After moving with her mother to a small town, a teenager finds that an accident happened in the house at the end of the street. Things get more complicated when she befriends a boy who was the only survivor of the accident.
After a stint in a mental institution, former teacher Pat Solitano moves back in with his parents and tries to reconcile with his ex-wife. Things get more challenging when Pat meets Tiffany, a mysterious girl with problems of her own.
David O. Russell
Robert De Niro
With an absent father and a withdrawn and depressed mother, 17 year-old Ree Dolly keeps her family together in a dirt poor rural area. She's taken aback however when the local Sheriff tells her that her father put up their house as collateral for his bail and unless he shows up for his trial in a week's time, they will lose it all. She knows her father is involved in the local drug trade and manufactures crystal meth, but everywhere she goes the message is the same: stay out of it and stop poking your nose in other people's business. She refuses to listen, even after her father's brother, Teardrop, tells her he's probably been killed. She pushes on, putting her own life in danger, for the sake of her family until the truth, or enough of it, is revealed.Written by
Ree is the inspiration for the Star Trek: Beyond (2016) character Jaylah, who was even named after Jennifer Lawrence ("J-Law"). See more »
When Gail comes over to Ree's house, they are both standing at the kitchen counter with baby Ned on the counter in his car seat. Ree is eating something out of a cast iron skillet with a fork, Gail pulls out the keys to the truck while Ree is eating with the fork and then throws the keys down onto the counter, but now the fork is in the skillet and no longer on Ree's hand. See more »
Watching this film the first time you will see one of the most accessible, compelling, and almost entirely straight narrative films this year. As a film snob, I tend to like them more visually challenging and time bending. Nonetheless, I was entirely blown away in my first viewing and simply could not get this movie out of my mind for the rest of the film festival I was attending.
In quiet repose, the vapor trails coalesce around two things when you try to explain Winter's Bone to others. From the view of genre it goes everywhere: mystery, noir in gray tones, gangster, thriller, almost horror and a brilliant, stark family drama. Then there are the themes that rage quietly behind the scenes: hopelessness in poverty, good transcending almost demonic evil, an unbridled feminist treatise, nobility free poverty, drug culture ripping social fabric asunder, and family is your trump card for everything.
This really grasps you like a whirling dervish in a cauldron, so powerful it takes your thoughts so many places so quickly.
The source of all this is a startling story and screen rendering by one who may become a great young female director. The performances, likely coaxed by this great director, stun you silent.
Plus it contains possibly the greatest role model for the young ever put on film, performed in true star making brilliance if seen beyond the art houses where characters like me reside.
In the end, after five viewings, it stands as my favorite film seen since American Beauty, therefore placing it in my favorite ten all-time. Please see this before it shocks you when its name appears on year end awards lists.
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