5.8/10
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120 user 115 critic

Table 19 (2017)

PG-13 | | Comedy, Drama, Romance | 3 March 2017 (USA)
Trailer
2:25 | Trailer

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Eloise, having been relieved of maid of honor duties after being unceremoniously dumped by the best man via text, decides to attend the wedding anyway, only to find herself seated with five fellow unwanted guests at the dreaded Table 19.

Director:

Jeffrey Blitz

Writers:

Mark Duplass (story by), Jay Duplass (story by) | 2 more credits »
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Popularity
3,778 ( 2,066)
2 nominations. See more awards »

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Cast

Cast overview, first billed only:
Anna Kendrick ... Eloise McGarry
Rya Meyers ... Francie Millner
Charles Green ... Mr. Manny
Lisa Kudrow ... Bina Kepp
Craig Robinson ... Jerry Kepp
Tony Revolori ... Renzo Eckberg
Margo Martindale ... Freda Eckberg
Stephen Merchant ... Walter Thimble
Carlos Aviles ... Jalapeño
June Squibb ... Jo Flanagan
Brad Oberhofer ... Wedding Singer
Megan Lawless ... Megan-Ann
Amanda Crew ... Nikki
Jay Klaitz ... Photographer
Wyatt Russell ... Teddy
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Storyline

Ex-maid of honor Eloise (Anna Kendrick) - having been relieved of her duties after being unceremoniously dumped by the best man via text - decides to hold her head up high and attend her oldest friend's wedding anyway. She finds herself seated at the 'random' table in the back of the ballroom with a disparate group of strangers, most of whom should have known to just send regrets (but not before sending something nice off the registry). As everyone's secrets are revealed, Eloise learns a thing or two from the denizens of Table 19. Friendships - and even a little romance - can happen under the most unlikely circumstances. Written by Fox Searchlight Pictures

Plot Summary | Add Synopsis

Taglines:

Don't Fit In? Take A Number. See more »

Genres:

Comedy | Drama | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for thematic elements, sexual content, drug use, language and some brief nudity | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official site

Country:

USA

Language:

English

Release Date:

3 March 2017 (USA) See more »

Also Known As:

Table 19 See more »

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Box Office

Budget:

$5,000,000 (estimated)

Opening Weekend USA:

$1,597,928, 5 March 2017, Wide Release

Gross USA:

$3,606,977, 31 March 2017
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

At the end of the film, while not explicitly mentioned, it is heavily implied that Nanny Jo has passed away: All the people at Table 19 except Nanny Jo get an epilogue, the Kepp's are caring for her dog Ringo, and Eloise named her son "Joe". See more »

Goofs

At 54:57 the group from table 19 go out for a walk. The doors are open, they walk out and the doors stay open. In the next shot you can see the doors are closed again. See more »

Quotes

Jerry Kepp: We 're ridiculous.
Bina Kepp: We 're ridiculous? Everyone is ridiculous Jerry. Ok? You deal with it 'cause you have to.
Jerry Kepp: Do you?
Bina Kepp: Yeah, you do! That's life. You 're ridiculous and a mess. And you still hope that you 'll find someone who 'll think that you 'll be ok enough to be loved.
Jerry Kepp: Is that what life is?
Bina Kepp: Yeah, it is. And it's really weird that you don't know that by now!
See more »

Connections

Featured in Conan: Lisa Kudrow/Justin Bartha/The Strumbellas (2017) See more »

Soundtracks

All Through The Night
Written by Jules Shear
Performed by Oberhofer
Courtesy of Glassnote Records
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User Reviews

 
An unexpectedly entertaining wedding sit-com.
14 May 2017 | by CineMuseFilmsSee all my reviews

Trailers are notorious in over-promising for movies that under-deliver. But every now and then, one pops up that does the opposite. The trailer for Table 19 (2017) gives the impression of a lightweight romantic comedy with a touch of slapstick, all framed around a wedding. Despite being critically panned by many, there is more to this unexpectedly entertaining low-profile film than meets the eye.

The heroine is Eloise (Anna Kendrick) who, against her better judgement, accepts a wedding invitation knowing she is persona non-grata with the bridal party. She was recently dumped by the bride's brother, who is now the best man, and she is suddenly no longer the bride's best friend. She was the chief helper with the reception planning and knows who is at every table and why they are here. Her companions on Table 19 comprise a lovable granny-type, two oddballs, and a quarrelling married couple. They were all expected to decline their invitation but still send a gift, and that alone is a recipe for humour and satire. Their distance from the bridal table and proximity to the toilets quickly establishes their lowly social status and the comic sketches play on social awkwardness. The thread of continuity is through Eloise and her manhunts. The standard sit-com one-liners and the obligatory near-catastrophe with a wedding cake are neither original nor particularly funny, but the situation develops a warm emotional undercurrent that is unexpectedly touching.

One of the interesting things about this film is the difference between its plot and story. The plot is standard wedding reception comedy which laughs at the marginalisation of unwanted guests. On the other hand, the story explores why the Table 19'ers are together. It offers insight into their lives, their personalities, and the emotional hurt caused by being placed on the social fringe. The best part of the film is when the offended "randoms" leave the reception for a while to console each other. Through flashbacks we get the back-story to their invitations which range from pathetic to comic. For example, the granny-type really believed she was invited because the bride fondly remembered her first baby-sitter, but the bride barely knows who she is. There is also a wannabe trying to lose his virginity, a weird guy straight out of prison, and a couple who are far from an inspiring example of a loving marriage.

Anna Kendrick plays the perfect balance between awkward, aggrieved, and aggressive, and the randoms are standard comic stereotypes. But while our eyes are on Elosie, the warmth of the story come from her table companions. The gags are at snicker level rather than belly laughs and the cinematography is colourful and cluttered as wedding receptions often are. There is no shortage of embarrassing moments as Eloise stalks her men, both old and new, and the final scenes rise through melodrama to operatic farce. But this film offers a fresh take on standard rom-com themes in amusing and entertaining ways…. and it might make you think twice if you need to create a seating plan.


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