Frankenstein's creature finds himself caught in an all-out, centuries-old war between two immortal clans.Frankenstein's creature finds himself caught in an all-out, centuries-old war between two immortal clans.Frankenstein's creature finds himself caught in an all-out, centuries-old war between two immortal clans.
- Awards
- 1 nomination total
Chris Pang
- Levi
- (as Christopher Pang)
Goran D. Kleut
- Rekem
- (as Goran Kleut)
Featured reviews
Dr. Victor Frankenstein (Aden Young) dies frozen to death and the creature (Aaron Eckhart) buries him at the cemetery of his family. However he is attacked by demons but he kills one of them and Gargoyles save him and take him to a Cathedral where the Gargoyles Order gathers. The Queen of the Gargoyles Leonore (Miranda Otto) keeps Dr. Frankenstein's journal together with the treasures of the Order and gives the name of Adam to the creature. Then she explains to Adam that there is an ancient war between the Gargoyles that are angels and demons under the command of the Prince Naberius (Bill Nighy). She also invites Adam to join the Gargoyles in the war against demons, but Adam prefers to isolate in a remote place.
Two hundred years later, Adam returns and finds a modern society. Soon he learns that Naberius has the intention of creating an army of soulless corpses to be possessed by demons. The scientist Terra (Yvonne Strahovski) is researching a process to create life and Naberius is seeking Dr. Frankenstein's journal to help Terra and raise his army.
"I, Frankenstein" is an entertaining adventure of Frankenstein in the middle of a war between angels and demons. This 3D movie has top-notch special effects and explosions without being special. My vote is six.
Title (Brazil): "Frankenstein: Entre Anjos e Demônios" ("Frankenstein: Between Angels and Demons")
Two hundred years later, Adam returns and finds a modern society. Soon he learns that Naberius has the intention of creating an army of soulless corpses to be possessed by demons. The scientist Terra (Yvonne Strahovski) is researching a process to create life and Naberius is seeking Dr. Frankenstein's journal to help Terra and raise his army.
"I, Frankenstein" is an entertaining adventure of Frankenstein in the middle of a war between angels and demons. This 3D movie has top-notch special effects and explosions without being special. My vote is six.
Title (Brazil): "Frankenstein: Entre Anjos e Demônios" ("Frankenstein: Between Angels and Demons")
Where before it was vampires versus werewolves, it is the battle of the gargoyles and demons that takes centrestage in the fantasy action thriller 'I, Frankenstein'. Based on the Darkstorm Studios graphic novel by one of the creators of 'Underworld', it tells of its titular character's struggle between good and evil in the midst of an all-out, centuries old war among two immortal clans of superhuman creatures. But as exciting as that may sound, you'll quickly find that the burden of 'Underworld' hangs too heavily like an anchor around its neck.
Indeed, you had better take the tagline at the top of the poster which reads 'from the producers of 'Underworld'' seriously. Too faint-hearted to mess with a formula that has worked for four films now, the same team of producers and 'Underworld' co-creator Kevin Grevioux have simply applied the same to their unabashed attempt at replicating its success. And that is precisely what co-writer and director Stuart Beattie has done in his sophomore feature film, which plays like an equally dark but less sexy clone of the decade-old franchise.
Like 'Underworld', the lead protagonist finds himself an outsider caught between two warring factions. Whereas Selene was a human turned vampire who found herself falling in love with a Lycan (or werewolf in short), Adam (Aaron Eckhart) is here a monstrosity borne from Frankenstein's laboratory who finds himself wanted by both the gargoyles and the demons. A freak of nature not of Nature's making, Adam is also thought to be soulless, and therefore a perfect living example of the 'walking dead' whom the demons hope to create by summoning the souls of the damned to inhabit the walking warm bodies on Earth.
By virtue of being an outsider, either protagonist soon realises that he or she can trust neither side. While Selene discovers the ones who killed her family were in fact her own coven of vampires she now calls family, Adam is during the course of the movie betrayed by Gideon (Jai Courtney), the leader of the gargoyle army, and no less than Leonore (Miranda Otto) herself, the angel whom Gideon and his army protect and whom serves as their spiritual link with God. Indeed, both narratives unfold such that their lead protagonist finds himself or herself isolated on either side and is therefore forced to be his or her own best guardian.
That personal battle also has to take place against a much larger canvas in which one side is plotting an ambitiously nefarious plan to once and for all wipe out the other side. In 'Underworld', it is the Lycans who plan to use a human to wipe out the Vampire Elders; while in 'I, Frankenstein', it is Prince Naberius (Bill Nighy) who intends to use Adam himself as a specimen to bring to life an army of corpses to overrun the gargoyles and thereafter exterminate the human race. Is it any surprise that our protagonist will eventually choose to be on the side of good, rather than a blind follower of either faction?
Even if these similarities don't quite register by virtue of the fact that either movie did not have a compelling story to begin with, there's no escaping that the art design of 'Underworld' and 'I, Frankenstein' are strikingly similar. For one, both unfold largely against dim and grim surroundings of moonlight and shadows. For another, there is a distinctive choice to ensure that the entire movie is cast in shades of black, grey and otherwise very dull colours. Yes, there's no escaping the self-seriousness of 'Underworld' or 'I, Frankenstein', which approach their apocalyptic doomsday scenarios with the utmost solemnity.
And yet, their mode of storytelling is first and foremost to ensure an endless stream of VFX-heavy action sequences clearly intended at an attention-deficit audience. More so than Beattie's repertoire of summer blockbusters (think 'Pirates of the Caribbean' and 'G.I. Joe: The Rise of Cobra'), this clearly eschews plot and character moments over gargoyle-versus-demon action, so don't go in expecting anything more. That being said, it also sees Beattie going bigger than he's ever been with the setpieces, and some of them - such as a daring raid on gargoyle soil by an army of demons - are quite a visual spectacle to behold, particularly in the contrasting use of light and fire whenever a gargoyle or demon is killed.
As is to be expected then, none of the roles call for much from their respective actors - except maybe for Eckhart to look the most buff we've ever recall seeing him been on the screen. Bill Nighy should certainly know - he who plays the chief villain here was also the key baddie in 'Underworld: Evolution'. Certainly, he should be distinctly aware of the intention to recreate the success of the 'Underworld' movies by essentially rehashing the same formula with a different set of monsters. You'll be advised too to toss aside what preconceptions you may have based on Mary Shelley's novel or even Boris Karloff's monosyllabic screen icon; this 'I, Frankenstein' is more 'I, Underworld' than anything else
Indeed, you had better take the tagline at the top of the poster which reads 'from the producers of 'Underworld'' seriously. Too faint-hearted to mess with a formula that has worked for four films now, the same team of producers and 'Underworld' co-creator Kevin Grevioux have simply applied the same to their unabashed attempt at replicating its success. And that is precisely what co-writer and director Stuart Beattie has done in his sophomore feature film, which plays like an equally dark but less sexy clone of the decade-old franchise.
Like 'Underworld', the lead protagonist finds himself an outsider caught between two warring factions. Whereas Selene was a human turned vampire who found herself falling in love with a Lycan (or werewolf in short), Adam (Aaron Eckhart) is here a monstrosity borne from Frankenstein's laboratory who finds himself wanted by both the gargoyles and the demons. A freak of nature not of Nature's making, Adam is also thought to be soulless, and therefore a perfect living example of the 'walking dead' whom the demons hope to create by summoning the souls of the damned to inhabit the walking warm bodies on Earth.
By virtue of being an outsider, either protagonist soon realises that he or she can trust neither side. While Selene discovers the ones who killed her family were in fact her own coven of vampires she now calls family, Adam is during the course of the movie betrayed by Gideon (Jai Courtney), the leader of the gargoyle army, and no less than Leonore (Miranda Otto) herself, the angel whom Gideon and his army protect and whom serves as their spiritual link with God. Indeed, both narratives unfold such that their lead protagonist finds himself or herself isolated on either side and is therefore forced to be his or her own best guardian.
That personal battle also has to take place against a much larger canvas in which one side is plotting an ambitiously nefarious plan to once and for all wipe out the other side. In 'Underworld', it is the Lycans who plan to use a human to wipe out the Vampire Elders; while in 'I, Frankenstein', it is Prince Naberius (Bill Nighy) who intends to use Adam himself as a specimen to bring to life an army of corpses to overrun the gargoyles and thereafter exterminate the human race. Is it any surprise that our protagonist will eventually choose to be on the side of good, rather than a blind follower of either faction?
Even if these similarities don't quite register by virtue of the fact that either movie did not have a compelling story to begin with, there's no escaping that the art design of 'Underworld' and 'I, Frankenstein' are strikingly similar. For one, both unfold largely against dim and grim surroundings of moonlight and shadows. For another, there is a distinctive choice to ensure that the entire movie is cast in shades of black, grey and otherwise very dull colours. Yes, there's no escaping the self-seriousness of 'Underworld' or 'I, Frankenstein', which approach their apocalyptic doomsday scenarios with the utmost solemnity.
And yet, their mode of storytelling is first and foremost to ensure an endless stream of VFX-heavy action sequences clearly intended at an attention-deficit audience. More so than Beattie's repertoire of summer blockbusters (think 'Pirates of the Caribbean' and 'G.I. Joe: The Rise of Cobra'), this clearly eschews plot and character moments over gargoyle-versus-demon action, so don't go in expecting anything more. That being said, it also sees Beattie going bigger than he's ever been with the setpieces, and some of them - such as a daring raid on gargoyle soil by an army of demons - are quite a visual spectacle to behold, particularly in the contrasting use of light and fire whenever a gargoyle or demon is killed.
As is to be expected then, none of the roles call for much from their respective actors - except maybe for Eckhart to look the most buff we've ever recall seeing him been on the screen. Bill Nighy should certainly know - he who plays the chief villain here was also the key baddie in 'Underworld: Evolution'. Certainly, he should be distinctly aware of the intention to recreate the success of the 'Underworld' movies by essentially rehashing the same formula with a different set of monsters. You'll be advised too to toss aside what preconceptions you may have based on Mary Shelley's novel or even Boris Karloff's monosyllabic screen icon; this 'I, Frankenstein' is more 'I, Underworld' than anything else
Let's talk plainly here... A poodle could of seen this trailer and automatically knew this wasn't going to be Hollywood masterpiece. If you saw the trailer and then still bought a ticket, then you don't have anything to complain about if you hated this film. This movie is about Gargoyles, Demons and Frankenstein!!! I doubt the best movie minds of all time could of turned this plot into a well made movie. It's SCIENCE FICTION people, not every film can get an 8.0 on IMDb.
With all that being said, I have to honestly say that I enjoyed this movie. Maybe I enjoyed it because I didn't go into it with high expectations. Yes, the plot was OOOVEEERLY simple, but it did have pretty good special effects and there was plenty of action sequences. Also, I'm a fan of Eckhart, Nighy and Jai Courtney. I would love to go into detail and use all type of specific film lingo to review this movie, but I would be wasting your time. If you want to escape reality for an hour or two and your a true sci-fi fan, I recommend this flick. If your looking for a movie with Oscar potential, you should sit this one out.
With all that being said, I have to honestly say that I enjoyed this movie. Maybe I enjoyed it because I didn't go into it with high expectations. Yes, the plot was OOOVEEERLY simple, but it did have pretty good special effects and there was plenty of action sequences. Also, I'm a fan of Eckhart, Nighy and Jai Courtney. I would love to go into detail and use all type of specific film lingo to review this movie, but I would be wasting your time. If you want to escape reality for an hour or two and your a true sci-fi fan, I recommend this flick. If your looking for a movie with Oscar potential, you should sit this one out.
'I, Frankenstein' was very poorly received by critics, and at the box office. So, why did I enjoy it so much then?
Well, the visual effects, photography and make-up were good. There's demons, gargoyles, Aaron Eckhart, Bill Nighy - who is fantastic as always -, and scruffy and muscular Gideon (Jai Courtney), so why wouldn't I like this film? 'I, Frankenstein' is a twist on the classic Frankenstein tale. In fact, it deviates significantly from what we know about Frankenstein's creation - and I enjoyed this original idea of an age-old tale. Frankenstein's creature is named Adam by the Gargoyle Queen.
Yvonne Strahovski stars as brilliant scientist, Terra, whom I really enjoyed in the film. I liked her involvement - as a human - in a battle between creatures of good and evil. Despite's Adam's inability to show emotion, there somehow was a nice chemistry between him and Terra - not of romantic nature, off course. The film's final moments are action-packed with a bit too much CGI, but I nevertheless enjoyed it.
So, while critics hated the film, I rather enjoyed it, thank you! The ending leaves the door wide open for a sequel. Apparently a sequel was cancelled due to the film's poor performance at the box office. Sadly.
Would I watch it again? Yes.
Well, the visual effects, photography and make-up were good. There's demons, gargoyles, Aaron Eckhart, Bill Nighy - who is fantastic as always -, and scruffy and muscular Gideon (Jai Courtney), so why wouldn't I like this film? 'I, Frankenstein' is a twist on the classic Frankenstein tale. In fact, it deviates significantly from what we know about Frankenstein's creation - and I enjoyed this original idea of an age-old tale. Frankenstein's creature is named Adam by the Gargoyle Queen.
Yvonne Strahovski stars as brilliant scientist, Terra, whom I really enjoyed in the film. I liked her involvement - as a human - in a battle between creatures of good and evil. Despite's Adam's inability to show emotion, there somehow was a nice chemistry between him and Terra - not of romantic nature, off course. The film's final moments are action-packed with a bit too much CGI, but I nevertheless enjoyed it.
So, while critics hated the film, I rather enjoyed it, thank you! The ending leaves the door wide open for a sequel. Apparently a sequel was cancelled due to the film's poor performance at the box office. Sadly.
Would I watch it again? Yes.
The Frankenstein origin story a bit tweaked. I'm guessing you're familiar with it, not only because of countless movies being made about it, but because of the original story too. Or maybe you just heard about it. This takes a more fantastical turn for it and tries to make it as entertaining as possible.
It's not a classic or anything that will be remembered as a great movie. It can be an entertaining watch though, if you let it. The lead character is interesting enough and the origin story or the story in general is told decently enough. It's a family movie so don't expect it to be too violent or too extreme in some regards. Just take it for what it is and try to enjoy it
It's not a classic or anything that will be remembered as a great movie. It can be an entertaining watch though, if you let it. The lead character is interesting enough and the origin story or the story in general is told decently enough. It's a family movie so don't expect it to be too violent or too extreme in some regards. Just take it for what it is and try to enjoy it
Storyline
Did you know
- TriviaThe prayer the gargoyle queen offers up at the altar is part of a well-known Catholic prayer to St. Michael the archangel, the patron of the gargoyles.
- GoofsDuring the rat experiment, Terra demands the current increased to "200 Joules". However, current is measured in Amperes; a Joule is a unit of energy.
- ConnectionsFeatured in The Tonight Show with Jay Leno: Episode #22.60 (2014)
- SoundtracksMisgiving
Written and Performed by Geno Lenardo & Daniel A. Davies (as Daniel Davies)
- How long is I, Frankenstein?Powered by Alexa
Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- Yo, Frankenstein
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $65,000,000 (estimated)
- Gross US & Canada
- $19,075,290
- Opening weekend US & Canada
- $8,610,441
- Jan 26, 2014
- Gross worldwide
- $76,801,179
- Runtime1 hour 32 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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