Lifelong platonic friends Zack and Miri look to solve their respective cash-flow problems by making an adult film together. As the cameras roll, however, the duo begin to sense that they may have more feelings for each other than they previously thought.
When a family is held hostage, former hostage negotiator Jeff Talley arrives at the scene. Talley's own family is kidnapped and Talley must decide which is more important: saving a family he doesn't even know or saving his own family.
Serena Scott Thomas
Set in a futuristic world where humans live in isolation and interact through surrogate robots, a cop is forced to leave his home for the first time in years in order to investigate the murders of others' surrogates.
After a clumsy operation trying to capture a drug dealer, the N.Y.P.D Detectives Jimmy Monroe and Paul Hodges are suspended for one month by their Captain Romans. Jimmy decides to sell his rare baseball card to pay for his daughter's expensive wedding while his jealous partner believes that his wife is cheating on him with their next-door neighbor. When Jimmy sells his card to a memorabilia store, the place is burgled by two small-time thieves and the detective loses his card. They track down the thieves.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
When Willis's is sitting at the table talking to his daughter's stepfather about the wedding, there is a mural in the wall behind that shows a woman and a horse having carnal relations See more »
At about 1 hour 4 minutes into the movie, an bird's eye view shot of Paul and Gabriela are seen lying in the bed. Paul is on the left. In the next shot, they look at each other and this time Paul is on the right. See more »
You know what today represents? Nine Jim. Nine years me and you been together. *Nine* we been main shit stains. I know some dogs that don't even live to be nine. You're lucky if you get seven years out of a Great Dane. But me and you been puttin' it together for nine...
[whips out a card]
Happy anniversary Jim.
I don't celebrate anniversaries.
Jim, open it up. I wanna see the expression on your face.
You wanna see the expression on my face? The expression you're gonna see on my face...
See more »
Kevin Smith is one of my favorite modern filmmakers, but everyone makes mistakes and Smith's latest is COP OUT. I really wanted to enjoy this movie. Unfortunately, the movie was so mediocre that I found my attention wandering through most of it. The film, Smith's attempt at recreating the fun of 80's buddy cop films, stars Bruce Willis and Tracey Morgan as two disgraced cops who are suspended after a botched stake-out. The timing couldn't be worse, as Jimmy (Willis) is trying to pay for his daughter's wedding. He decides to sell off a rare baseball card to raise the funds, but a robbery relieves him of the card before he can. Jimmy and his long-time partner Paul (Morgan) set out to track down the baseball card and find themselves in the middle of a case to bring down a local drug lord who hopes to expand his business.
See, it even sounds like an 80s buddy cop movie!! The problem here is that the film isn't funny enough to be a full comedy, and the action isn't strong enough to be a decent action film. So it just sits in the middle, failing to appease people who watched it for either reason. Smith has created some of my favorite comedies (DOGMA was awesome, and JAY & SILENT BOB STRIKE BACK is one of my guilty pleasures), but those were films he'd written and directed. Here, the writing duties had been given to Robb and Mark Cullen. I've never seen anything written by the Cullens and, thanks to COP OUT, I'm not in any real rush to do so. Smith's trademark borderline-juvenile comedy that usually has me laughing so hard I can't breathe is pretty much gone (though he does manage to toss in his obligatory STAR WARS reference) and replaced by cringe-worthy low(er) brow toilet humor.
The problem isn't just with the writing and weak action sequences, it's with the casting. I love Willis but he doesn't really seem to get much to work with, and for most of the movie he comes off as bored. Morgan was all right back in the day on SNL and he's pretty good on 30 ROCK, but he grinds on my nerves here. He has a few funny moments, but you need more than a few when you're helping carry an entire feature. The worst bit of casting came in the form of Guillermo Diaz as Poh Boy, the drug lord villain. Maybe it's because I can only remember him as Scarface from HALF-BAKED but I couldn't take any of his bad guy schtick seriously. Sean William Scott has the only real funny role in the movie as the S**t Bandit (so named because the cops spy him using the bathroom in the middle of a burglary). Scott earns the most laughs with his eccentric, childish games eating away at Paul's nerves.
I don't consider COP OUT a bad movie, because it's not so terribly done that I can't watch it. It has a couple fun moments but they're not enough to save the movie. The film never rises above mediocre and I hope this serves as a lesson to Smith that he should continue to write his own movies. I'm sure if he had put this together himself, it would've been light years better and we'd be applauding Smith for trying a new genre instead of wishing he hadn't.
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