An expert cutter must outwit a dangerous group of mobsters in order to survive a fateful night.
Director:
Writers:
Awards:
- 1 win & 6 nominations.
- See more »
Reviews:
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Complete, Cast awaiting verification
| Mark Rylance | ... |
Leonard
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| Zoey Deutch | ... |
Mable
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John Gumley-Mason | ... |
Tall Customer
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Stephen Knox | ... |
Stocky Customer
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Steve Chatfield | ... |
Gangster 1
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| Michal Forejtek | ... |
Gangster 2
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| Dylan O'Brien | ... |
Richie
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| Johnny Flynn | ... |
Francis
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| Johnathan McClain | ... |
FBI Agent
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Lauris Karklins | ... |
Gangster 3
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William Keetch | ... |
Gangster 4
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Scoop Wasserstein | ... |
Customer
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Ryan Hall | ... |
Gangster 5
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| Simon Russell Beale | ... |
Roy
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| Alan Mehdizadeh | ... |
Monk
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| Nikki Amuka-Bird | ... |
La Fontaine
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Chiedu Agborh | ... |
La Fontaine Bodyguard 1
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| Michael Addo | ... |
La Fontaine Bodyguard 2
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| Rest of cast listed alphabetically: | |||
| Sammy Jonas Heaney | ... |
Soldier (uncredited)
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Directed by
| Graham Moore | ... | (directed by) |
Written by
| Graham Moore | ... | (written by) & |
| Johnathan McClain | ... | (written by) |
Produced by
| Ben Browning | ... | producer (produced by) |
| Alison Cohen | ... | executive producer |
| Ashley Fox | ... | executive producer |
| Nell Green | ... | co-producer |
| Amy Jackson | ... | producer (produced by) |
| Johnathan McClain | ... | executive producer |
| Milan Popelka | ... | executive producer |
| Elizabeth Siegal | ... | co-producer |
| Scoop Wasserstein | ... | producer (produced by) |
| Brad Zimmerman | ... | executive producer |
Music by
| Alexandre Desplat | ||
Cinematography by
| Dick Pope | ||
Editing by
| William Goldenberg | ||
Editorial Department
| Jordan Altria | ... | dailies colourist: Harbor |
| Tom Balkwill | ... | head of digital intermediate: Dirty Looks |
| Thom Berryman | ... | operations director: Harbor |
| Amy Besate | ... | digital intermediate operator: Dirty Looks |
| Gareth Bishop | ... | online editor: Dirty Looks |
| Holly Charge | ... | senior dailies operator: Harbor |
| Lauren De Rigny | ... | online editor: Dirty Looks |
| Joe Fisher | ... | digital intermediate operator: Dirty Looks |
| Scott P. Fraser | ... | post-production coordinator |
| Wali Goins | ... | assistant editor |
| Adam Inglis | ... | colourist: Dirty Looks |
| David Lale | ... | post production coordinator: Dirty Looks |
| Charlotte Llewelyn | ... | digital intermediate producer: Dirty Looks |
| Luke Moorcock | ... | software and workflow engineer: Harbor |
| Stephen M. Rickert Jr. | ... | additional editor |
| Anthony Williams | ... | senior dailies operator: Harbor |
| Maimunah Yahkup | ... | senior dailies producer: Harbor |
Production Design by
| Gemma Jackson | ||
Art Direction by
| Richard Selway | ||
Set Decoration by
| Tonja Schurmann | ||
Costume Design by
| Sophie O'Neill | ||
| Zac Posen | ||
Makeup Department
| Eimear Adair | ... | hair trainee / makeup trainee |
| Christine Blundell | ... | hair designer / makeup designer |
| Satinder Chumber | ... | prosthetics artist: KM Effects |
| Andreas Franz | ... | prosthetics artist: KM Effects |
| Lauren Hawes | ... | prosthetics coordinator: KM Effects |
| Kristyan Mallett | ... | prosthetics artist: KM Effects |
| Chloe Meddings | ... | hair artist / makeup artist |
| Federica Veronese | ... | additional makeup artist |
| Lesa Warrener | ... | hair supervisor / makeup supervisor |
| Maria Gerolama Sale | ... | hair department head (uncredited) |
Production Management
| Jack Cornelius Knott | ... | production manager |
| Emma Zee | ... | post-production supervisor |
Second Unit Director or Assistant Director
| Stewart Allen-Smith | ... | third assistant director |
| George Every | ... | first assistant director |
| James R. Kipping | ... | second assistant director |
Art Department
| Misli Akdag | ... | production buyer |
| Rachel Aulton | ... | standby art director |
| Karl Aussia | ... | researcher |
| Alan Bailey | ... | property master |
| Matilda Beard | ... | draughtsman |
| Ian Bee | ... | hod carpenter |
| Brie Bentley | ... | construction buyer |
| Frederico Nobre de Carvalho | ... | second standby |
| Caitlin Decker | ... | storyboard artist |
| Steve Evans | ... | construction driver |
| Chris Geake | ... | construction health and safety coordinator |
| Brian Grant | ... | assistant construction coordinator |
| Laura Grant | ... | graphic designer |
| Jo Hawthorne | ... | construction manager |
| Seamus Hawthorne | ... | construction coordinator |
| Douglas Ingram | ... | storyboard artist |
| Kerry S.H. Jones | ... | standby painter (as Kerry S H Jones) |
| John Krommenhoek | ... | standby carpenter |
| Andy Leach | ... | chargehand dressing props |
| Dan Lewis | ... | prophand daily (as Daniel Lewis) |
| Mike Rawlings | ... | storeman |
| Simon Robilliard | ... | assistant construction manager |
| Brian Rowlands | ... | standby props |
| Guy Rutter | ... | hod painter |
| Sam Sparks | ... | draughtsman |
| Adam Sutcliffe | ... | chargehand standby props |
| Ravinder Takher | ... | prophand daily |
| Rosanna Warcup | ... | petty cash buyer |
Sound Department
| Juan Martin Del Campo | ... | adr mixer: Marc Graue |
| Mark DeSimone | ... | adr mixer:Soundtrack (as Mark De Simone) |
| Oliver Ferris | ... | foley artist |
| Dawn Gough | ... | sound effects editor |
| Sophia Hardman | ... | foley editor |
| Sam Jenkins | ... | second assistant sound |
| Harry Jones | ... | mix technician: Twickenham Film Studios |
| Manav Kher | ... | mix technician: Twickenham Film Studios |
| Andrea King | ... | foley artist |
| Adam Mendez | ... | foley recording mixer |
| William Miller | ... | re-recording mixer |
| Tristian Rose | ... | adr mixer: GCRS |
| Mirko Simoni | ... | second boom operator |
| Steve Single | ... | re-recording mixer: Twickenham Film Studios |
| Oliver Tarney | ... | supervising sound editor |
| Rachael Tate | ... | supervising sound editor |
| Josh Robinson Ward | ... | boom operator (as Josh Robinson-Ward) |
| Will Whale | ... | production sound mixer (as William Whale) |
Special Effects by
| Dominic Allan | ... | special effects technician: Fizz Bang Wallop |
| Ben Broadbridge | ... | special effects supervisor |
| Dennison Crook | ... | special effects technician: Fizz Bang Wallop |
| Michael Dawson | ... | special effects supervisor: Fizz Bang Wallop (as Mike Dawson) |
| Chris Dubock | ... | special effects technician: Fizz Bang Wallop |
| Alex Landrum Jr. | ... | special effects technician: Fizz Bang Wallop (as Alex Landrum) |
| Steph Marlot | ... | snow effects technician |
Visual Effects by
| Simon Allix | ... | visual effects coordinator: Automatik |
| Sebastian Barker | ... | visual effects supervisor: Automatic (as Seb Barker) |
| Keith Barton | ... | head of systems: Automatik |
| Thomas Castagna | ... | compositor: Automatik |
| Vikram Chadha | ... | visual effects producer |
| Darren Coffey | ... | compositor: Automatik (as Darren Coffee) |
| Lewis Coombes | ... | cg artist: Automatik |
| Sean Danischevsky | ... | compositor supervisor: Automatik |
| Lou Datchens | ... | visual effects coordinator: Automatik VFX |
| Jack Dunn | ... | compositor: Automatik |
| Paddy Eason | ... | primary visual effects supervisor: Automatik |
| Fabian Geisler | ... | technical pipeline: Automatik |
| Joshua Gotto | ... | compositor: Automatik |
| Jack Hennigan | ... | compositor: Automatik |
| Allan Torp Jensen | ... | compositor: Automatik |
| Ewan Laidlaw | ... | cg artist: Automatik |
| Branford Meentzen | ... | dmp artist: Automatik (as Brandford Meentzen) |
| George Myer | ... | visual effects editor: Automatik |
| Csaba Novak | ... | cg artist: Automatik |
| Will Ould | ... | compositor: Automatik |
| Justin Pedersen | ... | technical pipeline: Automatik |
| Chiara Piseddu | ... | compositor: Automatik |
| Francesco Presutti | ... | compositor: Automatik |
| Satish Kumar T. | ... | Sr Lighting TD |
| Andriy Toloshny | ... | flame artist: Dirty Looks (as Andrew Toloshny) |
| Craig Travis | ... | cg artist: Automatik |
| Angela Wills | ... | production visual effects consulting producer: Automatik |
| Keta Wilson | ... | visual effects producer: Automatik |
| Jonatan Fernandez | ... | International localization gfx qc: Pixelogic Media (uncredited) |
Stunts
| Glenn Marks | ... | stunt coordinator |
Camera and Electrical Department
| Paul Barker | ... | rigger |
| Simon Beach | ... | electrician |
| Kevin Bell | ... | digital imaging technician |
| Paul Brewster | ... | best boy |
| Lucy Bristow | ... | camera operator: "b" camera |
| Adam Bullock | ... | desk operator |
| Aaron Paul Champion | ... | second assistant camera: "a" camera (as Aaron Champion) |
| Wailoon Chung | ... | electrician |
| Alex Dias | ... | video playback operator |
| Charles Dixon | ... | daily electrician |
| Derek Fitsimmons | ... | rigging daily |
| Nick Harris | ... | practical electrician |
| Kat Harvey | ... | camera trainee |
| Tomel Kowalski | ... | grip trainee |
| Andy Long | ... | gaffer |
| Yeh Htoo Love | ... | daily electrician |
| Graham Martyr | ... | first assistant camera: "a" camera |
| Dayne Millar | ... | practical spark |
| Michael Montgomery-Salter | ... | second assistant camera: "b" camera |
| Chris Mortley | ... | daily electrician |
| Dick Pope | ... | camera operator: "a" camera |
| Charles Power | ... | Electrician Daily |
| Charles Power | ... | daily electrician |
| Mick Race | ... | rigging daily |
| Paul Sallent | ... | daily electrician |
| Colin Strachan | ... | key grip |
| Simon Thorpe | ... | grip: "b" camera |
| Alex Tolios-Zisos | ... | grip assistant (as Alexandros Tolios Zisos) |
| Louis Wall | ... | assistant to still photographer |
| Nick Wall | ... | still photographer |
| Fran Weston | ... | first assistant camera: "b"camera |
| Rob Youngson | ... | still photographer |
Casting Department
| Shaheen Baig | ... | additional casting: UK |
| Vanessa Baker | ... | adr voice casting |
| Michelle Giovanni | ... | casting associate: UK |
Costume and Wardrobe Department
| Ffion Boyesen | ... | second costume standby |
| Campbell Carey | ... | tailoring advisor |
| Kesenya Dudley | ... | first costume standby (as Kasenya Dudley) |
| Alex Fordham | ... | crowd costume fitter (as Alexander Fordham) |
| Frances Hallett | ... | costume assistant |
| Ava Imperio | ... | assistant: Zac Posen |
| Ashleigh Lennox | ... | costume supervisor |
| Luiza Ludiasa | ... | costume junior |
| Alex Shore | ... | costume junior |
| Jayesh Vaghela | ... | master hatter |
Location Management
| Jon Davis | ... | location unit manager |
Music Department
| Romain Allender | ... | assistant to composer / programming |
| Jean-Pascal Beintus | ... | orchestrations |
| David Braccini | ... | concertmaster |
| Peter Clarke | ... | music editor |
| Peter Cobbin | ... | music mixed by: Such Sweet Thuder Studios |
| Richard Cookson | ... | musician: viola |
| Ricardo Del Fra | ... | musician: jazz bass |
| Alexandre Desplat | ... | musician: flutes, piano / orchestrations |
| Xavier Forcioli | ... | music production manager: Galilea Music |
| Darryl Hall | ... | musician: jazz bass |
| Cyrille Lacrouts | ... | musician: cello solo (as Cyril Lacrouts) |
| Sylvain Morizet | ... | orchestrations |
| Alexandre Tanguy | ... | score recorded by: Studio de la Seine |
| Norbert Vergonjanne | ... | music preparation |
| Kirsty Whalley | ... | music mixed by: Such Sweet Thunder Studios |
Script and Continuity Department
| Beverly Winston | ... | script supervisor |
Transportation Department
| Osman Ahemnd | ... | unit driver |
| Francis Bwalya | ... | unit driver |
| Theodora Creascu | ... | unit driver |
| Orlando Henry | ... | transportation captain |
Additional Crew
| Carolanne Adams | ... | covid coordinator: On Set Solutions |
| Matthew Aizenstadt | ... | vice president business and legal affairs: FilmNation |
| Joanna Allsop | ... | payroll accountant: Reel Figures |
| Inês Alves | ... | accounts assistant (as Ines Alves) |
| Reno Antoniades | ... | production legal: Lee & Thompson (as Reno Antoninades) |
| Terry Ashby | ... | first assistant accountant: Reel Figures |
| Glen Basner | ... | CEO: FilmNation |
| Caroline Bean | ... | covid coordinator: On Set Solutions |
| Stefanie Berk | ... | executive vice president television: FilmNation |
| Adriana Bolanos | ... | senior staff accountant finance and accounting: FilmNation |
| Abraham Briones | ... | staff accountant finance and accounting: FilmNation |
| Darren Cable | ... | paramedic: On Set Solutions |
| Dougal Cadiou | ... | financial controller |
| Rob Carney | ... | senior vice president iternational sales: FilmNation |
| Felix Carter | ... | assistant to director: UK |
| Matt Curtis | ... | title designer |
| Helen de Winter | ... | post production executive: Film Finances |
| Max de Young | ... | rushes runner (uncredited) |
| Kate DeVore | ... | dialect coach |
| Malak El-Gonemy | ... | Development Assistant |
| Bryan Ellis | ... | coordinator international sales: FilmNation |
| Pippa Feldberg Collins | ... | set production assistant |
| Cat Fisher | ... | director marketing: FilmNation |
| Alex Francis | ... | Armourer |
| Hannah Getts | ... | director television: FilmNation |
| Claire Gibson | ... | covid supervisor: On Set Solutions |
| Kent Goldfinch | ... | stand-in: Mark Rylance |
| Maricela González | ... | coordinator business and legal affairs: FilmNation |
| Roger Gregory | ... | vice president strategic planning and finance: FilmNation |
| Jenny Heaton | ... | unit publicist: Organic |
| Paul Hillier | ... | production insurance: Tysers Insurance Brokers |
| Phillipa Horabin | ... | covid marshall: On Set Solutions |
| Monique Horn | ... | vice president finance and accounting: FilmNation |
| Mick Hurrell | ... | health and safety advisor: JHA Safety |
| Carmen Irabien | ... | manager publicity: FilmNation |
| Michael Jackman | ... | executive vice president post production and worldwide delivery: FilmNation |
| Abi Jarvis | ... | daily set production assistant |
| Amy Jing | ... | production coordinator: Film Finances |
| Steve Joberns | ... | tax incentive advisor: UK, Shipleys |
| Ashley Kravitz | ... | clearances by: Ashley Inc. |
| Peter La Terriere | ... | production executive: Film Finances |
| Alice Laffillé | ... | vice president international sales: FilmNation |
| Kirsty Langsdale | ... | unit publicity: Organic |
| Bennett Levine | ... | assistant: Ben Browning |
| Simon Lewis Marriott | ... | covid manager: On Set Solutions (as Simon Marriott) |
| Peter Marshall | ... | production insurance: Dewitt Stern Etertainment |
| Alyssa Martino | ... | vice president podcasting: FilmNation |
| Olivia Mascheroni | ... | assistant: Scoop Wasserstein |
| Martin McKellan | ... | dialect coach: Mark Rylance |
| Christos Michaels | ... | Production Lawyer / production legal: Lee & Thompson |
| Shann Nichol | ... | medic: On Set Solutions |
| Camile O'Briant | ... | vice president operations: FilmNation |
| Amy Omar | ... | manager business and legal affairs: FilmNation |
| James Owen | ... | medical director: On Set Solutions (as Dr. James Owen) |
| Heta Paarte | ... | marketing and distribution: FilmNation |
| Robert B. Peck | ... | cfo: FilmNation |
| Pauline Piechota | ... | senior vice presidet distribution: FilmNation |
| Isabel Pritchard-Smith | ... | production assistant (as Isabel Pritchard) |
| Taero Robertson | ... | production secretary |
| Matthew Rusthoven | ... | assistant to director: US |
| Courtney Saladino | ... | vice president television: FilmNation |
| Selena Saldana | ... | vice president publicity: FilmNation |
| Theo Scholfield | ... | development editor: tv UK, FilmNation (as Theo Scholefield) |
| Edward Shaara | ... | production insurance: Dewitt Stern Etertainment |
| Leon Shen | ... | vice president distribution: FilmNation |
| Tory Smith | ... | director worldwide delivery: FilmNation |
| Joanna Strapp | ... | assistant to writer |
| Eszter Telegdy | ... | production coordinator |
| Florence Turkson | ... | development executive: tv UK, FilmNation |
| Sarah Vacchiano | ... | vice president business and legal affairs: FilmNation |
| Dimitris Vachaviolos | ... | covid marshall |
| Helen Vidler | ... | epk |
| Claire Walden | ... | assistant: Mark Rylance |
| Stefan Zorich | ... | senior vice president worldwide delivery: FilmNation |
| Marcus Lafferty | ... | stand-in: Dylan O'Brien (uncredited) / stand-in: Johnny Flynn (uncredited) |
Thanks
| Trevor Astbury | ... | special thanks |
| Risa Bramon Garcia | ... | special thanks |
| Erin Bromage | ... | special thanks |
| Alex Cox | ... | special thanks |
| Rachel Fung | ... | special thanks |
| Jón Bjarni Gudmundsson | ... | special thanks |
| Pierre Lagrange | ... | special thanks |
| Bryan Lourd | ... | special thanks |
| Joel Lubin | ... | special thanks |
| Taj Phul | ... | special thanks |
| Edwige Rollin | ... | special thanks (as Edwige Rolin) |
| Sarah Schweitzman | ... | special thanks |
| Brian Siberell | ... | special thanks |
| Hilary Slieman | ... | special thanks |
| Christopher Vidal | ... | special thanks |
| Sheila White | ... | special thanks |
Production Companies
- FilmNation Entertainment
- Focus Features
- Scoop Productions (II)
- Troubadour Studios (Studio facilities)
- Unified Theory
Distributors
- Cine Canibal (2022) (Mexico) (theatrical)
- Focus Features (2022) (United States) (theatrical)
- Tulip Entertainment (2022) (Greece) (theatrical)
- Universal Pictures International (UPI) (2022) (Germany) (theatrical)
- Universal Pictures International (UPI) (2022) (United Kingdom) (theatrical)
- Dazzler Media (2022) (United Kingdom) (Blu-ray)
- Dazzler Media (2022) (United Kingdom) (DVD)
- Dazzler Media (2022) (United Kingdom) (Ultra HD Blu-ray)
- Studio Distribution Services (SDS) (2022) (United States) (Blu-ray) (through)
- Studio Distribution Services (SDS) (2022) (United States) (DVD) (through)
- Universal Pictures Home Entertainment (UPHE) (2022) (United States) (Blu-ray)
- Universal Pictures Home Entertainment (UPHE) (2022) (United States) (DVD)
- Universal Pictures Home Entertainment (2022) (Germany) (Blu-ray)
- Universal Pictures Home Entertainment (2022) (Germany) (DVD)
Special Effects
- KM Effects (prosthetics by)
- Fizz Band Wallop (special effects by)
- Automatik VFX (visual effects by)
Other Companies
- 180 On-Set Solutions (medical services by)
- Angels the Costumiers (special thanks)
- Ashley (clearances)
- Back Lot Music (soundtrack)
- Dewitt Stern Entertainment (production insurance provided: US)
- Dirty Looks (picture post production)
- Elstree Script Services (post production script)
- Film Finances (completion guarantor)
- Fintage CAM (collection account management)
- Galilea Music (music production manager)
- Grand Central Recording Studios (GCRS) (adr mixer)
- Hollywood Script Research (initial script clearance by)
- Huntsman Savile Row (Mr. Rylance is dressed by)
- International Alliance of Theatrical Stage Employees (IATSE) (this picture made under jurisdiction of: affiliated with A.F.L.-C.I.O.-C.L.C.)
- JHA Safety (health and safety services by)
- Lee & Thompson (production legal services by)
- Lock and Co. Hatters (special thanks)
- Marc Graue Recording Studios (adr mixer)
- Natexis Coficiné (production financing provided by)
- Organic (unit publicity by)
- Reel Figures (production accounting by)
- SAG-AFTRA (acknowledgement)
- Shipleys (tax incentive advisors: UK)
- Soundtrack (adr mixer)
- Studio de la Seine (score recorded at)
- Such Sweet Thunder Studios (score mixed)
- Team Engine (production software provided by)
- Twickenham Film Studios (sound re-recorded at)
- Tysers Insurance Brokers (production insurance provided)
Storyline
| Plot Summary |
Leonard (Mark Rylance), a master English tailor who's ended up in Chicago, operates a corner tailor shop with his assistant (Zoey Deutch) where he makes beautiful clothes for the only people around who can afford them: a family of vicious gangsters. One night, two killers, Richie (Dylan O'Brien) and Francis (Johnny Flynn), knock on his door in need of a favor - and Leonard is thrust onto the board in a deadly game of deception and murder. |
| Plot Keywords | |
| Taglines | Every Suspect Fits a Pattern See more » |
| Genres | |
| Parents Guide | View content advisory » |
| Certification |
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Additional Details
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Did You Know?
| Trivia | Mark Rylance was trained in tailoring techniques by the famous Huntsman tailors on Savile Row, previously seen in the Kingsman series. You can catch a glimpse of their iconic house tweed momentarily in the film. See more » |
| Goofs | Despite an abdominal gunshot wound and an exit wound out his back, there are no bullet holes or blood on Richie's jacket or overcoat. See more » |
| Movie Connections | Featured in Top 10 Best Movies of 2022 (So Far) (2022). See more » |
| Crazy Credits | In the closing credits, as each line fades, a single letter O (if present) lingers a little longer. See more » |
| Quotes |
Leonard:
I'm not a tailor; I'm a cutter. See more » |