After the crew of the Enterprise find an unstoppable force of terror from within their own organization, Captain Kirk leads a manhunt to a war-zone world to capture a one-man weapon of mass destruction.
The brash James T. Kirk tries to live up to his father's legacy with Mr. Spock keeping him in check as a vengeful Romulan from the future creates black holes to destroy the Federation one planet at a time.
The crew of the USS Enterprise explores the furthest reaches of uncharted space, where they encounter a new ruthless enemy, who puts them, and everything the Federation stands for, to the test.
The Borg travel back in time intent on preventing Earth's first contact with an alien species. Captain Picard and his crew pursue them to ensure that Zefram Cochrane makes his maiden flight reaching warp speed.
Director:
Jonathan Frakes
Stars:
Patrick Stewart,
Jonathan Frakes,
Brent Spiner
With the assistance of the Enterprise crew, Admiral Kirk must stop an old nemesis, Khan Noonien Singh, from using the life-generating Genesis Device as the ultimate weapon.
Director:
Nicholas Meyer
Stars:
William Shatner,
Leonard Nimoy,
DeForest Kelley
The Enterprise is diverted to the Romulan homeworld Romulus, supposedly because they want to negotiate a peace treaty. Captain Picard and his crew discover a serious threat to the Federation once Praetor Shinzon plans to attack Earth.
Director:
Stuart Baird
Stars:
Patrick Stewart,
Jonathan Frakes,
Brent Spiner
With the help of long presumed dead Captain Kirk, Captain Picard must stop a renegade scientist willing to murder on a planetary scale in order to enter a space matrix.
Director:
David Carson
Stars:
Patrick Stewart,
William Shatner,
Malcolm McDowell
Admiral Kirk and his bridge crew risk their careers stealing the decommissioned Enterprise to return to the restricted Genesis Planet to recover Spock's body.
Director:
Leonard Nimoy
Stars:
William Shatner,
Leonard Nimoy,
DeForest Kelley
To save Earth from an alien probe, Admiral James T. Kirk and his fugitive crew go back in time to San Francisco in 1986 to retrieve the only beings who can communicate with it: humpback whales.
Director:
Leonard Nimoy
Stars:
William Shatner,
Leonard Nimoy,
DeForest Kelley
On the eve of retirement, Kirk and McCoy are charged with assassinating the Klingon High Chancellor and imprisoned. The Enterprise crew must help them escape to thwart a conspiracy aimed at sabotaging the last best hope for peace.
Director:
Nicholas Meyer
Stars:
William Shatner,
Leonard Nimoy,
DeForest Kelley
When an alien spacecraft of enormous power is spotted approaching Earth, Admiral James T. Kirk resumes command of the overhauled USS Enterprise in order to intercept it.
Director:
Robert Wise
Stars:
William Shatner,
Leonard Nimoy,
DeForest Kelley
Three decades after the Empire's defeat, a new threat arises in the militant First Order. Stormtrooper defector Finn and the scavenger Rey are caught up in the Resistance's search for the missing Luke Skywalker.
When the USS Enterprise crew is called back home, they find an unstoppable force of terror from within their own organization has detonated the fleet and everything it stands for, leaving our world in a state of crisis. With a personal score to settle, Captain Kirk leads a manhunt to a war-zone world to capture a one-man weapon of mass destruction. As our space heroes are propelled into an epic chess game of life and death, love will be challenged, friendships will be torn apart, and sacrifices must be made for the only family Kirk has left: his crew.Written by
Paramount Pictures
The eleventh biggest grossing film of 2013. See more »
Goofs
During the Spock/Khan chase scene, Khan sprints across a busy street and causes a car to stop in the middle of the crosswalk. As Spock chases behind him, you can see four pedestrians walking through the front of this car. See more »
Quotes
[first lines]
Bones:
Damn it, man! That was our ride! You just stunned our ride!
James T. Kirk:
Oh, great.
See more »
Crazy Credits
There are no opening credits in the film except for the title card, making this the third consecutive Star Trek film that does not list its cast at the beginning. See more »
Abrams is merely an efficient technician, uninteresting as a man of vision. But we need guys like him, conservative and mechanical in their efficiency, who will hold down the paradigm as others more adventurous fight to shift it, who will remind us by the arbitrary limits they impose that there must be a broader space. It's always the routine and familiar that kindles dreaming.
And this is just so routine. Abrams takes the Spielberg-Lucas model of climax after climax, starting with an Indiana Jones prologue. A few simple moral dilemmas form the backbone, inherited with a wink from the Trek genealogy. The hamfisted 9/11 allegory, enforced by terrorist bombings and a final 'plane crash' in Starfleet hq, is that we may covet revenge but we are dehumanized in the process. Khan as a vengeful mujahedeen, 'trained' by the secret military which is headed by a cowboy admiral hellbent on preemptive war. (Interestingly, everything about Khan's handling here bears Nolan's influence.)
Soulless.
So it is fitting that this guy is spearheading the next generation of established cinematic imagination, taking over from Lucas who is now retired, and Spielberg who is 'respectable'. I'm sure that in 20 years time he will be making his own respectable war movies. That kids growing up on stuff like this will fondly elevate the memory. And that his idea of artistry, Welles' action camera dotted by twinkles of color, lasers and flares, will be elaborated on in essays about his aesthetics, maybe.
All of which is just a natural state of things, nothing to get up in arms about. It just means that the interesting stuff will be defined by contrast to him.
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Abrams is merely an efficient technician, uninteresting as a man of vision. But we need guys like him, conservative and mechanical in their efficiency, who will hold down the paradigm as others more adventurous fight to shift it, who will remind us by the arbitrary limits they impose that there must be a broader space. It's always the routine and familiar that kindles dreaming.
And this is just so routine. Abrams takes the Spielberg-Lucas model of climax after climax, starting with an Indiana Jones prologue. A few simple moral dilemmas form the backbone, inherited with a wink from the Trek genealogy. The hamfisted 9/11 allegory, enforced by terrorist bombings and a final 'plane crash' in Starfleet hq, is that we may covet revenge but we are dehumanized in the process. Khan as a vengeful mujahedeen, 'trained' by the secret military which is headed by a cowboy admiral hellbent on preemptive war. (Interestingly, everything about Khan's handling here bears Nolan's influence.)
Soulless.
So it is fitting that this guy is spearheading the next generation of established cinematic imagination, taking over from Lucas who is now retired, and Spielberg who is 'respectable'. I'm sure that in 20 years time he will be making his own respectable war movies. That kids growing up on stuff like this will fondly elevate the memory. And that his idea of artistry, Welles' action camera dotted by twinkles of color, lasers and flares, will be elaborated on in essays about his aesthetics, maybe.
All of which is just a natural state of things, nothing to get up in arms about. It just means that the interesting stuff will be defined by contrast to him.