After withdrawing to the Chateau Marmont, a passionless Hollywood actor reexamines his life when his eleven-year-old daughter surprises him with a visit.After withdrawing to the Chateau Marmont, a passionless Hollywood actor reexamines his life when his eleven-year-old daughter surprises him with a visit.After withdrawing to the Chateau Marmont, a passionless Hollywood actor reexamines his life when his eleven-year-old daughter surprises him with a visit.
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Hollywood actor Johnny Marco, nested in his luxury hotel of choice, is a stimulated man. Drinking, parties and women keep a creeping boredom under wraps in between jobs. He is the occasional father of a bright girl, Cleo, who may be spoiled but doesn't act it. When Cleo's mother drops her off and leaves town, Johnny brings her along for the ride, but can he fit an 11-year-old girl into his privileged lifestyle? —Peter Brandt Nielsen
Top review
somewhere doesn't go anywhere now, does it?
lets start off with something that I did like quite a bit about this movie: it is minimalistic and very low key. if this style of film making was combined with an intriguing story, it could make for a masterpiece. however, that is not the case here.the story about an apparently very successful actor who is desperately trying to find meaning in his life while he gets to spend some time with his 11 year old daughter has no substance whatsoever: tell me something thats not so obvious and cliché, please!!! portraying a successful but dull life is not really an excuse for a dull movie, not even for someone with the name Coppola. In a time where awards are piling up in every corner of the filmmaking industry lets just rely on common sense: "Coppola continues to surprise and amaze with her singular view of the world" is but one of the praises I found. I am sorry, but if we are talking about the same movie, the words "surprise", "amaze" and "singular view" are wrong by definition.
helpful•16387
- phaenomenalbert
- Dec 28, 2010
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