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Title: Come Undone (2010)
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| Cast overview, first billed only: | |||
| Alba Rohrwacher | ... | Anna | |
| Pierfrancesco Favino | ... | Domenico / Miriam's husband | |
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Teresa Saponangelo | ... | Miriam / Domenico's wife |
| Giuseppe Battiston | ... | Alessio | |
| Fabio Troiano | ... | Bruno | |
| Monica Nappo | ... | Chicca | |
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Tatiana Lepore | ... | Bianca |
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Sergio Solli | ... | Suocero di Domenico / Dominic's father-in-law |
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Gisella Burinato | ... | Zia / Aunt Ines |
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Gigio Alberti | ... | Dott. / Dr. Morini |
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Francesca Capelli | ... | Agnese |
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Danilo Finoli | ... | Ciro |
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Martina De Santis | ... | Isa |
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Leonardo Nigro | ... | Vincenzo |
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Adriana De Guilmi | ... | Madre di Anna |
Anna (Alba Rohrwacher) has everything she thought she could ever need: a respectable career, a caring family, and a loving partner, Alessio. But when she meets Domenico (Pier Francesco Favino), a handsome, married waiter, her neatly ordered world begins to fall apart. They quickly fall into a heated affair, based on secret meetings, stolen caresses, cell phone fights, and endless lies. Anna's increasingly distant behavior goes unnoticed by Alessio, while Domenico's wife becomes steadily more suspicious of her husband. As the two lovers begin to fall deeper under the spell of passion, they are faced with a life-changing choice which neither is entirely prepared to make. Written by lament
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Silvio Soldini is a very good director. At his best, he can give us touching, inspiring comedies like "Pane e Tulipani" or in-depth social studies like "Un'anima divisa in due".
Unfortunately this film seems to be stuck in the middle, and ultimately have no point. Well acted (Giuseppe Battiston is always a guarantee), interestingly filmed, too little edited. Yes, the editor could have left some more out of it.
The analysis of the Italian contemporary society (financial struggle, emptiness, fear of engagement) is quite precise, but gets lost in a never-ending (and repeating) lovers' story, everybody gets tired about. The audience tend to look forward the other characters, the whole support cast (the friends, the betrayed companions, the families), because these two really go back an forth, back and forth, back and forth...
Alba Rohrwacher doesn't seem to have enough to work on, in terms of creating a complete character. She's good, but seeing her driving around for a while doesn't take the story anywhere. Pierfrancesco Favino has a more interesting character, and Teresa Saponangelo has a standardized role (as a betrayed wife and mother of screaming children) that we've seen way to often (what a missed opportunity).
At the end of the 'World Première', here in Berlin, Silvio Soldini didn't really know what to say, except to thank for the polite applauses. That's the point: he has the craft, the skills, the production means and the crew to create something new and revealing. We still love you, but please wait for the inspiration, next time. A film can come out wrong like "Agata e la tempesta" and still be an enjoyable experience, but if there is nothing to say, better to pass on to the next project.
Also, please have the English subtitles redone. They were pretty bad. Don't cut corners and have them done better next time. Thanks!