojuan Wang Xiaojuan Wang


At boss Wang's traditional Chinese noodle shop, a colourful and exotic Persian trader of arms introduces the shop owner's wife to the weapons of the West, and consequently, to mankind's greatest invention: the handgun. As a result, the woman excited with her newest acquisition that kills instantly, a brass, triple-muzzle top-break revolver, naturally, she will need more, however, the loud noise of the firearms' demonstration will inevitably attract a brigade of the local police force who will drop by for an investigation. Soon, grouchy old miser Wang will find out everything about his double-crossing wife's affair with the Inn's mincing weakling apprentice Li, and as the corpses begin piling up, it's going to be every man for himself and all for Wang's crammed strongbox. Written by Nick Riganas

Plot Summary | Add Synopsis


Smart, Funny and Enormously Entertaining!


Comedy | Drama

Motion Picture Rating (MPAA)

Rated R for some violence | See all certifications »



China | Hong Kong


Mandarin | English

Release Date:

11 December 2009 (China) See more »

Also Known As:

A Woman, a Gun and a Noodle Shop See more »


Box Office

Opening Weekend USA:

$35,033, 5 September 2010, Limited Release

Gross USA:

$190,666, 19 December 2010
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs


Sound Mix:

Dolby Digital



Aspect Ratio:

2.35 : 1
See full technical specs »

Did You Know?


Is a remake of The Coen Brothers 1984 film Blood Simple. See more »


Wang's Wife: For once in my life... l own the world's most powerful weapon! Everyone will be amazed!
See more »

Frequently Asked Questions

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User Reviews

Simultaneously Frantic and Dull Camp
29 October 2010 | by jzappaSee all my reviews

It's like this: Whether you know what goes into constructing a story because you've done so yourself or because you've just seen and/or read so many of them that the formulas are embedded in your mind, a lot of times it's tough not to look where they don't mean for you to look, the marionette wires maneuvering it, the groundwork holding it all up. When you remake a merely twenty-year-old cult classic by filmmakers with an enormous cult following, a story everybody knows, it's one thing to tell the story in a different style, or to change certain things, but anachronizing everything to an arbitrarily different time period, culture and characters, we are only really looking for all the anachronisms, waiting for them, being let down, occasionally being gratified.

The time period is never specified, but what I expected was going to lead to interesting dramatic twists on the Coens' plot was that it begins with the sale of a gun, which the cheating wife and the ridiculous slapstick moron noodle-makers find foreign and unheard-of. The gun is apparently a pretty new invention. But Yimou, who normally cares profoundly about his characters, loses his passionate emotional dominion over his actors. He dries out the original's sultriness, trades humid night for arid day, and strains for slapstick. That would be perfectly fine if he traded those elements in for something just as or hopefully more effective, but he does not.

The Coens' original Gothic film noir, fanged and toxic like snake venom, dwindles here to the point of amateur slapstick. Though the exterior shots make almost psychedelically atmospheric use of red and orange sandstone, day for night, sunrise and sunset, the characters are never more than ugly, overwrought cartoons. I'll admit that Blood Simple was not the quintessence of character arc. Nobody really seemed to change in that film, despite having a wryly farcical lack of conception as to what's happening. So at the outset of A Woman, a Gun and a Noodle Shop, when the adulterous lover, originally played by John Getz, is a redefining coward, I was pleased, because, knowing what this character must later do, I felt I was in for a true character transformation. To describe the outcome without spoilers: No such luck.

Aside from its inevitable comparison---one of the reasons, in hindsight, it's fated to be a letdown---Noodle Shop is simultaneously frantic and dull, with no hint of the restraint or meticulous concern with form exhibited in Yimou's own earlier blockbusters. Like Hero, House of Flying Daggers and Curse of the Golden Flower, and even as early as Ju Dou, the stars of the show are ultimately Zhao Xiaoding's mostly gorgeous cinematography, Tao Jing's evocative sound design and Yimou's choice of otherworldly locations. But all its visual brightness and tonal goofiness are far from either the literal or conceptual darkness of the fundamental story. Most damning is that the effort to recreate the remarkable final shot of Blood Simple is so tacky and clumsy that I reflexively sighed in revulsion. Zhang needs to reconnect with the fierce, principled, humanistic sensibility that made him one of China's finest film artists.

So the result of this uneasy mix of ironic screwball affectation, particularly evident in the big comic close-ups, and Zhang's majestic but mostly show-offy imagery is triteness, artifice, unevenness, and pretension so immoderate and pointless as to have defiantly stylish interest. If the cast were comprised of John Waters, Elvira, Pee-Wee Herman and RuPaul, it would be less kitschy.

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