Ex-government operative Bryan Mills is accused of a ruthless murder he never committed or witnessed. As he is tracked and pursued, Mills brings out his particular set of skills to find the true killer and clear his name.
Disgraced Secret Service agent (and former presidential guard) Mike Banning finds himself trapped inside the White House in the wake of a terrorist attack; using his inside knowledge, Banning works with national security to rescue the President from his kidnappers.
Mobster and hit man Jimmy Conlon has one night to figure out where his loyalties lie: with his estranged son, Mike, whose life is in danger, or his longtime best friend, mob boss Shawn Maguire, who wants Mike to pay for the death of his own son.
The retired CIA agent Bryan Mills invites his teenage daughter Kim and his ex-wife Lenore, who has separated from her second husband, to spend a couple of days in Istanbul where he is working. Meanwhile, the patriarch of the community of the Albanian gang of human trafficking, Murad Krasniqi, seeks revenge for the death of his son and organizes another gang to kidnap Bryan and his family. Bryan and Lenore are abducted by the Albanians, but Kim escapes and is the only hope that Bryan has to escape and save Lenore.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
When Kim is making circles on the map, she compares the shoelace to the map's scale as a reference, but doesn't hold the lace flat against the map when drawing the circles; instead, the lace acts as the hypotenuse of a right triangle, with the pen and map as the other two sides. Any circles drawn in this manner would be smaller than intended. See more »
He slaughtered our men, our brothers, our sons. The dead cry out to us for justice. On their souls, I swear to you. The man who took our loved ones from us, the man who has brought us such pain and sorrow, we will find him. We will bring him here. We will not rest until his blood flows into this very ground. We will have our revenge.
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The last shot of the credits states: "The making and legal distribution of this film supported over 14,000 jobs and involved over 600,000 work hours." This is the first movie with such message of Fox campaign to educate consumers on economic impact of film and TV. Later on, other Fox-produced films are featuring this message. See more »
The UK cinema version was cut by the filmmakers after the BBFC informed them a '15' rating would likely be given to the film. Three scenes of violence and threatening scenes were edited and a '12A' rating was then given. See more »
What an utter disappointment. Like many fans of the original Taken, I was looking forward to a sequel to see if it could match or in any way surpass the original. I am afraid that as as sequel I am left perplexed at the lack of any tension, real action and pace in the film. The villains were not as nasty as they should be- after all they were seeking revenge for the slaughter of friends and family and all appeared not all intimidating. There was no sharp dialogue and some scenes bordered on the risible especially when Liam Neeson was trying to give directions to his daughter on his whereabouts. The finale was rushed and overall the film lacked any bite or interest. Dull, unimaginative-only Liam Neeson kept what glimmer of hopes alive by his solid acting. However, a real shame the film could not even match or equal the original. Do not waste your time- see the original Taken and leave this sequel alone.
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