| Cast overview, first billed only: | |||
| Robert De Niro | ... | Jack | |
| Edward Norton | ... | Stone | |
| Milla Jovovich | ... | Lucetta | |
| Frances Conroy | ... | Madylyn | |
| Enver Gjokaj | ... | Young Jack | |
| Pepper Binkley | ... | Young Madylyn | |
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Sandra Love Aldridge | ... | Miss Dickerson |
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Greg Trzaskoma | ... | Guard Peters |
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Rachel Loiselle | ... | Candace |
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Kylie Tarnopol | ... | Young Candace |
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Bailey Tarnopol | ... | Young Candace |
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Madison Tarnopol | ... | Young Candace |
| Peter Gray Lewis | ... | Warden (as Peter Lewis) | |
| Sarab Kamoo | ... | Janice | |
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Richard Murphy | ... | Guard #1 |
Parole officer Jack Mabry (Robert De Niro) has only a few weeks left before retirement and wishes to finish out the cases he's been assigned. One such case is that of Gerald "Stone" Creeson (Edward Norton), a convicted arsonist who is up for parole. Jack is initially reluctant to indulge Stone in the coarse banter he wishes to pursue and feels little sympathy for the prisoner's pleas for an early release. Seeing little hope in convincing Jack by himself, Stone arranges for his wife, Lucetta (Milla Jovovich), to seduce the officer, but motives and intentions steadily blur amidst the passions and buried secrets of the corrupted players in this deadly game of deception. Written by The Massie Twins
How do we make sense of our lives and keep going despite all the bad things that happen to us? Most people find the answers to those questions in religion, and the characters in this film line up like a rainbow of answers: Jack (DeNiro), a prison bureaucrat, is agnostic; his wife Madylyn (Conroy) is a mainline Protestant; Stone (Norton) is a convict but also a seeker who finds his answers in a New Age religion; his wife (Jovovich) is an unabashed atheist. Throughout the film, evangelical radio frequently plays in the background, another stripe in the religious rainbow.
As a miserable young Madylyn hints to the viewers in the first scene of the film, the prison setting is a metaphor of the dungeon of the soul. For these four characters, loveless marriages, life work that seems futile, and memories of violence are their dungeon walls. Jack, Madylyn, and Stone all struggle with depression. Stone's is so deep that he edges toward suicide, but he searches for answers among the religious readings in the prison library and finds one that makes sense, especially after he witnesses a brutal stabbing at a range so close that the blood spatters his own face and he sees the murdered man eye to eye.
Jack seeks pastoral counseling after church one Sunday, admitting finally that the Episcopal framework of his life has never made sense. The minister quotes the Bible to him, "Be still and know that I am God," that is, listen for the answers that God provides. Oddly, that is exactly the prescription that Stone gets from his new religion too. It teaches that "God" or Truth speaks to us through everyday noises – insects buzzing, the voices of a prison exercise yard, talk radio, or a spoken mantra – if we just listen to the universe.
Stone does listen, and he begins to change. His new hairstyle, speech, and demeanor all signal to the viewer that he is a man reborn. The prison walls within Stone's mind fall away so that by the time his parole is finally granted, it hardly matters to him anymore.
Jack, meanwhile, hears nothing in the noise of his troubled life, nor can he makes sense of what Stone tries to share with him. As his retirement nears, he grows more and more reckless. Blind to the transformation that Stone has undergone, Jack suspects that he is being played. To the end, Jack remains suspicious and fearful of Stone who has come to terms with this past and feels only gratitude toward the aging jailer.
If you are looking for a conventional action flick with good guys and bad guys, this is not it. If you want an intelligent film about how desperate people search for faith and solace, you will not be disappointed.