An honest IAS officer's fight against a corrupt political system through fair and transparent elections.An honest IAS officer's fight against a corrupt political system through fair and transparent elections.An honest IAS officer's fight against a corrupt political system through fair and transparent elections.
Ram Charan
- Ram Nandan
- (as Ram Charan Teja)
Sunil
- Side Sathyam
- (as Suneel)
Storyline
Did you know
- TriviaThe film marks director Shankar's first direct film in the Telugu language after years of releasing his tamil films dubbed into telugu. Director Shankar owes the success of the Telugu dubbed versions to producer, A.M. Rathnam. Rathnam's association with Shankar dates back to buying Shankar's first 2 films for their Telugu dubbed release. It was the successes of these two films that led to Rathnam to produce Indian & later his debut Hindi film, Nayak.
- Alternate versionsThe UK release was cut, the distributor chose to make cuts to strong violence in order to obtain a 12A classification. An uncut 15 classification was available.
- SoundtracksJaragandi (Telugu)
Lyrics by Anantha Sriram
Music by S. Thaman
Performed by Daler Mehndi & Sunidhi Chauhan
Featured review
While this isn't as terrible as Indian 2 overall, the entirety of the first hour is some of the worst bits of filmmaking I have seen from the once-iconic director. The comedy sucks (Sunil and Vennela Kishore characters desperately need the "DELETE" button), the intro fight & song combo is horrendous, the romance between Charan and Kiara's characters is so poorly written, and SJ Suryah does eccentric SJ Suryah for the millionth time. Yeah, I should stop looking at this as a Tamil film, because it clearly isn't aiming to be one.
Almost every song is a bathroom break, though I like some of the beats in Dhop (along with its vibrant picturization). It was difficult to connect with the protagonist - an IAS officer + IPS officer + Election Officer + Angry Dude in College + whatever the hell the writing needs him to be. We connected with Shankar's protagonists in some of his earlier films because most of them weren't default superheroes. Very often, the circumstance creates one, and that formula worked for him for nearly 2 decades. But gone are those days. I'm not sure what ideas Karthik Subbaraj fed Shankar in the initial stages-ultimately, Shankar chose to give it the same screenplay treatment as Mudhalvan, Sivaji, and the likes.. in 2025. Plus, the only time I bought the performer in Ram Charan was during the short flashback portion, and even that's less impactful.
Kiara Advani is drop-dead gorgeous, though she's mostly relegated to being a song-and-dance prop in the film. Anjali gets a meatier presence than expected, and is fine in the flashback (..not the present). Jayaram is disposable, and Srikanth plays the guy Samuthirakani or Sachin Khedekar usually takes up. My biggest gripe, however, is with the action sequences. I don't remember Shankar directing action this terribly, like EVER. Peter Hein and Anbariv are involved, but to what avail? Every set piece is wholly forgettable. The "Hari-fication" of Shankar is well and truly underway, as far as the pacing is concerned. I don't have any faith in his upcoming projects. God save the Velpari adaptation.
Almost every song is a bathroom break, though I like some of the beats in Dhop (along with its vibrant picturization). It was difficult to connect with the protagonist - an IAS officer + IPS officer + Election Officer + Angry Dude in College + whatever the hell the writing needs him to be. We connected with Shankar's protagonists in some of his earlier films because most of them weren't default superheroes. Very often, the circumstance creates one, and that formula worked for him for nearly 2 decades. But gone are those days. I'm not sure what ideas Karthik Subbaraj fed Shankar in the initial stages-ultimately, Shankar chose to give it the same screenplay treatment as Mudhalvan, Sivaji, and the likes.. in 2025. Plus, the only time I bought the performer in Ram Charan was during the short flashback portion, and even that's less impactful.
Kiara Advani is drop-dead gorgeous, though she's mostly relegated to being a song-and-dance prop in the film. Anjali gets a meatier presence than expected, and is fine in the flashback (..not the present). Jayaram is disposable, and Srikanth plays the guy Samuthirakani or Sachin Khedekar usually takes up. My biggest gripe, however, is with the action sequences. I don't remember Shankar directing action this terribly, like EVER. Peter Hein and Anbariv are involved, but to what avail? Every set piece is wholly forgettable. The "Hari-fication" of Shankar is well and truly underway, as far as the pacing is concerned. I don't have any faith in his upcoming projects. God save the Velpari adaptation.
- arungeorge13
- Jan 9, 2025
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Details
Box office
- Gross US & Canada
- $2,100,000
- Opening weekend US & Canada
- $2,100,000
- Jan 12, 2025
- Gross worldwide
- $2,849,061
- Runtime2 hours 45 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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