Sex & Drugs & Rock & Roll

I thought that "Sex & Drugs & Rock & Roll" was an excellent biopic of the late, great Ian Dury … who, stricken by Polio at an early age went on against all odds to be a leading player / singer in the emerging punk scene of the 70's and onwards ... The cast was very strong, especially the lead role played fantastically well by Andy Serkis (aka Gollum – Lord of the Rings, King Kong – King Kong), Naomie Harris (After the Sunset, Pirates of the Caribbean – At World's End) as Ian's girlfriend Denise and Bill Milner (Son of Rambow, Is there Anybody there?) as Ian's son Baxter. The film takes you through Ian Dury's funny / sad / dynamic / and often chaotic life with a collation of live performances, flashbacks and monologues – often driven by the great lyrics of the songs themselves … this is very well done … The director (Mat Whitecross)moves the film along at a good pace and gets the very best performances out of the actors – and the casting of Andy Serkis as Ian Dury was a masterstroke – I would not be at all surprised if he was nominated for best actor in the Oscars for this amazing performance. I would believe that even Ian Drury would have been impressed by Serkis's performance! I found this to be a very poignant, entertaining film – that (I believe) fairly accurately depicts the life and times of the late, great Ian Dury … and I wouldn't hesitate to recommend this film. For those that previously enjoyed the music of Ian Dury and the Blockheads – you will love this film … for those that haven't heard the music before … "What a Waste!" … get ready to be converted … for you'll have "Reasons to be cheerful" when Ian Dury "Hit's you with his Rhythm Stick!"

In the states, Ian Dury is mostly unknown, especially now. He was a UK rocker who came out of the pub circuit. He was the most unlikely of rock stars, stricken with polio and possessed of a less than tuneful voice. Still, the music is well crafted and other than the film title some may remember the clever "Hit Me With Your Rhythm Stick". Andy Serkis does an amazing job as Dury, he catches his ugliness, his drive, his indifference and his fury. They don't make musicians like Dury anymore, and thats a pity. He was an original. The film gets a bit confusing jumping from the present to the past, but stay with it. If you've never heard of Dury, read up & listen before you watch this. Otherwise, I think this is a faithful film about a difficult person but one who contributed well to popular culture. R.I.P. Ian.

Back in 1977 while punk was just getting going, a band called Ian Dury and the Blockheads released an album called 'New Boots and Panties'. A few years later, feeling a bit nostalgic, I bought said album really cheap. I still have it today; in fact I'm listening to it as I type this review. Now, onto the film, it's a biopic all about Ian Dury, his fight against disability and his rise to fame. Here's a brief summary before I tell you my thoughts (summary haters please mingle with the audience while I write the next paragraph).

Ian Dury was an entertainer, or that's what he always said he was interviewed. He had been struck down with polio when he was young and this left him withered down his left side. When we first see him, he is with another band who are rehearsing downstairs while his wife, Betty, gives birth upstairs. Later, after their last gig, he meets Denise Roudette, with whom he has an affair. They move in together and a while later, his son, Baxter, comes to stay with them. As Ian puts a new band together, including musician and songwriter Chaz Jankel, Baxter struggles to come to terms with the chaotic lifestyle he has been thrown into. The film plots his rise to fame and the effect it has on Ian and those around him. It also tells of his early life in flashback, his relationship with his father, Bill, and his unhappy childhood in an institution. I won't say any more as I don't want to give too much away.

Made in a very theatrical style, this film cuts from live action to animation, to live musical performances and back again. It all sounds a bit chaotic, but, for me at least, it works. At the centre is a really great performance from Andy Serkis as Ian Dury, although he doesn't particularly look like him, he has all his mannerisms down to a tee. I also thought Bill Milner played the part of Baxter Dury very well, it can't have been an easy part for a young actor and I thought he coped with it pretty well. Similarly, Wesley Nelson played the part of Young Ian Dury very well. I should also give honourable mentions to Olivia Williams as Ian's wife, Naomie Harris as Denise Roudette, Tom Hughes as Chaz Jankel, and nice cameos from both Ray Winstone as Bill Dury (Ian's dad) and Noel Clarke as Desmond.

Although Ian Dury wasn't the easiest person to get along with (for those that don't know, he passed away in 2000) and consequently not the nicest man in the world, I found this quite an enjoyable film to watch. I can't say I'm a huge fan of Ian Dury and the Blockheads, but I do recognise that Ian was a very talented chap and I always respected him as an artiste. Later in his career he appeared in quite a few films, not a bad actor. Over all, it's quite an interesting film, very touching at times but also quite bold in its approach. I know it won't be everyone's cup of tea, but still… recommended.

My score: 7.1/10

Ian Dury's span of popular success in the UK only lasted a few years and I can't say I was over-familiar with either his work (bar the early hit singles and albums) but this film belied my fear that perhaps there wasn't much of a story to tell. In fact, it probably over-compensates by adopting a non-linear narrative approach as well as some arty-farty jump-cuts and tricksy animation sequences to inject a knockabout feel to proceedings.

This is again a somewhat contrived and forced contrast to the bathetic scenes of Dury's growing up as a young boy, abandoned by his father, bullied at school by his class-mates and one particular teacher, his adult predilection for treating his womenfolk very badly indeed and finally the difficult relationship with his own son Baxter, who has since become a recognised musician in his own right.

I felt the scenes with the two women in his life, his wife and mistress were a bit overwrought and overwritten, their dialogue too forced and you're always anticipating an inspired pearl of wit or wisdom from Dury when real life just doesn't work that way, even with clever bastard word-smiths like him. It's like expecting Shakespeare to curse and moan in rhyming couplets if he was having an argument - my point is we know that Ian Dury had a way with words but not every minute of the day.

All that said, the film rattled along and certainly did the man's musical legacy proud. I thought a bit more could have been done to play up the importance of Chaz Jankel and his nifty tune-spinning - certainly Dury was a lot less successful when writing to someone else's melodies. Andy Serkus is great in the Dury role, he looks and talks the part very well, acts his disability imperceptibly and keeps up the characterisation right into the songs, of which many are aired.

For some reason the film misses out about the last 15 years of his life and we don't even get to know how he died, although the director may claim that the film was a celebration of his life and won't be the last bio-pic to fast forward past the more mundane parts of an artist's life. For that reason, the first half of the film as he struggles for success is better than the inevitable rock-star excess in the second half, where Dury's persona becomes a bit blurred.

All told though, I quite enjoyed it but regret somewhat that the director felt the need to jazz up his subject's life in a way that I'm not sure a no-bullshit guy like Dury would altogether appreciate.

I was a regular Ian Dury record buyer in my late teens but wouldn't say I was in his thrall. Nevertheless, I was intrigued enough to go and see this biopic featuring Andy Serkis (Golum in Lord of The Rings) as the great man himself.

His performance is top drawer and does make you feel you are in the room with the chief Blockhead himself. But this is more than a music homage. This is a reasonably complex life story told with more than a smattering of real film skills. It opens a bit frenetically with a hotch-potch of animation, flashbacks, montage and "stuff" that the director's (Mat Whitecross - not one I know) using to try to tell the back story quick as a flash. Whilst it works in story-telling terms it feels like it's trying too hard and it takes 20 minutes for the film to find its feet as Dury metamorphosises from Kilburn and The High Roads into Ian Dury and The Blockheads.

Thereafter, the film is far more assured, but strangely unmoving on the whole, despite the fact that there are a lot of episodes that could have jerked a tear or two. Little is made of his chart success. other than the typical excesses that stardom inevitably brings in its wake; rather, the film is much more interested in his complicated love life and (abysmal) family life which lays true the aphorism that what goes around comes around. Actually, it's better for that.

In particular the relationship with Dury and his son, Baxter (played brilliantly by Son of Rambow star Bill Milner) is the main thread of the movie. Initially reticent, Baxter becomes increasingly influenced by his rebellious father and follows suit. Again, like Dad, in response to the bullying and humiliation he faced at school.

The finale is really good and pulls together a lot of strands including the Spartacus references that cropped up earlier in the action. I won't spoil it by telling you how though.

actually,the movie tries a little too hard; it's a touch too stylised for my liking, but it zips along quickly despite its fairly lengthy 115 minute running time.

Overall, I'd recommend it; if for no other reason than to wonder at Andy Serkis.

7 out of 10.