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I, Frankenstein (2014)

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Frankenstein's creature finds himself caught in an all-out, centuries old war between two immortal clans.

Director:

Stuart Beattie

Writers:

Stuart Beattie (screenplay), Kevin Grevioux (screen story) | 3 more credits »
1 nomination. See more awards »

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Cast

Cast overview, first billed only:
Aaron Eckhart ... Adam
Yvonne Strahovski ... Terra
Miranda Otto ... Leonore
Bill Nighy ... Naberius
Jai Courtney ... Gideon
Socratis Otto ... Zuriel
Aden Young ... Victor Frankenstein
Caitlin Stasey ... Keziah
Mahesh Jadu ... Ophir
Steve Mouzakis ... Helek
Nicholas Bell ... Carl Avery
Deniz Akdeniz ... Barachel
Chris Pang ... Levi (as Christopher Pang)
Kevin Grevioux ... Dekar
Bruce Spence ... Molokai
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Storyline

Dr Victor Frankenstein dies frozen to death and the creature buries him at the cemetery of his family. However he is attacked by demons but he kills one of them and Gargoyles save him and take him to a Cathedral where the Gargoyles Order gathers. The Queen of the Gargoyles Leonore keeps Dr. Frankenstein's journal together with the treasures of the Order and gives the name of Adam to the creature. Then she explains to Adam that there is an ancient war between the Gargoyles that are angels and demons under the command of the Prince Naberius. She also invites Adam to join the Gargoyles in the war against demons, but Adam prefers to isolate in a remote place. Two hundred years later, Adam returns and finds a modern society. Soon he learns that Naberius has the intention of creating an army of soulless corpses to be possessed by demons. The scientist Terra is researching a process to create life and Naberius is seeking Dr Frankenstein's journal to help Terra and raise his army. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Taglines:

200 years later, he's still alive. See more »


Motion Picture Rating (MPAA)

Rated PG-13 for sequences of intense fantasy action and violence throughout | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official Site | See more »

Country:

USA | Australia

Language:

English

Release Date:

24 January 2014 (USA) See more »

Also Known As:

I, Frankenstein See more »

Filming Locations:

Melbourne, Victoria, Australia See more »

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Box Office

Budget:

$65,000,000 (estimated)

Opening Weekend USA:

$8,610,441, 26 January 2014, Wide Release

Gross USA:

$19,075,290

Cumulative Worldwide Gross:

$74,575,290
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Orginally set be released on February 22, 2013. The film was pushed back to September 13, 2013, only to be shuffled once again to January 24, 2014. See more »

Goofs

During the rat experiment, Terra demands the current increased to "200 Joules". However, current is measured in Amperes; a Joule is a unit of energy. See more »

Quotes

[first lines]
Adam: I was cast into being in winter of 1795, a living corpse without a soul, stitched, jolted, bludgeoned back to life by a madman. Horrified by his creation, he tried to destroy me, but I survived.
See more »

Connections

Version of Frankenstein: The True Story (1973) See more »

Soundtracks

Possessions Mine
Written and Performed by Geno Lenardo & Daniel A. Davies (as Daniel Davies)
See more »

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User Reviews

 
Dead on arrival.
22 January 2014 | by shawneofthedeadSee all my reviews

There's something to be said for big, dumb blockbusters featuring immortal creatures of the undead, gargoyles, demons and a whole lot of CGI. That's especially true now, during awards season, when the cinemas are otherwise crowded with Important Movies that might be worthy but difficult to watch. I, Frankenstein even lurches into cineplexes with a bit more credibility than is typically attached to C-grade movies: usually reliable character actors Aaron Eckhart, Miranda Otto and Bill Nighy have signed on to rain hellfire (or something) down on one another. It's a shame, then, that the overly dour film wastes rather than benefits from their talents.

Forced into a shambling semblance of life, Victor Frankenstein's dark, brooding creation (Eckhart) stalks bitterly through the centuries. He's hunted mercilessly by the forces of evil - flame-streaked demons led by the nefarious Prince Naberius (Nighy). On the side of good are the gargoyles, a peaceable clan who enjoy the blessing of the heavens and are led by the beautiful Queen Leonore (Otto). Bequeathed the name of Adam by Leonore, Frankenstein's creature soon discovers that he is the factor that could tip the scales in the immortal battle between the demons and the gargoyles.

I, Frankenstein is entirely too grim for its own good. Kevin Grevioux's screenplay, adapted from his graphic novel of the same title, marches forward in workmanlike fashion. Plot 'twists' can be seen coming from miles away - see the sassy blonde scientist (Yvonne Strahovski) directed to investigate Adam's origins grow increasingly fascinated with her science project! There are precious few shades of complexity to be found in the film, the characters never really breaking free of their archetypes - beyond the fact that the good guys morph into huge, stony, winged gargoyles that aren't particularly pleasing to the eye. Fiery explosions and bone-crunching battles abound, but they never amount to very much in emotional terms.

The unexpectedly good cast liven things up a little, though not by enough to drag I, Frankenstein out of the doldrums. Eckhart storms stoically through the film, a singular grave expression carved into his features like so much rigor mortis. Nighy seems to be having fun even while phoning in his performance. As for Otto and Strahovski, both actresses are competent but largely colourless in their roles.

Genre flicks like this one don't usually have to check a lot of boxes to be fun nights out at the cinema. The Underworld franchise - from the same producers - proved just that, spinning its surprisingly rich tale into four films that haven't been critically successful but have nevertheless cultivated their own fans. On the strength (or lack thereof) of the gloomy, predictable I, Frankenstein, it seems unlikely that it will kickstart a new franchise in quite the same way.


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