Speak No Evil

Sometimes the true horror lies in the awkward sneaky uncomfortableness that slowly ratchets into the nearly unbearable. The place where passive-aggressive steadily becomes aggressive. A slow burn becomes pure hell. Funny Games meets Who's Afraid of Virginia Woolf.

Horror is my life, from z list splatter to the arthouse. However, a film that truly makes me uncomfortable is a rarity. As someone with social anxiety, this was my idea of torture. It may not be for everyone, but the crawling tension and discomfort was horror enough for me. Speak No Evil fully proves that Hell truly is other people.

An uptight couple are invited to spend the weekend with another couple they befriended on holiday. As the movie's ominous score will let you know, things get weird.

Many have compared this to Michael Haneke's work, but it's no pale imitation. Shot composition, camera and lighting is all excellent. The sound design is superb - subtle and very detailed. Everyone acts well.

Apparently, some people dislike the film because there is no 'common sense' or whatever, but I saw a movie that uses plot contrivances to illustrate its meta-narrative points of parenthood, cowardice, selfishness and heroism.

I almost gave it an 8, but it could have gone even further with its cruelty and explored the themes more. There was stuff left to do.

If you want fun and thrills - avoid. It's slow, bleak and heartless. But if you want an intelligent, well-structured and thoughtful horror movie, it's a good 'un.

An increasingly unnerving & uncomfortable psychological horror that invokes an air of unease from its opening scene and ultimately descends into an inescapable nightmare, Speak No Evil hints at dark machinations at play even when nothing is happening and makes deft use of the genre elements to deliver a film that's wicked, unforgiving, gut-punching & downright nihilistic.

Co-written & directed by Christian Tafdrup, the premise is simple but the setup isn't hurried as Tafdrup takes his time to acquaint us with the families before disturbing details start surfacing. While it isn't difficult to figure out where the plot is headed and how the unraveling events may play out, it doesn't make the ride any easier as the sense of discomfort only escalates with zero respite.

Brimming with an atmosphere that builds up quietly and is smothering in its intensity once the intentions become clear, the film also benefits from its disconcerting score that forewarns the audience of awaiting malice with its foreboding tracks. The actors chip in with solid inputs but the Danes making awful choices even after several red flags does hurt our investment in them and it only gets worse later.

Overall, Speak No Evil intends to shock, provoke & upset its viewers with its brutal take on the extent to which people choose to stay polite in the face of misdeeds & unpleasantness and at times end up playing an incriminating role in their own torment. And the film takes that idea to the extreme in the finale which will frustrate some. In short, this Danish chiller is a harrowing blend of The Strangers, The Invitation & Funny Games.

The film has a great start. The WTF moments start to appear here and there and you get on that "what the hell is going to happen" ride and you enjoy it as a viewer and you think you are in for a treat. The first part of the film has plenty of these to drag you in, leave your room and be there with them and feel those subtle signs that something is very wrong and then I hated it, worst victims ever.

1st half - it was so uncomfortable to watch that I loved it; 2nd half - the victims have ruined that amazing atmosphere built in the 1st half.

Overall, I am just disappointed because it had the potential to be a great horror film without ghosts, evil spirits just mean intentions and pure terror.

It's a 6 for me just for the 1st half.

I'm Danish, so there is a certain amount of pride in seeing a Danish film receive high marks.

Unfortunately, I don't think the movie deserves it.

It isn't bad, but I thought there were a bit too many things that just didn't make sense. I know horror film and thrillers have to have the characters make decisions you probably wouldn't have ever done, but I think they took it a bit too far here. I won't spoil anything, but if you see it, ask yourself: when would I have gotten in the car and hauled ass back to Denmark?