After a stint in a mental institution, former teacher Pat Solitano moves back in with his parents and tries to reconcile with his ex-wife. Things get more challenging when Pat meets Tiffany, a mysterious girl with problems of her own.
David O. Russell
Robert De Niro
A con man, Irving Rosenfeld, along with his seductive partner Sydney Prosser, is forced to work for a wild F.B.I. Agent, Richie DiMaso, who pushes them into a world of Jersey powerbrokers and the Mafia.
After moving with her mother to a small town, a teenager finds that an accident happened in the house at the end of the street. Things get more complicated when she befriends a boy who was the only survivor of the accident.
A mysterious outsider's quiet life is turned upside down when he returns to his childhood home to carry out an act of vengeance. Proving himself an amateur assassin, he winds up in a brutal fight to protect his estranged family.
Her family home in danger of being repossessed after her dad skips bail and disappears, Ozark teen Ree Dolly (Jennifer Lawrence) breaks the local code of conduct by confronting her kin about their conspiracy of silence. Should she fail to track her father down, Ree Dolly, her younger siblings, and their disabled mother will soon be rendered homeless.
For authenticity purposes, most of the supporting cast were locals. Ree's sister was from the area and indeed the exterior of her home in the film was actually her real home. The clothes everyone wore were the actual clothes of the locals too. Indeed, the townspeople were given brand new clothes in exchange for their old, frayed items of clothing to be used by the actors in the film. See more »
When the kids are setting up bottles to shoot, all the way through to the actual shooting, the cans change position in the line-up several times, and new cans and arrangements appear. See more »
Just back from seeing this at the Edinburgh Film Festival, and at the Q&A afterwards, the director, Debra Granik (refreshingly eloquent and well beyond the usual wanting to thank the world and his wife for being here at EIFF) described her film's subject matter as 'hard scrabble'. Although she wasn't referring to a Russian Roulette version of the popular literacy board game (now there's an idea for a film...), it was an evocative description of the tough slice of backwater American life served up here. The basic storyline – a teenagers plight to save her dependent family from imminent homelessness because of the actions of an errant and now-absent father – felt both authentic and compelling, as did the way the local community closed in around her, meting out both violence and support in equal measure.
Using grey and oppressive colour tones, the entire film is shot in a bleak wooded landscape, where the grizzle-bearded men all look like they've just left the set of 'Southern Comfort', and the straggle-haired, world-weary lined faces of the women add to the unspoken sense of the harsh reality of life here. I doubt they see many tourists in this neck of the woods, and at the same time, the film steers well clear of the 'and if they did, they'd probably eat them' stereotype. I liked the sparse and effective use of bluegrass-folky-type music, which cut through, and gave some relief to, an otherwise fairly unremitting sense of hopelessness.
Although the subject matter is an uncompromising reality-check to much of the superficial Hollywood drivel that fills our multiplexes, this is not a hard watch. At its' heart, it's a good story, well-told, with excellent central performances (particularly John Hawkes and Jennifer Lawrence) and an open-hearted sense of the local community here, in spite of their bread-line existence. 7/10.
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