Ulrik is reluctantly let out of prison after serving 12 years for murder. He has to cope with his gang, his ex, a few women - and a snitch. His son has a fiancé. Her family doesn't approve ...
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A young writer whose proposal was recently rejected goes to Greenland to spend a year at an outpost for hunting and trapping animals for furs. At the outpost he meets two men who are none too keen to spend the winter with the newcomer.
Director:
Hans Petter Moland
Stars:
Stellan Skarsgård,
Gard B. Eidsvold,
Bjørn Sundquist
It is becoming increasingly difficult to protect ourselves from extreme financial volatility. This feature documentary will examine the mechanics behind bubbles and crashes, and discuss trends and visions for the future.
Director:
Hans Petter Moland
Stars:
Anders Brekke,
Olav Arnar Bø,
Petros Christodoulou
A mom dying in Aberdeen, Scotland, asks her coke snorting, nympho, London lawyer daughter to get her estranged, alcoholic dad in Oslo, Norway, to Aberdeen. He's drunk at the airport, so they travel together by car and ferry.
Director:
Hans Petter Moland
Stars:
Stellan Skarsgård,
Lena Headey,
Jean Anderson
Norwegian winter, early 20th century. On the boys home Bastoy, a new inmate leads the boys to a violent uprising against a brutal regime. How far is he willing to go to attain freedom?
Director:
Marius Holst
Stars:
Benjamin Helstad,
Trond Nilssen,
Stellan Skarsgård
The old sea-captain retires, but the next day German WWII occupation of Norway begins. He then kisses his wife good-bye and is off to Army HQ. There he finds a lack of leadership and morale... See full summary »
Director:
Hans Petter Moland
Stars:
Espen Skjønberg,
Lars Andreas Larssen,
Gard B. Eidsvold
After reuniting with his mother in Ho Chi Minh City, a family tragedy causes Binh to flee from Viet Nam to America. Landing in New York, Binh begins a road trip to Texas, where his American father is said to live.
Director:
Hans Petter Moland
Stars:
Damien Nguyen,
Bai Ling,
Dang Quoc Thinh Tran
In a Norwegian city with a 24-hour daylight cycle a Swedish murder investigator has been brought in on a special case. Sleep deprived, he makes a horrible mistake which is discovered by the killer he has been hunting.
Director:
Erik Skjoldbjærg
Stars:
Stellan Skarsgård,
Sverre Anker Ousdal,
Maria Mathiesen
Uno is a story from inner-city Oslo about David, a twentyfive-year-old with few prospects for the future. His days are spent hanging around with petty criminals at an inner-city gym. Still,... See full summary »
The movie portrays Norway's most spectacular robbery, where 11 men occupied central Stavanger for twenty minutes and escaped with 57 million kroner (appx $10 million). A police officer was shot and killed.
Ulrik is reluctantly let out of prison after serving 12 years for murder. He has to cope with his gang, his ex, a few women - and a snitch. His son has a fiancé. Her family doesn't approve of murder. They have a nursery, they have principles. Ulrik is a somewhat gentle man. But how gentle can you be? ...and he's losing his hair.Written by
Anonymous
This is definitely a different kind of movie. At first I couldn't quite swallow it. Like one of those wired Frennch delicacies that taste so unexpectedly you can't decide whether to chew on or drop them out of your mouth. Yet, if you resist a bit further for your mouth and brain to accommodate, you find that the experience was one so rich and subtle it lingers on your senses for days.
There's not the least bit of glamor or pretence in this movie. The plot seem to develop rather too slowly, the dialogues do not have the sparkle which tingles the intellect and makes you feel smarter, the people are not handsome but slightly old, worn out, ordinary people and the sex scenes are stripped of magic, eroticism and, well, desire. Nevertheless, behind it all there's this gentleness, humour and a kind of sadness almost heartbreaking. Each character has a history of abandonment, abuse, absence of love behind them, which sort of handicaps the way they connect to other people, makes their words and gestures rather abrupt, apparently lacking emotion. And there's this "gentle man", a former cold blooded murderer, who can see their despondency and incidentally tries to give them a bit of what they need. In doing so, he attempts to shut a door on his bleak past. And it's not because he wants to be a new better man, but because he can no longer be the man that he was. He simply needs to be the father and the lover he was refused for many years, he needs to have an ordinary life. "Spring is coming", his reply at the end of the movie, and the small contemplative smile it's a welcome addressed to a life of better choices and the relief after just killing the last "shadow" of his past. Now I can tell no more without spoiling the movie, but I highly recommend it. Also, I recommend that you be patient. Even if you can't enjoy it from the very first, see it through. It will worth your while. I give this movie a 9 out of 10.
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This is definitely a different kind of movie. At first I couldn't quite swallow it. Like one of those wired Frennch delicacies that taste so unexpectedly you can't decide whether to chew on or drop them out of your mouth. Yet, if you resist a bit further for your mouth and brain to accommodate, you find that the experience was one so rich and subtle it lingers on your senses for days.
There's not the least bit of glamor or pretence in this movie. The plot seem to develop rather too slowly, the dialogues do not have the sparkle which tingles the intellect and makes you feel smarter, the people are not handsome but slightly old, worn out, ordinary people and the sex scenes are stripped of magic, eroticism and, well, desire. Nevertheless, behind it all there's this gentleness, humour and a kind of sadness almost heartbreaking. Each character has a history of abandonment, abuse, absence of love behind them, which sort of handicaps the way they connect to other people, makes their words and gestures rather abrupt, apparently lacking emotion. And there's this "gentle man", a former cold blooded murderer, who can see their despondency and incidentally tries to give them a bit of what they need. In doing so, he attempts to shut a door on his bleak past. And it's not because he wants to be a new better man, but because he can no longer be the man that he was. He simply needs to be the father and the lover he was refused for many years, he needs to have an ordinary life. "Spring is coming", his reply at the end of the movie, and the small contemplative smile it's a welcome addressed to a life of better choices and the relief after just killing the last "shadow" of his past. Now I can tell no more without spoiling the movie, but I highly recommend it. Also, I recommend that you be patient. Even if you can't enjoy it from the very first, see it through. It will worth your while. I give this movie a 9 out of 10.