A factory worker, Douglas Quaid, begins to suspect that he is a spy after visiting Recall - a company that provides its clients with implanted fake memories of a life they would like to have led - goes wrong and he finds himself on the run.
The son of a virtual world designer goes looking for his father and ends up inside the digital world that his father designed. He meets his father's corrupted creation and a unique ally who was born inside the digital world.
Transported to Barsoom, a Civil War vet discovers a barren planet seemingly inhabited by 12-foot tall barbarians. Finding himself prisoner of these creatures, he escapes, only to encounter Woola and a princess in desperate need of a savior.
In a future where people stop aging at 25, but are engineered to live only one more year, having the means to buy your way out of the situation is a shot at immortal youth. Here, Will Salas finds himself accused of murder and on the run with a hostage - a connection that becomes an important part of the way against the system.
For a factory worker named Douglas Quaid, even though he's got a beautiful wife who he loves, the mind-trip sounds like the perfect vacation from his frustrating life - real memories of life as a super-spy might be just what he needs. But when the procedure goes horribly wrong, Quaid becomes a hunted man as he finds himself on the run from the police.Written by
When Quaid/Hauser is fighting the synthetic on top of the six-way elevator car and the synthetic loses an arm, this is a nod to the original film where Michael Ironside's character suffered in a similar way. See more »
The "London Underground" train, is actually of north American design despite bearing London Transport logos and the station showing London Underground posters. This is because the scene was filmed in a Canadian Subway station. The train also looks very dated, there are far more modern 'futuristic' trains currently in use on the London Underground. See more »
I wish I could recall the last two hours of my life. I really thought this movie would be fun - not good, mind you - but fun. A re-make of an old classic with an even bigger budget, better actors, and today's special effects would be worth 8 bucks. Plus Jessica Biel is sexy as hell. I was rewarded for my rare optimism by poor acting (seriously, the robots were more engaging); cliché dialogue (at one point, the villain actually said darkly, "Go handle it" to his henchman); and unpredictable plot-turns (the audience was kept guessing what the hell was going on). And these were all carefully scripted for the sole purpose of getting to the next action sequence - none of which had anything to do with the original movie. The only call-back to the original title was the appearance triple-titted hooker. No need to explain how the hell a regular human came to have these mammoth milk-monsters, because there are three of them. I should have walked out after they made their five-second cameo. I would have been happier.
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