During Parents Weekend, Wednesday digs into her family's past - and accidentally gets her dad arrested. Enid feels the pressure to "wolf out."During Parents Weekend, Wednesday digs into her family's past - and accidentally gets her dad arrested. Enid feels the pressure to "wolf out."During Parents Weekend, Wednesday digs into her family's past - and accidentally gets her dad arrested. Enid feels the pressure to "wolf out."
Ismail Kesu
- Young Sheriff Walker
- (as Ismail Kesu Ahmed)
Featured reviews
It's a family reunion for parents weekend, but re-joining with Wednesday doesn't pay dividends, as Gomez is clasped in the laws vengeful jaws, for a murder he had justifiable cause, it was some years ago with Morticia in thrall, had a fight with a normie that led to his fall, but there's more to the tale, a more sinister thread, that resulted in a son and a brother that's dead, while Enid's decided to be who she is, her parents can howl as it's none of their bis, interfering with what a young person desires, enrages and angers, piques, annoys and just tires (especially if they go about it in an insincere and ignorant way).
Wednesday finds out about her parents time at Nevermore.
This is another visually impressive episode with fairly good character moments.
The story is reasonably interesting, with some good backstory revealed by certain characters telling stories at key moments and a convenient vision from Wednesday.
I think for fans of the Addams Family, it depends what you think of the show's portrayal of Morticia and Gomez as to how much you are likely to enjoy this episode, as they are the main focus. Personally, I think they are used well by the writers and Catherine Zeta-Jones is perfectly cast. I slightly struggle with Luis Guzmán's quieter take on his character, probably because I'm used to the louder, more dominant personalities of John Astin and Raùl Juliá. Maybe he will grow on me.
The characters Enid and Bianca have B and C plots that continue the theme of teenagers difficult relationships with parents. One is a bit of a clichéd arc about the pressure of expectations and being an individual, whilst the other is somewhat more mysterious and intriguing.
As ever, the visuals are excellent. I particularly like the transitions from certain characters faces in present time to their younger selves in and out of the flashback scenes.
For me it's a 7.5/10, but I round upwards.
This is another visually impressive episode with fairly good character moments.
The story is reasonably interesting, with some good backstory revealed by certain characters telling stories at key moments and a convenient vision from Wednesday.
I think for fans of the Addams Family, it depends what you think of the show's portrayal of Morticia and Gomez as to how much you are likely to enjoy this episode, as they are the main focus. Personally, I think they are used well by the writers and Catherine Zeta-Jones is perfectly cast. I slightly struggle with Luis Guzmán's quieter take on his character, probably because I'm used to the louder, more dominant personalities of John Astin and Raùl Juliá. Maybe he will grow on me.
The characters Enid and Bianca have B and C plots that continue the theme of teenagers difficult relationships with parents. One is a bit of a clichéd arc about the pressure of expectations and being an individual, whilst the other is somewhat more mysterious and intriguing.
As ever, the visuals are excellent. I particularly like the transitions from certain characters faces in present time to their younger selves in and out of the flashback scenes.
For me it's a 7.5/10, but I round upwards.
Usually when a lead director steps down after completing the first block of principal photography on a production, there's admittedly a frustrating tendency for the next one to struggle capturing filmmaking of the same calibre. Therefore, the visuals become less experimental, more conventional / formulaic & aesthetically, the established style deteriorates until it's less adventurous & consequently, predictable - in order for it to be easier to maintain for the duration of the rest of a shoot. I say this in order to provide context for my main compliment because credit where credit's due, it is genuinely a major achievement for Gandja Monteiro & cinematographer Stephan Pehrsson to take over from a duo as formidably strong as Tim Burton & David Lanzenberg (behind the camera) - & still manage to meet the same standard set by their predecessors with relative ease. Seriously, the transition from one team to the next is seamless & I'm in awe of the brilliance of their abilities, in retaining such strong continuity - & making it appear almost effortless.
With this episode, the narrative additionally builds upon the previous 4 installments with a newfound energy & enthusiasm I couldn't help but notice; each & every scene skilfully crafted & enhancing the story further with interesting twists & turns which lead in to a really wonderfully realised cliffhanger. Although the show didn't get off to a very promising start, the more I watch of this, the better it's gradually becoming.
With this episode, the narrative additionally builds upon the previous 4 installments with a newfound energy & enthusiasm I couldn't help but notice; each & every scene skilfully crafted & enhancing the story further with interesting twists & turns which lead in to a really wonderfully realised cliffhanger. Although the show didn't get off to a very promising start, the more I watch of this, the better it's gradually becoming.
Ohh ffs it's not 10 seasons of the X files. Why in season 1 half way through do we need new writers? The previous four episodes were amazing, this episode is an utterly pointless backstory story. Tedious and plodding. Completely lacking all the pacing and narrative of the first four episodes. This could have easily been integrated rather than been a stand alone story. Terrible directing. I'm praying e6 gets back to the delights of 1-4. Ok I'm now watching e6. Seriously worried we have gone from snappy fresh teen detective series into Riverdale soap opera cringe boring tedium. Hope I'm wrong. Burton has left the building.
Edit. Thankfully it pulls itself back together for the final few episodes.
Edit. Thankfully it pulls itself back together for the final few episodes.
The plot of the 5th episode was really interesting and I really liked that episode (because, there were many flashbacks about Morticia's and Gomez's life). The storyline was very well written and everything was well-explained. Of course, it was a really intense episode (just like every other episode of the TV show) and I really enjoyed it. The plot twists of that episode were just nice, but not really shocking. The ending scene was fine and I'm really excited about episode 6. Sadly, there weren't any kills on that episode (actually, only the 1st episode was super creepy and full of death scenes, it was EPIC).
Storyline
Did you know
- TriviaGomez' prison jumpsuit reads 171912, which is Charles Addams' birthdate (January 7, 1912).
- GoofsWednesday says that she can determine that Gomez is lying because she recognizes his "tells" from when they played Russian roulette. Tells are an indicator that someone is being purposefully deceitful, such as in a game of poker when one wishes to hide the strength or weakness of their cards. As the results of Russian roulette are completely up to random chance, there is no opportunity to try to lie to your opponent.
- Quotes
Pugsley Addams: I mean, for me, it's been hard not having Wednesday around. I never thought i'd miss being waterboarded so much.
- ConnectionsFeatured in MsMojo: Top 10 Most Savage Wednesday Comebacks (2022)
Details
- Runtime50 minutes
- Color
- Sound mix
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